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The Hermetic Museum was published in Latin at Frankfort, in the year 1678, and, as its title implies, it was an enlarged form of an anterior work which, appearing in 1625, is more scarce, but, intrinsically, of less value. Its design was apparently to supply in a compact form a representative collection of the more brief and less ancient alchemical writers; in this respect, it may be regarded as a supplement to those large storehouses of Hermetic learning such as the Theatrum Chemicum, and that scarcely less colossal of Mangetus, the Bibliotheca Chemica Curiosa, which are largely concerned with the cream of the archaic literature, with the works of Geber and the adepts of the school of Arabia, with the writings attributed to Hermes, with those of Raymond Lully, Arnold de Villa Nova, Bernard Trevisan, and others. This is volume 2 out of 2. Contents: The Golden Tripod, Second Tract. The Chemical Treatise Of Thomas Norton, The Englishman, Called Believe-Me, Or The Ordinal Of Alchemy. The Testament Of Cremer The New Chemical Light A Preface To The Riddle Of The Sages. A Parable, Or Enigma Of The Sages. A Dialogue Between Mercury, The Alchemist, And Nature. New Chemical Light. Second Part. Concerning Sulphur. Concerning Sulphur. An Open Entrance To The Closed Palace Of The King. A Subtle Allegory Concerning The Secrets Of Alchemy The Three Treatises Of Philalethes. A Brief Guide To The Celestial Ruby. The Fount Of Chemical Truth. John Frederick Helvetius’ Golden Calf, The All-Wise Doorkeeper, Or A Fourfold Figure, Addendum.
A classic, prize-winning novel about an epic migration and a lone woman haunted by the past in frontier Waipu. In the 1850s, a group of settlers established a community at Waipu in the northern part of New Zealand. They were led there by a stern preacher, Norman McLeod. The community had followed him from Scotland in 1817 to found a settlement in Nova Scotia, then subsequently to New Zealand via Australia. Their incredible journeys actually happened, and in this winner of the New Zealand Book Awards, Fiona Kidman breathes life and contemporary relevance into the facts by creating a remarkable fictional story of three women entangled in the migrations - Isabella, her daughter Annie and granddaughter Maria. McLeod's harsh leadership meant that anyone who ran counter to him had to live a life of secrets. The 'secrets' encapsulated the spirit of these women in their varied reactions to McLeod's strict edicts and connect the past to the present and future.
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VOLUME II Frontispiece Believe-Me, Or The Ordinal Of Alchemy The Testament Of Cremer The New Chemical Light New Chemical Light An Open Entrance To The Closed Palace Of The King A Subtle Allegory Concerning The Secrets Of Alchemy THE THREE TREATISES OF PHILALETHES I. The Metamorphosis Of Metals II. A Short Vade Mecum To The Celestial Ruby III. The Fount Of Chemical Truth Helvetius' Golden Calf The All-Wise Doorkeeper, Or A Fourfold Figure Addendum
640 Pages VOLUME I Preface To The English Edition The Preface Of The Original Edition Frontispiece The Golden Tract Concerning The Stone Of The Philosophers The Golden Age Restored The Sophic Hydrolith A Demonstration Of Nature A Short Tract, Or Philosophical Summary The Only True Way The Glory Of The World; Or, Table Of Paradise A Tract Of Great Price The Book Of Alze The Book Of Lambspring The Golden Tripod VOLUME II Frontispiece Believe-Me, Or The Ordinal Of Alchemy The Testament Of Cremer The New Chemical Light New Chemical Light An Open Entrance To The Closed Palace Of The King A Subtle Allegory Concerning The Secrets Of Alchemy THE THREE TREATISES OF PHILALETHES I. The Metamorphosis Of Metals II. A Short Vade Mecum To The Celestial Ruby III. The Fount Of Chemical Truth Helvetius' Golden Calf The All-Wise Doorkeeper, Or A Fourfold Figure
Is Masonry merely a club created to collect dues and offer light entertainment or is it something far more inspired? Are the Rosicrucians a mythical, nonexistent group or very real seekers of wisdom on a mystical path? Manly Palmer Hall, one of the most enlightened esoteric authors of the 20th century, offers his sage thoughts on the Freemasons and Rosicrucians in this collection of thought-provoking essays. Includes "The Lost Keys of Freemasonry"; "Freemasonic Symbolism"; "Rosicrucian and Masonic Origins" and more.
For millions of people around the world, Tibet is a domain of undisturbed tradition, the Dalai Lama a spiritual guide. By contrast, the Tibet Museum opened in Lhasa by the Chinese in 1999 was designed to reclassify Tibetan objects as cultural relics and the Dalai Lama as obsolete. Suggesting that both these views are suspect, Clare E. Harris argues in The Museum on the Roof of the World that for the past one hundred and fifty years, British and Chinese collectors and curators have tried to convert Tibet itself into a museum, an image some Tibetans have begun to contest. This book is a powerful account of the museums created by, for, or on behalf of Tibetans and the nationalist agendas that have played out in them. Harris begins with the British public’s first encounter with Tibetan culture in 1854. She then examines the role of imperial collectors and photographers in representations of the region and visits competing museums of Tibet in India and Lhasa. Drawing on fieldwork in Tibetan communities, she also documents the activities of contemporary Tibetan artists as they try to displace the utopian visions of their country prevalent in the West, as well as the negative assessments of their heritage common in China. Illustrated with many previously unpublished images, this book addresses the pressing question of who has the right to represent Tibet in museums and beyond.
An excellent 2-volume book of alchemical treatises that provide a fairly thorough overview of the philosophy, principles and operations of alchemy. With careful reading (and re-reading) almost everything is revealed, other than the actual starting matter. Some treatises are very allegorical and use much symbolism, while others are much more open and revealing. Both the long way and the shorter way are discussed.