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'There is an addictive pungency to this exotic tale of lives lived loudly' Sunday Times 'The remarkable life of Caresse Crosby, now retold by her great-granddaughter' Observer A vivid and inventive debut novel about four generations of women in a family, their past and their legacy, which evokes the work of Kate Atkinson, Tessa Hadley and Virginia Baily. 'I will describe it as best I can. This is their story. Or perhaps just mine. Let us begin, again . . .' On a brisk day in 1970, a daughter arrives at her mother’s home to take care of her as she nears the end of her life. ‘Home’ is the sprawling Italian castle of Roccasinibalda, and Diana’s mother is the legendary Caresse Crosby, one half of literature’s most scandalous couple in 1920s Paris, widow of Harry Crosby, the American heir, poet and publisher who epitomised the ‘Lost Generation’. But it was not only Harry who was lost. Their incendiary love story concealed a darkness that marked mercurial Diana and still burns through the generations: through Diana's troubled daughters Elena and Leonie, and Elena’s young children. Moving between the decades, between France, Italy and the Channel Islands, Tamara Colchester’s debut novel is an unforgettably powerful portrait of a line of extraordinary women, and the inheritance they give their daughters. 'Sensual, evocative and rich with observational truth, this is a vivid and intricate portrait of three extraordinary women' Jeremy Page, author of Salt 'Evocative' Good Housekeeping 'This is a bold, striking and confident novel filled with vivid, sometimes shocking, scenes. It spans decades, generations and continents without ever feeling disjointed. This is a stunning introduction to an intriguing new voice in British fiction, who does real justice to her prodigious forebear' Netgalley reviewer
A guidebook for over 125 US cemeteries that offer green burial. Includes introductory material on green burial and photo illustrations. Detailed cemetery entries are color coded and grouped by region and state. 303 pages.
Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution. Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution. Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only Tv=ti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her. But as Agnes's death looms, the farmer's wife and their daughters learn there is another side to the sensational story they've heard. Riveting and rich with lyricism, Burial Rites evokes a dramatic existence in a distant time and place, and asks the question, how can one woman hope to endure when her life depends upon the stories told by others?
A horror story of a children's pet cemetery and another graveyard behind it from which the dead return.
Death is at once a universal and everyday, but also an extraordinary experience in the lives of those affected. Death and bereavement are thereby intensified at (and frequently contained within) certain sites and regulated spaces, such as the hospital, the cemetery and the mortuary. However, death also affects and unfolds in many other spaces: the home, public spaces and places of worship, sites of accident, tragedy and violence. Such spaces, or Deathscapes, are intensely private and personal places, while often simultaneously being shared, collective, sites of experience and remembrance; each place mediated through the intersections of emotion, body, belief, culture, society and the state. Bringing together geographers, sociologists, anthropologists, cultural studies academics and historians among others, this book focuses on the relationships between space/place and death/ bereavement in 'western' societies. Addressing three broad themes: the place of death; the place of final disposition; and spaces of remembrance and representation, the chapters reflect a variety of scales ranging from the mapping of bereavement on the individual or in private domestic space, through to sites of accident, battle, burial, cremation and remembrance in public space. The book also examines social and cultural changes in death and bereavement practices, including personalisation and secularisation. Other social trends are addressed by chapters on green and garden burial, negotiating emotion in public/ private space, remembrance of violence and disaster, and virtual space. A meshing of material and 'more-than-representational' approaches consider the nature, culture, economy and politics of Deathscapes - what are in effect some of the most significant places in human society.
Using data from archaeological excavations, patent filings, and marketing catalogs, this book provides a broad view of the introduction, spread, and use of mass-produced coffin hardware in North America. At the book's heart is a standardized typology of coffin hardware that recognizes stylistic and functional changes and a fresh look at the meanings and uses of the various motifs and decorative elements. Within the discussion of mass-produced coffin hardware in North America is new work connecting the North American industry with its British antecedents and a fresh analysis of the prime factors that led to the introduction and spread of mass-produced coffin hardware. Extensively illustrated with examples of coffin hardware to aid scholars and professionals in identification.
One woman’s struggle to restore an old slave cemetery uncovers centuries-old racism When China Galland visited her childhood hometown in east Texas, she learned of an unmarked cemetery for slaves-Love Cemetery. Her ensuing quest to restore and reclaim the cemetary unearths racial wounds that have never completely healed. Research becomes activism as she organizes a grassroots, interracial committee, made up of local religious leaders and lay people, to work on restoring community access to the cemetery. The author also presents material from the time of slavery and the Reconstruction Era, including stories of “landtakings” (the theft of land from African Americans), and forms of slavery that continued well into the twentieth century. Ultimately Keepers of Love delivers a message of tremendous hope as members of both black and white communities come together to right an historical wrong, and in so doing, discover each other’s common dignity. “Galland captures the struggle to reclaim one small cemetery in Texas with such engrossing drama and personal detail that the story becomes something larger still-a universal struggle to reclaim the ground of Deep Compassion that lies untended in the human heart.”-Sue Monk Kidd
This encyclopedia explores the many long-standing influences of Africa and people of African descent on the culture of the Americas, while tracing the many ways in which the Americas remain closely interconnected with Africa. Ranging from the 15th century to the present, Africa and the Americas: Culture, Politics, and History explores the many ways Africa and African peoples have shaped the cultural life of the Americas—and how, in turn, life in the Americas reverberates in Africa. This groundbreaking three-volume encyclopedia offers hundreds of alphabetically organized entries on African history, nations, and peoples plus African-influenced aspects of life in the Americas. It also features authoritative introductory essays on history, culture and religion, demography, international relations, economics and trade, and arts and literature. In doing so, it traces the complex and continuous movement of peoples of African descent to the West, the mechanics and lingering effects of colonialism and the slave trade, and the crucial issues of cultural retention and adaptation that are essential to our understanding of the effects of globalization.