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Highlights from the palatial Hermitage Museum in St. Petersburg, Russia, are beautifully reproduced in an accessible volume celebrating the museum's 250th anniversary. For 250 years, the State Hermitage Museum has been one of the world's most palatial and significant museums. The Hermitage collections were developed beginning in 1764 by Catherine the Great, Empress of Russia, and now encompass more than 3 million works of art and artifacts displayed within a spectacular architectural ensemble, the heart of which is the famed Winter Palace. Now, on this important anniversary, this stunning volume captures the masterpieces that make this world-famous institution a cultural destination and a global treasure. The Hermitage: 250 Masterworks explores this sumptuous collection in the manner of a private tour, showcasing the museum's extraordinary and uniquely underpublished treasures: no other institution has thirty-six Rembrandts; works by Italian Renaissance artists including Leonardo da Vinci, Michelangelo, and Titian; Spanish artists such as Vel‡zquez, Ribera, and Murillo; Flemish baroque artists such as van Dyck, Rubens, and Jan Brueghel the Elder; impressionist and post-impressionist works by Renoir, Monet, Van Gogh, Gauguin, Cezanne, and Degas; and modern paintings by Matisse, Picasso, Malevich, and Kandinsky. Priceless antiquities, feats of mechanical engineering such as the famous Peacock Clock, and works of sculpture and decorative arts will also be shown. With lavish reproductions accompanied by texts by the museum's leading curators, this volume is sure be cherished by art lovers around the world.
Galina was born into a world of horrors. So why does she mourn its passing? SHORTLISTED: Impress Prize LONGLISTED: Bath Novel Award LONGLISTED: Grindstone Novel Award It is December 1941, and eight-year-old Galina and her friend Vera are caught in the siege of Leningrad, eating soup made of wallpaper, with the occasional luxury of a dead rat. Galina's artist father Mikhail has been kept away from the front to help save the treasures of the Hermitage. Its cellars could now provide a safe haven, provided Mikhail can navigate the perils of a portrait commission from one of Stalin's colonels. Nearly forty years later, Galina herself is a teacher at the Leningrad Art Institute. What ought to be a celebratory weekend at her forest dacha turns sour when she makes an unwelcome discovery. The painting she embarks upon that day will hold a grim significance for the rest of her life, as the old Soviet Union makes way for the new Russia and Galina's familiar world changes out of all recognition. Warm, wise and utterly enthralling, Molly Gartland's debut novel guides us from the old communist world, with its obvious terrors and its more surprising comforts, into the glitz and bling of 21st-century St Petersburg. Galina's story is at once a compelling page-turner and an insightful meditation on ageing and nostalgia. 'A beautifully written book that takes you right into the characters' world. Highly recommended' LUCINDA HAWKSLEY
Each Historic Hospitality book presents a distinctive legendary property in a unique collection of brief historical narrative, beautiful images, and the finest classic regional recipes for the perfect gift or keepsakeHistoric Hospitality at its finest! Meet me at the Hermitage Hotel is the captivating story of Nashvilles spectacular historic hotel, which has served as a hub of amazing political and social activity for over a centuryfrom movie stars to presidentsand its inspiring rise from near extinction to present-day magnificence. This pictorial account of one of the finest small hotels in the world features rarely-seen historical images and outstanding contemporary photography. It also includes the best of classic Southern selections from nationally acclaimed and best-selling cookbook author Daisy King, with contributions from Hermitage Hotel Executive Chef Tyler Brown.
To the Hermitage tells two stories. The first is of the narrator, a novelist, on a trip to Stockholm and Russia for an academic seminar called the Diderot Project. The second takes place two hundred years earlier and recreates the journey the French philosopher Denis Diderot made to Russia at the invitation of Catherine the Great, a woman whose influence could change the path of history . . . Malcolm Bradbury’s last novel is rich with his satirical wit, but it is also deeply personal and weaves a wonderfully wry self-portrait.
Including many of the paintings acquired by Catherine the Great as well as others added more recently, this book features paintings from 18th- and 19th-century France, works of the Italian Renaissance, Spanish paintings and paintings from England, Sweden, Switzerland, Belgium and the USA.
From the time the word kul'tura entered the Russian language in the early nineteenth century, Russian arts and letters have thrived on controversy. At any given time several versions of culture have coexisted in the Russian public sphere. The question of what makes something or someone distinctly Russian was at the core of cultural debates in nineteenth-century Russia and continues to preoccupy Russian society to the present day. When Art Makes News examines the development of a public discourse on national self-representation in nineteenth-century Russia, as it was styled by the visual arts and popular journalism. Katia Dianina tells the story of the missing link between high art and public culture, revealing that art became the talk of the nation in the second half of the nineteenth century in the pages of mass-circulation press. At the heart of Dianina's study is a paradox: how did culture become the national idea in a country where few were educated enough to appreciate it? Dianina questions the traditional assumptions that culture in tsarist Russia was built primarily from the top down and classical literature alone was responsible for imagining the national community. When Art Makes News will appeal to all those interested in Russian culture, as well as scholars and students in museum and exhibition studies.
New Zealanders love exploring the outdoors, but when things go wrong, why do some people survive and some don't? Carl Walrond uses contemporary and historical accounts of mishaps and adventures to reveal interesting truths about survival. In doing so, he finds that the mind and the tricks it plays can be just as challenging as the wilderness itself.