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Few if any writers have made a mark as broad and deep as Ernest Hemingway, whose life and work—and even image—continue to permeate American culture more than a half-century after his death in 1961. And never has there been a chronology of the writer’s life and times as comprehensive, detailed, and useful as The Hemingway Log. For more than a dozen years, Brewster Chamberlin “has been compiling and wonderfully annotating and continuously updating what amounts to almost a daybook calendar of Hemingway’s life,” as author Paul Hendrickson noted in his acclaimed Hemingway’s Boat: Everything He Loved in Life, and Lost. At long last available to readers and scholars, this chronology extends from the birth of Mark Twain (whose Huckleberry Finn, Hemingway said, was the source of all modern American literature) to the 2013 publication of the second volume (of a projected seventeen) of the Hemingway letters. Throughout, the events and dates that had any influence whatsoever on the writer are detailed day by day. Who won the Nobel Prize in literature each year, for instance, or the Pulitzer? What works of poetry, fiction, or drama were published? What was happening in the world and in the country, and how did it relate to Hemingway? Within this clarifying context, the chronological facts of the writer’s own life and work unfold: literary production and publishing; travels and households; activities and relevant occurrences; relations with family, friends, lovers, and enemies. Drawing on biographies, memoirs, and various Hemingway collections and websites, as well as the full range of original sources such as letters, fishing logs, notebooks, and manuscripts, The Hemingway Log presents the most extensive and accurate chronology of Hemingway’s life and times—and in the process clears up many of the inconsistencies and factual errors that riddle accounts of the writer’s life and work. Any future scholar of Hemingway will find the book not just invaluable but absolutely necessary, and any serious reader of Hemingway will find it irresistible.
With the first publication, in this edition, of all the surviving letters of Ernest Hemingway (1899-1961), readers will for the first time be able to follow the thoughts, ideas and actions of one of the great literary figures of the twentieth century in his own words. This first volume encompasses his youth, his experience in World War I and his arrival in Paris. The letters reveal a more complex person than Hemingway's tough guy public persona would suggest: devoted son, affectionate brother, infatuated lover, adoring husband, spirited friend and disciplined writer. Unguarded and never intended for publication, the letters record experiences that inspired his art, afford insight into his creative process and express his candid assessments of his own work and that of his contemporaries. The letters present immediate accounts of events and relationships that profoundly shaped his life and work. A detailed introduction, notes, chronology, illustrations and index are included. CLICK HERE to follow 'The Hemingway Letters' on Facebook CLICK HERE to watch Patrick Hemingway, Ernest's second son, discusses the letters and the writer's private persona with editor Sandra Spanier.
Essays by popular children's authors reveal the books that shaped their personal and literary lives, explaining how the stories they loved influenced them creatively, politically, and intellectually.
Autobiography detailing the author's life in Africa and career as a pilot.
From the summer of 1942 until the end of 1943, Ernest Hemingway spent much of his time patrolling the Gulf Stream and the waters off Cuba’s north shore in his fishing boat, Pilar. He was looking for German submarines. These patrols were sanctioned and managed by the US Navy and were a small but useful part of anti-submarine warfare at a time when U boat attacks against merchant shipping in the Gulf and the Caribbean were taking horrific tolls. While almost no attention has been paid to these patrols, other than casual mention in biographies, they were a useful military contribution as well as a central event (to Hemingway) around which important historical, literary, and biographical themes revolve.
A family memoir revealing the fascinating dynamics between Ernest Hemingway and his youngest son, Gregory, written by John Hemingway (grandson of Ernest and son of Gregory).
Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. Since Hemingway's personal papers were released in 1979, scholars have examined and debated the changes made to the text before publication. Now this new special restored edition presents the original manuscript as the author prepared it to be published. Featuring a personal foreword by Patrick Hemingway, Ernest's sole surviving son, and an introduction by the editor and grandson of the author, Seán Hemingway, this new edition also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son Jack and his first wife, Hadley. Also included are irreverent portraits of other luminaries, such as F. Scott Fitzgerald and Ford Madox Ford, and insightful recollections of his own early experiments with his craft. Sure to excite critics and readers alike, the restored edition of A Moveable Feast brilliantly evokes the exuberant mood of Paris after World War I and the unbridled creativity and unquenchable enthusiasm that Hemingway himself epitomized.
Offers a selection of twenty-six short stories that includes famous classics as well as rare and previously unpublished works and an essay on the art of the short story.
Reading is a revolutionary act, an act of engagement in a culture that wants us to disengage. In The Lost Art of Reading, David L. Ulin asks a number of timely questions - why is literature important? What does it offer, especially now? Blending commentary with memoir, Ulin addresses the importance of the simple act of reading in an increasingly digital culture. Reading a book, flipping through hard pages, or shuffling them on screen - it doesn't matter. The key is the act of reading, and it's seriousness and depth. Ulin emphasizes the importance of reflection and pause allowed by stopping to read a book, and the accompanying focus required to let the mind run free in a world that is not one's own. Are we willing to risk our collective interest in contemplation, nuanced thinking, and empathy? Far from preaching to the choir, The Lost Art of Reading is a call to arms, or rather, to pages.