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Sometimes we need to see other people do something that's scary first, and then we can take that first step into the unknown ourselves. Conventional wisdom says one must "fight" breast cancer, but fighting is not for everyone. For some, falling apart proves to be the better response. The Heroics of Falling Apart: One Couple's Breast Cancer Journey is the story of how one couple found their own authentic way to survive the ordeal of coping with a life-threatening illness. In separate voices, Judy and Dan Gordon relate and reflect on their yearlong journey with Judy's cancer, from diagnosis through the end of treatment. The Heroics of Falling Apart examines the broad range of experiences from the surprisingly different viewpoints of patient and caregiver, and does so with a candidness and humor that others facing a similar journey will find touching and inspiring, as well as informative. In the wake of a cancer diagnosis, there is an overwhelming amount of things to do-decisions to be made, questions to ponder, and emotions and people with which to cope. Often, simply knowing that there is no right or wrong way to get through it makes the journey bearable, a fact made strikingly clear through the Gordons' deeply personal and detailed account of their journey.
The big story is the story that sits behind all our other stories. It is the story that provides the stable context for our lives. The author describes, in first-person perspective, what it means when the big story falls apart. He grew up in the 1960s, so there were plenty of socially based reasons for feeling that all the certainties were crumbling. And there were personal reasons too. An inability to even choose a career. Part 1 is The Disintegration. It finds the author leaving the city. Fleeing. But he finds a place to settle, in a valley that has walls of refuge., a place of retreat. It is good enough. He is telling this story as it happened, that memory returns to him after so long. He gives up books, he takes up gardening. He never stops thinking about the big story. But he ventures back in to a town, to a job, a tumultuous job that required him to learn the art of war. Books come back in, and music. Eventually there is a return to the city, wondering if it will be different. Part 2 is The Renewing. He says he is on a campaign to find the roots of the world tree. Writing about human resources and training in the day time, finding peace and joy in music. But he knows what he is finding in the stories, when his experiences turn into story. It is love, and morals. And some of the stories are in song. Part 3 is Onward. The author has to come back to the present, but he is called away by Mu, the chanter who has been here before. Mu's desire is to dance at the music festival, and we think he intends to stay, but he comes and is gone, with just a nod to the tawny frogmouth sitting in the tree. Part 4 is Reframing. The author is older. He is making principles. Now he knows that heaven and earth are working together. At the end, the story goes on. The energy flows in all directions.
Today, our world is a scary hyperconnected place. Thanks to the internet, we know more than we ever did when our world was limited to our town and local news. At any given time, we can witness tragedy anywhere in the world through a device in our pockets. It seems more than ever the cable news network's sling drama and fear 24-7. This takes a toll on our psyche. More Americans today are being diagnosed with anxiety, depression, and PTSD than ever before. Moreover, life itself can be terrifying. We struggle through sickness, injury, and financial issues daily. We worry about our children and friends. Anxiety abounds when trying to achieve our goals. Nothing we want is easy or harmless. How do we navigate and digest so much negative information and situations? K. D. Harper tackles fear head on using Christian apologetics and straight forward logic. He draws on the story of King David and his own prison experience to paint a picture of overcoming intense fear. Harper reshapes the readers' worldview by starting at the very beginning with an understanding of who is God. Then he moves into a breakdown of the one behind fear and doubt. Using love and forgiveness he shapes an understanding of the principle steps it takes to become truly heroic using relentless faith in Jesus Christ. If you find that fear is keeping you from success, relationships, or being the best you can be this book is for you.
Comprehensive and informative wealth of resourceful information for understanding disasters. A guide to understand the various dynamics of manmade, natural, and technological disasters; how these traumas affect those impacted; behavioral and cultural criteria to be considered; identifying and dealing with one's own issues, and more.
The heroes, villains, and monsters portrayed in such popular science fiction television series as Heroes, Lost, Battlestar Galactica, Caprica, Doctor Who, and Torchwood, as well as Joss Whedon's many series, illustrate a shift from traditional, clearly defined characterizations toward much murkier definitions. Traditional heroes give way to "gray" heroes who must become more like the villains or monsters they face if they are going to successfully save society. This book examines the ambiguous heroes and villains, focusing on these characters' different perspectives on morality and their roles within society. Appendices include production details for each series, descriptions and summaries of pivotal episodes, and a list of selected texts for classroom use. Instructors considering this book for use in a course may request an examination copy here.
The book tells the story of an investigator whose views change dramatically as his knowledge of Spain quite dramatically grows in the course of a few years. He comes under the influence of the Catholic Church, very directly, as an experience that repeats itself in certain holy Spanish places. This is a personal reaction. But it is a religious reaction. He accepts it as such. He comes to a better sense of the Royalist tradition in both politics and living, he feels the strength of it in Spain, and its usefulness in the day-to-day of the country. Above all, he comes to realize the beautiful way the Spanish miracle is conducting itself. The Republican Cause is everywhere triumphant. There's a new Democracy out there. As peacetime flowers, Spain is flowering. in a democracy of an ideal type. There is a benevolent king. The old country has decreed some novelty in old vessels and fabrics still stained with the blood of savage conflict, and ventured into the domain of the New, as well. The investigator plunges into all this strangeness, and is charmed by what he finds. In this book, the study of poets is in collaboration with the doings of a Participant Observer as in Cultural Anthropology. At all times a true report is attempted, and editing has been drastically limited, mostly to correcting obvious solecisms or mis-steps. The principal bias will be noticeable to any reader, it is a love of Spain and of the Spanish language and of some Spanish people. The book tells a story--but the author of the book is not the author of the story. That comes from the way things are, in Soria and Baeza, in Seu de Orgell and Madrid, in the mountains and on the plains, and in the language left behind by the genius of this wonderful people
On November 2, 2012, five writers met in the austere, white confines of the Inspace gallery, in Edinburgh, Scotland and wrote for seven hours. They were later joined by two other contributors. Their work was coldly delegated and mediated by a software edit-machine known as The Maggot. This book is the the chewed-up corpse of the corpus that arose.