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A History of American Poetry presents a comprehensive exploration of the development of American poetic traditions from their pre-Columbian origins to the present day. Offers a detailed and accessible account of the entire range of American poetry Situates the story of American poetry within crucial social and historical contexts, and places individual poets and poems in the relevant intertextual contexts Explores and interprets American poetry in terms of the international positioning and multicultural character of the United States Provides readers with a means to understand the individual works and personalities that helped to shape one of the most significant bodies of literature of the past few centuries
Mawlana Jalal al-Din Rumi was one of the greatest poets and mystics of the Islamic world. He was born in Balkh (Korasan) in AD 1207 and died in Konya (Turkey) in AD 1273. This book is an examination of his spiritual and literary heritage. As Annemarie Schimmel, the recipient of the Eleventh Giorgio Della Vida Award in Islamic Studies, has written, 'no other mystic and poet from the Islamic world is as well known in the West as Rumi', and she, more than any Western scholar, is his most celebrated and eloquent interpreter. The scholars who Professor Schimmel has invited to share in her tribute have all added new dimensions to an understanding of Rumi and to his impact on the Islamic world.
Includes Cullen's poetry and prose, essays from The Crisis magazine, the complete text of his novel "One Way to Heaven", and an interview.
"The struggle from late youth on, with and without God, agony, narcotics and love is a torment rarely recorded with such sustained eloquence and passion as you will find in this collection." --Fanny Howe This highly-anticipated debut boldly confronts addiction and courses the strenuous path of recovery, beginning in the wilds of the mind. Poems confront craving, control, the constant battle of alcoholism and sobriety, and the questioning of the self and its instincts within the context of this never-ending fight. From "Stop Me If You've Heard This One Before" Sometimes you just have to leave whatever's real to you, you have to clomp through fields and kick the caps off all the toadstools. Sometimes you have to march all the way to Galilee or the literal foot of God himself before you realize you've already passed the place where you were supposed to die. I can no longer remember the being afraid, only that it came to an end. Kaveh Akbar is the founding editor of Divedapper. His poems appear recently or soon in The New Yorker, Poetry, APR, Tin House, Ploughshares, PBS NewsHour, and elsewhere. The recipient of a 2016 Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation and the Lucille Medwick Memorial Award from the Poetry Society of America, Akbar was born in Tehran, Iran, and currently lives and teaches in Florida.
A rich and provocative overview of Jewish American poetry.
A debut collection of poetry by contemporary poet Jamal-e-Fatima and illustrations by mixed-media artist Hira Noor, is about revisiting pain, reclaiming heritage and rediscovering bliss in solitude. Each poem is a gem on its own. The imagery is deep, the essence is strong and the value is healing. Four themes in the book take you through where the poet has been, where she comes from, where she is at and where she is going. You're taken on an emotional journey that's both fantastical and relatable.Let this book heal you in your life's journey.
The work of James Weldon Johnson (1871 - 1938) inspired and encouraged the artists of the Harlem Renaissance,a movement in which he himself was an important figure. Johnson was active in almost every aspect of American civil life and became one of the first African-American professors at New York University. He is best remembered for his writing, which questions, celebrates and commemorates his experience as an African-American.
Winner of the Walt Whitman Award of the Academy of American Poets, selected by Harryette Mullen By turns aggressively reckless and fiercely protective, always guided by faith and ancestry, Threa Almontaser’s incendiary debut asks how mistranslation can be a form of self-knowledge and survival. A love letter to the country and people of Yemen, a portrait of young Muslim womanhood in New York after 9/11, and an extraordinarily composed examination of what it means to carry in the body the echoes of what came before, Almontaser’s polyvocal collection sneaks artifacts to and from worlds, repurposing language and adapting to the space between cultures. Half-crunk and hungry, speakers move with the force of what cannot be contained by the limits of the American imagination, and instead invest in troublemaking and trickery, navigate imperial violence across multiple accents and anthems, and apply gang signs in henna, utilizing any means necessary to form a semblance of home. In doing so, The Wild Fox of Yemen fearlessly rides the tension between carnality and tenderness in the unruly human spirit.