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Learn to ask better, more helpful questions of your work so that you can create stronger and more powerful photographs.

Photographers often look at an image—one they’ve either already created or are in the process of making—and ask themselves a simple question: “Is this a good photograph?” It’s an understandable question, but it’s really not very helpful. How are you supposed to answer that? What does “good” even mean? Is it the same for everyone?

What if you were equipped to ask better, more constructive questions of your work so that you could think more intentionally and creatively, and in doing so, bring more specific action and vision to the act of creating photographs? What if asking stronger questions allowed you to establish a more effective approach to your image-making? In The Heart of the Photograph: 100 Questions for Making Stronger, More Expressive Photographs, photographer and author David duChemin helps you learn to ask better questions of your work in order to craft more successful photographs—photographs that express and connect, photographs that are strong and, above all, photographs that are truly yours.

From the big-picture questions—What do I want this image to accomplish?—to the more detail-oriented questions that help you get there—What is the light doing? Where do the lines lead? What can I do about it?—David walks you through his thought process so that you can establish your own. Along the way, he discusses the building blocks from which compelling photographs are made, such as gesture, balance, scale, contrast, perspective, story, memory, symbolism, and much more. The Heart of the Photograph is not a theoretical book. It is a practical and useful book that equips you to think more intentionally as a photographer and empowers you to ask more helpful questions of you and your work, so that you can produce images that are not only better than “good,” but as powerful and authentic as you hope them to be.

TABLE OF CONTENTS
Better Questions

PART ONE: A GOOD PHOTOGRAPH?
Is It Good?
The Audience's Good
The Photographer's Good

PART TWO: BETTER THAN GOOD
Better Subjects

PART THREE: BETTER EXPRESSION
Exploration and Expression
What Is the Light Doing?
What Does Colour Contribute?
What Role Do the Lines and Shapes Play?
What's Your Point of View?
What Is the Quality of the Moment?
Where Is the Story?
Where Is the Contrast?
What About Balance and Tension?
What Is the Energy?
How Can I Use Space and Scale?
Can I Go Deeper?
What About the Frame?
Do the Elements Repeat?
Harmony
Can I Exclude More?
Where Does the Eye Go?
How Does It Feel?
Where's the Mystery?
Remember When?
Can I Use Symbols?
Am I Being Too Literal?

PART FOUR: BETTER PHOTOGRAPHS
The Heart of the Photograph
Index

Within the Frame is a book about finding and expressing your photographic vision, specifically where people, places, and cultures are concerned. A personal book full of real-world wisdom and incredible images, author David duChemin (of pixelatedimage.com) shows you both the how and the why of finding, chasing, and expressing your vision with a camera to your eye. Vision leads to passion, and passion is a cornerstone of great photography. With it, photographs draw the eye in and create an emotional experience. Without it, a photograph is often not worth—and can’t capture—a viewer’s attention. Both instructional and inspirational, Within the Frame helps you on your photographic journey to make better images of the places and people you love, whether they are around the world or in your own backyard. duChemin covers how to tell stories, and the technology and tools we have at our disposal in order to tell those narratives. Most importantly, he stresses the crucial theme of vision when it comes to photographing people, places, and cultures—and he helps you cultivate and find your own vision, and then fit it within the frame.
An unforgettable photo captured Sue Massey's anguish as she watched her family's farm – their beloved home, their livelihood, their life's blood – sold off to the highest bidder. Grabbing the heart of the world, that iconic photo catapulted Sue and her family into the limelight – for better and for worse. In this tightly-paced page-turner of a memoir, she describes life after losing everything and – ultimately, in an unexpected twist – finding herself.
This lavish book marks the 40th anniversary of Barthes' renowned work Camera Lucida in 2020. Artist Odette England invited 199 of the world's best-known contemporary photographers, writers, critics, curators and art historians to contribute an image or text that reflects on Barthes' unpublished snapshot of his mother, aged five. This snapshot is known as the winter garden photograph. Barthes discusses it at length in Camera Lucida, but never reproduces it. It is one of the most famous unseen photographs in the world.
Academy Award-winning actor Jeff Bridges is widely adored asa jewel of American cinema, with dozens of leading credits to his name. For more than 30 years, on numerous film sets, Bridges, with his specialized panoramic camera, a Widelux F8, has captured behind-the-scenes views of the creative world of moviemaking. Now, 16 years since his first collection of photography, comesVolume Two. Taking pictures of coworkers on the job results in compelling photographs, especially when those people include the likes of Meryl Streep, Robert Duvall, Julianne Moore, Olivia Wilde, and Matt Damon, among others. Unique photos from his earlier work were first shared inPictures: Jeff Bridges(powerHouse Books, 2003). Now, drawing on his most recent film work,Jeff Bridges: Pictures Volume 2expands on Bridges' intimate vision of Hollywood behind-the-scenes. Included within are rare looks at the famed actors, top directors, talented costumers and makeup artists, skilled and creative set and art decoration, and the rest of thepassionate crews involved in such memorable movies asTrue Grit,Crazy Heart,The Giver,TRON: Legacy, andHell or High Water. Together, these pictures provide glimpses of the art, craft, and sleight of hand behind the magic of motion pictures.Jeff Bridges:Pictures Volume 2also celebrates Bridges' mastery of the special effects made possible with the distinctive Widelux panoramic camera. Bridges' proceeds fromJeff Bridges: Pictures Volume Twowill be donated to the Motion Picture & Television Fund, a nonprofit organization that offers charitable care and support to film-industry workers.
"Taking its name from a line in the Wallace Stevens' poem "The Gray Room," Alec Soth's latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren't about any particular place or population. By a process of intimate and often extended engagement, Soth's portraits and images of his subject's surroundings involve an enquiry into the extent to which a photographic likeness can depict more than the outer surface of an individual, and perhaps even plumb the depths of something unknowable about both the sitter and the photographer"--The publisher.
Loving: A Photographic Story of Men in Love, 1850-1950 portrays the history of romantic love between men in hundreds of moving and tender vernacular photographs taken between the years 1850 and 1950. This visual narrative of astonishing sensitivity brings to light an until-now-unpublished collection of hundreds of snapshots, portraits, and group photos taken in the most varied of contexts, both private and public. Taken when male partnerships were often illegal, the photos here were found at flea markets, in shoe boxes, family archives, old suitcases, and later online and at auctions. The collection now includes photos from all over the world: Australia, Bulgaria, Canada, Croatia, France, Germany, Japan, Greece, Latvia, the United States, the United Kingdom, Russia, and Serbia. The subjects were identified as couples by that unmistakable look in the eyes of two people in love - impossible to manufacture or hide. They were also recognized by body language - evidence as subtle as one hand barely grazing another - and by inscriptions, often coded. Included here are ambrotypes, daguerreotypes, glass negatives, tin types, cabinet cards, photo postcards, photo strips, photomatics, and snapshots - over 100 years of social history and the development of photography. Loving will be produced to the highest standards in illustrated book publishing, The photographs - many fragile from age or handling - have been digitized using a technology derived from that used on surveillance satellites and available in only five places around the world. Paper and other materials are among the best available. And Loving will be manufactured at one of the world's elite printers. Loving, the book, will be up to the measure of its message in every way. In these delight-filled pages, couples in love tell their own story for the first time at a time when joy and hope - indeed human connectivity - are crucial lifelines to our better selves. Universal in reach and overwhelming in impact, Loving speaks to our spirit and resilience, our capacity for bliss, and our longing for the shared truths of love.
Co-published with Art Museum of South Texas, Catalog of the Sondra Gilman collection.
"Shooting Back caught my attention. Way to go, Jim Hubbard." --Oprah Winfrey "Shooting Back is wonderful and should be supported in every way possible." --Hillary Rodham Clinton "There is the photojournalism that is objective, and then there is the photojournalism that is purposefully provocative. Jim hubbard has found time to practice both." --The Washington Post "Jim and Shooting Back gives ... us all hope." --Maria Shriver, NBC news "His photos are powerful. His theme is strong and honest. Jim's faith story is compelling, enabled by the grace and love of God. There is a human joy. Jim Hubbard is a very special person, and I am proud to know him. --Martin Sheen "Jim Hubbard's photos are a worthy continuation of the tradition of American documentary photography that has tried to give voice to the voiceless. Through his sensitivity we feel that these are people and not just a problem. --Peter Howe, director of photography, LIFE magazine "Jim Hubbard reached a position which any photographer would envy. He has embarked on a task which is difficult and rarely lucrative. Jim spends his time in our ghettos, our poverty-filled streets. He is an artist photographing the poor, impoverished to heighten the public's awareness. Jim should serve as an example to us all." --US House of Representatives Majority Whip Tony Coelho, D-CA "I was very moved and touched by your book. God has redeemed, is redeeming, the searing pain of your loss. Your story greatly encourages me." --Rankin Wilbourne, senior pastor, Pacific Crossroads Church, Santa Monica, California