Download Free The Heavyweight Championship Book in PDF and EPUB Free Download. You can read online The Heavyweight Championship and write the review.

For six decades the World Colored Heavyweight Championship was a useful tool of racial oppression--the existence of the title far more important to the white public than its succession of champions. It took some extraordinary individuals, most notably Jack Johnson, to challenge "the color line" in the ring, although the title and the black fighters who contended for it continued until the reign of Joe Louis a generation later. This history traces the advent and demise of the Championship, the stories of the 28 professional athletes who won it, and the demarcation of the color line both in and out of the ring.
For much of the twentieth century, boxing was one of America’s most popular sports, and the heavyweight champions were figures known to all. Their exploits were reported regularly in the newspapers—often outside the sports pages—and their fame and wealth dwarfed those of other athletes. Long after their heyday, these icons continue to be synonymous with the “sweet science.” In The Boxing Kings: When American Heavyweights Ruled the Ring, Paul Beston profiles these larger-than-life men who held a central place in American culture. Among the figures covered are John L. Sullivan, who made the heavyweight championship a commercial property; Jack Johnson, who became the first black man to claim the title; Jack Dempsey, a sporting symbol of the Roaring Twenties; Joe Louis, whose contributions to racial tolerance and social progress transcended even his greatness in the ring; Rocky Marciano, who became an embodiment of the American Dream; Muhammad Ali, who took on the U.S. government and revolutionized professional sports with his showmanship; and Mike Tyson, a hard-punching dynamo who typified the modern celebrity. This gallery of flawed but sympathetic men also includes comics, dandies, bookworms, divas, ex-cons, workingmen, and even a tough-guy-turned-preacher. As the heavyweight title passed from one claimant to another, their stories opened a window into the larger history of the United States. Boxing fans, sports historians, and those interested in U.S. race relations as it intersects with sports will find this book a fascinating exploration into how engrained boxing once was in America’s social and cultural fabric.
Jess Willard, the "Pottawatomie Giant," won the heavyweight title in 1915 with his defeat of Jack Johnson, the first black heavyweight champion. At 6 feet, 6 inches and 240 pounds, Willard was considered unbeatable in his day. He nonetheless lost to Jack Dempsey in 1919 in one of the most brutally one-sided contests in fistic history. Willard later made an initially successful comeback but was defeated by Luis Firpo in 1923 and retired from the ring. He died in 1968, largely forgotten by the boxing public. Featuring photographs from the Willard family archives, this first full-length biography provides a detailed portrait of one of America's boxing greats.
Paints an unvarnished picture of the 24 greats who have ruled the sport's most glamorous division - the Heavyweight Champions of the World. Tells all the inside stories of the great ring bouts, the men who fought those grueling rounds, and the men who made and managed the champs.
Boxing might not have survived the 1930s if not for Max Baer. A contender for every heavyweight championship 1932-1941, California's "Glamour Boy" brought back the "million-dollar gate" not seen since the 1920s. His radio voice sold millions of Gillette razor blades; his leading-man appeal made him a heartthrob in The Prizefighter and the Lady (1933). The film was banned in Nazi Germany--Baer had worn a Star of David on his trunks when he TKOed German former champ Max Schmeling. Baer defeated 275-pound Primo Carnera in 1934 for the championship, losing it to Jim Braddock the next year. Contrary to Cinderella Man, (2005), Baer--favored 10 to 1--was not a villain and the fight was more controversial than the film suggested. His battle with Joe Louis three months later drew the highest gate of the decade. This first comprehensive biography covers Baer's complete ring record, his early life, his career on radio, film, stage and television, and his World War II army service.
With the proliferation of sanctioning bodies giving rise to multiple titleholders in each weight class it has become increasingly difficult to track the history of the World championships in professional boxing. The purpose of this publication is to give the boxing fan an overview of the history of the heavyweight championship of the World. What you will find here is a brief description of how the championship was passed along from John L. Sullivan to the present champion Wladimir Klitschko. Also included is a list of all deserving holders of the championship, and not least a very comprehensive section with a complete list of all World heavyweight championship fights held under the Queensberry rules, including the ones sanctioned by major organizations like NBA, NYSAC – and later WBC, WBA, IBF & WBO. I hope that this publication will be able to help the casual boxing fan to navigate through professional boxing history.
Essentially the last of the bare-knuckle heavyweight champions, John L. Sullivan was instrumental in the acceptance of gloved fighting. His charisma and popular appeal during this transitional period contributed greatly to making boxing a nationally popular, "legitimate" sport. Sullivan became boxing's first superstar and arguably the first of any sport. From his first match in the late 1870s through his final championship fight in 1892, this biography contains a thoroughly researched, detailed accounting of John L. Sullivan's boxing career. With special attention to the 1880s, the decade during which Sullivan came to prominence, it follows Sullivan's skill development and discusses his opponents and fights in detail, providing various viewpoints of a single event. Beginning with a discussion of early boxing practices, the sport itself is placed within sociological, legal and historical contexts including anti-prize fighting laws and the so-called "color line." A complete record of Sullivan's career is also included.
Ingemar Johansson's right hand--dubbed "The Hammer of Thor"--was the most fearsome in boxing, and Johansson's three fights with Floyd Patterson rank among the sport's classic rivalries. Yet most fans know little about the Swedish playboy who won the world heavyweight championship with a shocking third round knockout of Patterson and held it for six days short of a year (1959-1960). During his reign, the raffish "Ingo" hit fashionable nightspots on two continents, romanced Elizabeth Taylor, and refused to kowtow to the mobsters who controlled boxing. This first-ever biography of Johansson chronicles his fistic triumphs as a Goteborg teen prodigy, his humiliating disqualification for "cowardice" at the 1952 Olympics, his storybook romances with Birgit Lundgren and Edna Alsterlund and his post-career life and tragic early dementia.
It was 1976 when Leon and Michael Spinks first punched their way into America’s living rooms. That year, they became the first brothers to win Olympic gold in the same Games. Shortly thereafter, they became the first brothers to win the heavyweight title: Leon toppled The Greatest, Muhammad Ali; Michael beat the unbeatable Larry Holmes. With a cast of characters that includes Ali, Holmes, Mike Tyson, Gerry Cooney, Dwight Qawi, Eddie Mustafa Muhammad and dozens of friends, relatives, and boxing figures, ONE PUNCH FROM THE PROMISED LAND tells the unlikely story of the Spinks brothers. Their rise from the Pruitt-Igoe housing disaster. Their divergent paths of success. And their relationship with America. The book also uncovers stories never before made public: the big paydays, the high living, the backroom deals. It’s not afraid to tackle an issue rarely discussed: Does the heavyweight title deliver on its promise to young men in the inner city? This is the definitive story of Leon and Michael Spinks. And a cross-examination of heavyweight boxing in 20th century America.
When he died in 1933, James J. "Gentleman Jim" Corbett was honored by two distinguished groups of people: the professional boxing public, who celebrated him as America's greatest boxing champion, and the world of popular theater admirers, who revered him as one of Broadway's top vaudeville headliners. Corbett was uniquely instrumental in making boxing and popular theater both justifiable commercial enterprises, to be enjoyed by all classes of people. He became America's first national sports hero and went on to formulate the theater world's star system. This is the first definitive biography of the man who knocked out heavyweight champion John L. Sullivan, and who also knocked out audiences who flocked to see him in vaudeville and silent pictures. The focus herein is on the real man, the influences on his life, and the social and commercial environment within which he functioned. The author reveals that Corbett was a complex, driven, enigmatic man whose dedicated participation in popular entertainment changed American social values and mores, and at the same time reinvented the notion of a national hero.