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In his previous book, Contemporary Hermeneutics, Josef Bleicher offered an introduction to the subject, locating it mainly within the philosophy of social science, and looking at the profound impact it is having on a wide range of intellectual pursuits. This book follows on from this and expounds the author's view that the development of the hermeneutic imagination is an indispensable condition for reflexive sociological work and emancipatory social practice. Dr Bleicher examines the various approaches to sociology – empiricist, functionalist, structuralist, interpretive, critical – by reference to a hermeneutic paradigm, and shows how the hermeneutic imagination leads to a redirection in sociology, away from scientistic presuppositions and towards an awareness of the dialogue which links the subject and object in the study of social phenomena. He argues that by allowing the hermeneutic imagination to develop, it is possible to counter the steering of social processes on the basis of technocratic imperatives, and to provide a rational anticipation of a better future.
Paul Ricoeur's Hermeneutics of the Imagination argues Ricoeur's development of the philosophy of the creative imagination is vital to Ricoeur's articulation of a critical hermeneutics. Herein lies Ricoeur's hermeneutical contribution to the philosophy of religion and the problem of interpreting primary religious texts that utilize plurivocal forms of language. Evans clarifies that it is through Ricoeur's studies of metaphor and narrative that he assesses and explicates the subversive power of the creative imagination in terms of the philosophy of language. Dr. Evans systematizes this theme of the philosophy of the imagination from Fallible Man, the early work of Ricoeur to the more recent publication of Time and Narrative.
In this illuminating study of Kant's theory of imagination and its role in interpretation, Rudolf A. Makkreel argues against the commonly held notion that Kant's transcendental philosophy is incompatible with hermeneutics. The charge that Kant's foundational philosophy is inadequate to the task of interpretation can be rebutted, explains Makkreel, if we fully understand the role of imagination in his work. In identifying this role, Makkreel also reevaluates the relationship among Kant's discussions of the feeling of life, common sense, and the purposiveness of history.
Identifying Selfhood provides the first sustained treatment of the development of Paul Ricoeur's decentered formulation of selfhood from his earliest works to his most recent. For Henry Venema, Ricoeur's affirmation that consciousness is always rooted in the signs, symbols, and texts that precede the hermeneutical project of self-recovery and discovery provides the thread that links all of Ricoeur's philosophical inquiries together. However, as Venema argues, Ricoeur's hermeneutic is caught up in the semantics of identity to such an extent that selfhood is confused and often equated with the textuality of the reflective process and is never dealt with on the intimate level of the reflexive structure of selfhood in relation to otherness. In the end, Ricoeur's formulation of alterity identifies the other within the circle of the self-same.
Spinoza’s Ethics, and its project of proving ethical truths through the geometric method, have attracted and challenged readers for more than three hundred years. In Spinoza and the Cunning of Imagination, Eugene Garver uses the imagination as a guiding thread to this work. Other readers have looked at the imagination to account for Spinoza’s understanding of politics and religion, but this is the first inquiry to see it as central to the Ethics as a whole—imagination as a quality to be cultivated, and not simply overcome. ​Spinoza initially presents imagination as an inadequate and confused way of thinking, always inferior to ideas that adequately represent things as they are. It would seem to follow that one ought to purge the mind of imaginative ideas and replace them with rational ideas as soon as possible, but as Garver shows, the Ethics don’t allow for this ultimate ethical act until one has cultivated a powerful imagination. This is, for Garver, “the cunning of imagination.” The simple plot of progress becomes, because of the imagination, a complex journey full of reversals and discoveries. For Garver, the “cunning” of the imagination resides in our ability to use imagination to rise above it.
Explores the contemporary crisis of biblical interpretation by examining modern and postmodern 'hermeneutics of suspicion'.
Richard Kearney has produced a new and revised paperback edition of his classic book Poetics of Imagining. This volume offers an accessible account of the major theories of imagination in modern European thought. It analyses and assesses the decisive contributions made to our understanding of the imaginary life of phenomenology (Husserl, Sartre, Merleau-Ponty, Bachelard), hermeuneutics (Heidegger, Ricoeur) and post-modernism (Vattimo, Kristeva, Lyotard). Richard Kearney achieves this with a coherent and committed approach which displays his own passionate concern for the claims of imagination in our post-modern world of fragmentation and fracture.