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In her book, Juliane Kanitz not only examines the frequently asked question of why Muslim women wear a headscarf, but also concentrates on how it is worn. She is concerned with the cultural, aesthetic and fashionable preferences of women and not primarily with the religious motives that are otherwise often the focus of attention. In addition to a contribution to research on the Muslim headscarf, the author presents theoretical and empirical supplements to Islamic fashion and Islam in Germany as a whole. She also discusses the debate on Europeanization, in which arguments against Muslims are put forward, and develops some perspectives on the topic of the headscarf in Germany that have not yet been taken into account, made possible by the new perspective of fashion.
'A mesmerising tale of secrets and lies' - VAL MCDERMID 'As good as it gets' - DENISE MINA 'An arresting new talent' - CHRIS BROOKMYRE NOT EVERY CHILD IS A BLESSING... It was Ali who found the body of a murdered newborn baby, hidden in the garden of her convent school. In an Ireland riven by battles of religion and reproduction, the case becomes a media sensation, even as the church tries to suppress it. But this is not the first dead baby Ali has found. For Detectives Vincent Swan and Gina Considine, the pressure to discover the identity of the dead child is little help against a community with secrets to protect. Gina knows all too well how many of Ireland's girls are forced to make difficult decisions in terrible circumstances, silenced by shame. Is Ali one of those girls? Because what evidence there is, points to Ali herself... A compelling mystery that will keep you gripped until the last page, perfect for readers of Val McDermid, Denise Mina, Tana French and Jo Spain. *** WINNER OF THE DUNDEE INTERNATIONAL BOOK PRIZE *** ________________________________________ 'A superb debut' - IRISH TIMES 'A vivid thriller. Engrossing' - IRISH INDEPENDENT 'A compulsive, page-turning crime novel' - DECLAN HUGHES
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Hilal Elver offers an in-depth study of the escalating controversy over the right of Muslim women to wear headscarves. Examining legal and political debates in Turkey, several European countries including France and Germany, and the United States, Elver shows the troubling exclusion of pious Muslim women from the public sphere in the name of secularism, democracy, liberalism, and women's rights. After evaluating political actions and court decisions from the national level of individual governments to the international sphere of the European Court of Human Rights, Elver concludes that judges and legislators are increasingly influenced by social pressures concerning immigration and multiculturalism, and by issues such as Islamophobia, the "war on terror," and security concerns. She shows how these influences have resulted in a failure on the part of many Western governments to recognize and protect essential individual freedoms. Employing a critical legal theory perspective to the headscarf controversy, Elver argues that law can be used to change underlying social conditions shaping the role of religion, and also the position of women in modern society. The Headscarf Controversy demonstrates how changes in law across nations can be used to restore state commitments to human rights.
The Bourbon Street Ripper is dead, and the mastermind behind him stands revealed. His end game for both sets of killings is simple: Sam Castille cannot die. Now Sam lies in a coma as the remnants of the Knight Priory and Dr. Lazarus' fledgling group battle over her and all of New Orleans. Spanning five years and the intertwined lives of five characters, the explosive climax to this supernatural thriller trilogy will change the world forever! The Sins of the Father trilogy from author Leo King begins in The Bourbon Street Ripper, continues in A Life Without Fear and concludes in Face Behind the Mask.
Crown Prince Sultan Qurayshi has just expressed his support for the king’s new political reforms despite the wishes of many of the royal family who want the king stripped of his power. After submitting an emergency clause to the legislature, the crown prince ensures the king retains all his newly-founded powers of legislature and presidency, officially suspending democracy. Two months later amid chaos in the kingdom, Faisal Qurayshi, a member of the Royal Strategic Committee, receives an urgent call from his cousin to escape the country with his son, Mansour. A short time later after the king dies and Mansour’s great uncle ascends the throne, the family is reunited and seemingly all is well—until Mansour agrees to go undercover as a spy. After he eventually becomes a civil engineer whose mission is to help the royal family learn ways to transform the country and make it better for everyone, he uncovers corruption in the kingdom and Arlandica and soon realizes that good always defeats evil wherever it hides. In this novel inspired by true events, a prince goes undercover in the Kingdom of Terra Qurayshia where he must keep his identity secret to help the royal family create a better monarchy.
Culture: How to Make It Work in a World of Hybrids offers a compelling and original way to think about promoting connections across human differences in our global society. This book provides a fresh vision for the core anthropological concept of “culture,” one attuned to our contemporary global society where people receive hybrid cultural influences from many places in many ways. Providing a stimulating look at one of the most basic topics in social science, it is written without academic jargon, is rich in humor, and is replete with provocative examples, making it accessible to undergraduate students in anthropology and other social sciences as well as to scholars and non-academic readers in fields where the fostering of intercultural (or, as this book argues, inter-hybrid) communications is vital. Michael Agar explores two meanings of culture: culture as a label for the beliefs and practices of a specific group, and culture as marking the boundary between modern humans and our ancestors together with the rest of the animal kingdom (although this book acknowledges that that boundary has changed to a slippery slope). By looking back at the emergence of language and culture, through a broad range of the social and natural sciences, those human universals that make connections across human differences possible—as well as those that constrain that ability—are identified. This book concludes with a discussion of social perspective taking as a promising approach toward the development of a shared “languaculture” by any group of diverse—hybrid—humans who need to work together to accomplish whatever task is at hand.
A young Yemeni Israeli woman learns of her mother’s secret romance in a dramatic journey through lost family stories, revealing the unbreakable bond between a mother and a daughter—the debut novel of an award-winning literary voice. “A gorgeous, gripping novel filled with unforgettable characters.”—Elizabeth Graver, author of Kantika 1950. Thousands of Yemeni Jews have immigrated to the newly founded Israel in search of a better life. In an overcrowded immigrant camp in Rosh Ha’ayin, Yaqub, a shy young man, happens upon Saida, a beautiful girl singing by the river. In the midst of chaos and uncertainty, they fall in love. But they weren’t supposed to; Saida is married and has a child, and a married woman has no place befriending another man. 1995. Thirty-something Zohara, Saida’s daughter, has been living in New York City—a city that feels much less complicated than Israel, where she grew up wishing that her skin was lighter, that her illiterate mother’s Yemeni music was quieter, and that the father who always favored her was alive. She hasn’t looked back since leaving home, rarely in touch with her mother or sister, Lizzie, and missing out on her nephew Yoni’s childhood. But when Lizzie calls to tell her their mother has died, she gets on a plane to Israel with no return ticket. Soon Zohara finds herself on an unexpected path that leads to shocking truths about her family—including dangers that lurk for impressionable young men and secrets that force her to question everything she thought she knew about her parents, her heritage, and her own future.
Until now the bulk of the literature about the veil has been written by outsiders who do not themselves veil. This literature often assumes a condescending tone about veiled women, assuming that they are making uninformed decisions choices about veiling makes them subservient to a patriarchal culture and religion. “Rethinking Muslim Women and the Veil” offers an alternative viewpoint, based on the thoughts and experiences of Muslim women themselves. This is the first time a clear and concise book-length argument has been made for the compatibility between veiling and modernity. Katherine Bullock uncovers positive aspects of the veil that are frequently not perceived by outsiders. “Rethinking Muslim Women and the Veil” looks at the colonial roots of the negative Western stereotype of the veil. It presents interviews with Muslim women to discover their thoughts and experiences with the veil in Canada. The book also offers a positive theory of veiling. The author argues that in consumer capitalist cultures, women can find wearing the veil a liberation from the stifling beauty game that promotes unsafe and unhealthy ideal body images for women. This book also includes an extensive bibliography on topics related to Muslim women and the veil.