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This book investigates the uses of crusader medievalism – the memory of the crusades and crusading rhetoric and imagery – in Britain, from Walter Scott’s The Talisman (1825) to the end of the Second World War. It seeks to understand why and when the crusades and crusading were popular, how they fitted with other cultural trends of the Victorian and Edwardian eras, how their use was affected by the turmoil of the First World War and whether they were differently employed in the interwar years and in the 1939-45 conflict. Building on existing studies and contributing the fruits of fresh research, it brings together examples of the uses of the crusades from disparate contexts and integrates them into the story of the rise and fall crusader medievalism in Britain.
The First Crusade received its name and shape late. To its contemporaries, the event was a journey and the men who took part in it pilgrims. Only later were those participants dubbed Crusaders—"those signed with the Cross." In fact, many developments with regard to the First Crusade, like the bestowing of the cross and the elaboration of Crusaders' privileges, did not occur until the late twelfth century, almost one hundred years after the event itself. In a greatly expanded second edition, Edward Peters brings together the primary texts that document eleventh-century reform ecclesiology, the appearance of new social groups and their attitudes, the institutional and literary evidence dealing with Holy War and pilgrimage, and, most important, the firsthand experiences by men who participated in the events of 1095-1099. Peters supplements his previous work by including a considerable number of texts not available at the time of the original publication. The new material, which constitutes nearly one-third of the book, consists chiefly of materials from non-Christian sources, especially translations of documents written in Hebrew and Arabic. In addition, Peters has extensively revised and expanded the Introduction to address the most important issues of recent scholarship.
Introduction: Crusade and Christendom, 1187-1291 -- The Pope, Crusades, and Communities, 1198-1213 -- Crusade and Council, 1213-1215 -- The Fifth Crusade, 1213-1221 -- The Emperor's Crusade, 1227-1229 -- The Baron's Crusade, 1234-1245 -- The Mongol Crusades, 1241-1262 -- The Saint's Crusades, 1248-1270 -- The Italian Crusades, 1241-1268 -- Living and Dying on Crusade -- The Road to Acre, 1265-1291.
A fresh perspective on the Crusade shows its ideal and practice flourishing in the fourteenth century. The central theme of this book is the largely untold story of English knighthood's ongoing obsession with the crusade fight during the age of Chaucer, "high chivalry" and the famous battles of the Hundred Years War. After combat in France and Scotland, fighting crusades was the main and a widespread experience of English chivalry in the fourteenth century, drawing in noblemen of the highest rank, as well as knights chasing renown and the jobbing esquire. The author exposes a thick seam of military engagement along the perimeters of Christendom; details of participants and campaigns are chronicled - in many cases for the first time - and associated matters of tactics, diplomacy, organisation, and recruitment are minutely analysed, adding substantially to the historiography of the later crusades. The book's second theme traces the surprisingly strong grip the crusade-idea possessed at the height of politics, as an animating force of English kingship. Disputing the common assumption that crusade plans were increasingly ill-treated by the monarchs - adopted as diplomatic double-speak or as a means of raiding church coffers - the authorargues that courtiers and knights moved in a rich environment of crusade speculation and ambition, and exercised a strong influence on the culture of the time. Timothy Guard gained his DPhil at Hertford College, University of Oxford.
This is the first comprehensive study of the use, abuse and development of the crusade image in popular and high culture in the nineteenth and early twentieth centuries. Drawing upon a diverse range of sources, mainly from the British Isles, but with parallels from Western Europe and North America, the author shows the different approaches to the history of the crusading movement and crusade images taken by the historian, composer, artist and author.