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Having won and lost the woman he has loved since seeing her do a naked cartwheel in 1916, Finus Bates wonders if the colorful characters from their hometown hold the secrets to her elusive character.
"His people and dogs—those wonderful dogs!—come alive with honest, thrumming energy." —The New York Times Book Review Winner of the Sue Kaufman Prize for First Fiction from the American Academy of Arts and Letters and the Great Lakes Colleges Association New Writers Award In prose so precise and beautiful it makes a reader's hair stand on end, Brad Watson writes about people and dogs: dogs as companions, as accomplices, and as unwitting victims of human passions; and people responding to dogs as missing parts of themselves. In each of these stories he captures the animal crannies of the human personality -- yearning for freedom, mourning the loss of something wild, drawn to human connection but also to thoughtless abandon and savagery without judgment. Ultimately, however, people are responsible where dogs are not: "I'm told in medieval times," the narrator of the title story tells us, "animals were regularly put on trial, with witnesses and testimony and so forth. But it is relatively rare today." Funny, dark, sometimes brutal, and stunning in their perfection of expression, Watson's stories herald the arrival of a true talent.
LONGLISTED FOR THE 2016 NATIONAL BOOK AWARD IN FICTION The acclaimed author of Last Days of the Dog-Men and The Heaven of Mercury brings to life a forgotten woman and a lost world in a strange and bittersweet pastoral "Exquisitely written ... a novel that will linger inside you as long as your own memories do. Brad Watson's gifts are immense." Andre Dubus III Since his award-winning debut collection of stories, Last Days of the Dog-Men, Brad Watson's work has been as melancholy, witty, strange, and lovely as any in America. Inspired by the true story of his own great-aunt, he explores the life of Miss Jane Chisolm, born in rural, early-twentieth-century Mississippi with a genital birth defect that would stand in the way of the central "uses" for a woman in that time and place - namely, sex and marriage. From the country doctor who adopts Jane to the hard tactile labor of farm life, from the sensual and erotic world of nature around her to the boy who loved but was forced to leave her, the world of Miss Jane Chisolm is anything but barren. Free to satisfy only herself, she mesmerizes those around her, exerting an unearthly fascination that lives beyond her still.
Finalist for the 2011 PEN/Faulkner Award for Fiction: "Watson's talent is singular, truly awesome; [his stories] are infused with an uncanny beauty."—A. M. Homes In this, his first collection of stories since his celebrated, award-winning Last Days of the Dog-Men, Brad Watson takes us even deeper into the riotous, appalling, and mournful oddity of human beings. In prose so perfectly pitched as to suggest some celestial harmony, he writes about every kind of domestic discord: unruly or distant children, alienated spouses, domestic abuse, loneliness, death, divorce. In his masterful title novella, a freshly married teenaged couple are visited by an unusual pair of inmates from a nearby insane asylum—and find out exactly how mismatched they really are. With exquisite tenderness, Watson relates the brutality of both nature and human nature. There’s no question about it. Brad Watson writes so well—with such an all-seeing, six-dimensional view of human hopes, inadequacies, and rare grace—that he must be an extraterrestrial.
A first collection by an award-winning writer features characters at relationship crossroads in such stories as "Lizard Man," in which two men race to save a sick alligator; and "The End of Aaron," in which a girl helps her boyfriend face his greatest fears.
For thousands of years, people believed the Earth was flat. Similarly, everything we believe about hell, the devil and karma is based on centuries of dogma, illogical beliefs and foolish theories. In this book, Samael Aun Weor demonstrates how to confirm for yourself the reality of the inferior levels of life, and how to avoid them. Although modern culture laughs at the mere mention of the devil and hell while simultaneously indulging deeply in them via popular music, movies, and television, the practical reality remains completely unknown to the general public. Samael Aun Weor discusses his personal, conscious experiences of the inferior worlds and the beings who reside there. By application of ancient techniques preserved by the Gnostic tradition, anyone can confirm with certainty what exists in the subtle dimensions of nature, whether above or below. Learn the true identity of both the Devil and Lucifer, and how to harness the forces of nature in order to be propelled towards a higher way of life. Dispels centuries of beliefs and theories, while explaining the essential truths hidden in ancient symbols Provides practical steps towards acquiring your own experience of the truth Supported by solid science and authentic spiritual traditions
“Beautiful and heartrending” fiction set in Vietnam and America from the Pulitzer Prize–winning author of The Sympathizer (Joyce Carol Oates, The New Yorker) In these powerful stories, written over a period of twenty years and set in both Vietnam and America, Viet Thanh Nguyen paints a vivid portrait of the experiences of people leading lives between two worlds, the adopted homeland and the country of birth. This incisive collection by the National Book Award finalist and celebrated author of The Committed gives voice to the hopes and expectations of people making life-changing decisions to leave one country for another, and the rifts in identity, loyalties, romantic relationships, and family that accompany relocation. From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her with a former lover, to a girl living in Ho Chi Minh City whose older half-sister comes back from America having seemingly accomplished everything she never will, the stories are a captivating testament to the dreams and hardships of migration. “Terrific.” —Chicago Tribune “An important and incisive book.” —The Washington Post “An urgent, wonderful collection.” —NPR
"This novel was originally published in a slightly different form from St. Culain Press in 2009"--T.p. verso.