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Set in the Smoky Mountains of East Tennessee, Haun's stories of Appalachian life capture the forceful simplicity of the legends and ballads that still live in the rural hollows.
The stores of Mildred Haun, collected here for the first time, are unique in the annals of American literature. Set in the Smoky Mountains of East Tennessee and covering a span of family history from the Civil War to 1940, these tales achieve the forceful, intractable simplicity of the traditional ballads. But one also finds in these twenty-three stories an overview of the forces of nature, the paradoxes inherent in the human condition, and a full acceptance of the real world and the supernatural. Born to the milieu about which she wrote, Mildred Haun recorded a world which combined stark natural phenomena and passionate supernatural forces. And because the supernatural is woven into the dramatic fabric of the stories, it contributes, paradoxically, to the final credibility of events. Few writers in the twentieth century have set down so rich and complex a rendering of folk tradition and such a comprehensive treatment of superstition in the southern Appalachians. In these tales we meet a talking apple tree, a boy with the “hant bleach” of doom upon his brow, a bleeding ghost, a child’s winding sheet wet with tears, and God’s revelation in a blue bird. No other dialect collection from the South has been as close to the oral tradition or has achieved the same distinctive flavor and natural tonal qualities. The speech strikes the ear directly from the printed page. The language is simple and strong. A sparse, direct economy prevails. The total impact is explosive. Although Miss Haun dramatized themes of cruelty, revenge, and the loss of personal dignity in a harsh world, the comic tales in this volume call to mind the Native American humor of the Old Southwest and demonstrate that a female humorist, without coyness or bawdry, can hold her own alongside Davy Crockett, Sut Lovingood, and the nameless spinners of tall tales.
At the end of a winter-long journey into manhood, Little Hawk returns to find his village decimated by a white man's plague and soon, despite a fresh start, Little Hawk dies violently but his spirit remains trapped, seeing how his world changes.
Dirmann tells the true story of Skylar Deleon, a former child actor on the TV series "Power Rangers," who was charged of the 2004 double murder of a wealthy retired couple in Long Beach, California. photos. Original.
Good Couple Happy and retired, Tom and Jackie Hawks lived a charmed life in sunny Southern California. They were delighted when former child star Skylar Deleon and his pregnant wife Jennifer offered cash to purchase their 55-foot yacht The Well Deserved. . . Bad Couple But a trial voyage turned into a nightmare. Out at sea, the Hawkses begged for their lives as they were forced to sign everything over to Skylar. In return, they were tied to the ship's anchor and thrown overboard--alive. . . Dead Couple Skylar and Jennifer's twisted story became even more shocking when Skylar's unusual sexual motivations were revealed in court. After killing a man while out of jail on work furlough, he reportedly tried to hire hits from prison on four witnesses, including his father. . . For this former child actor, the answer to "Where Are They Now?" is Death Row. "A thrilling account of murder and mayhem." --M. William Phelps "A chilling read by a writer at the top of her game." --Gregg Olsen "A breathless tale of unthinkable events that no true crime fan should miss." --Katherine Ramsland 16 Pages Of Shocking Photos!
"A sensational page turner"- Romantic Times RT Top Pick! Jason Hawk only came to his father's funeral to spit on his grave. That was the best the old man deserved from the bastard son he'd never given a damn about. The son whose plan for revenge had now been derailed by Aaron Hawk's death. Or had it? Kendall Chase was Aaron Hawk's smart and efficient executive assistant, and had come to know a side of the old man that few saw. But convincing Jason there had been more to his father, more to his whole life's story than Jason knew, wasn't easy. He was as tough as the father he hated. And more compelling than any man she'd ever met. Convincing him the mysterious Hawk family book, a history now chronicling treachery and murder, had answers even for things yet to occur, was a much bigger job. Despite his attraction to her, the only part of Kendall's stories Jason believes is that his father's vicious widow is determined to see that Jason gets none of the inheritance left him. In the end, Jason has to make a decision. Is the magic real? Or more importantly, is the revenge he's wanted for nearly 30 years, worth losing Kendall Author of more than sixty books, Justine Dare Davis is a four-time winner of the coveted RWA RITA Award, and has been inducted into the RWA Hall of Fame. Her books have appeared on national best-seller lists, including USA Today. Find out more at her website and blog at justinedavis.com, Facebook at JustineDareDavis, or Twitter @Justine_D_Davis.
Many of the tales told by the old Georgian slave, featuring Brer B'ar, Brer Rabbit, and their animal friends.
Joel Chandler Harris was an American journalist, fiction writer, and folklorist best known for his collection of Uncle Remus stories. Harris wrote novels, narrative histories, translations of French folklore, children's literature, and collections of stories depicting rural life in Georgia. As fiction writer and folklorist, he wrote many 'Brer Rabbit' stories from the African-American oral tradition. He realized the literary value of the stories he had heard from the slaves of Turnwold Plantation. Harris set out to record the stories and insisted that they be verified by two independent sources before he would publish them. The stories, mostly collected directly from the African-American oral storytelling tradition, were revolutionary in their use of dialect, animal personages, and serialized landscapes. 1. The Uncle Remus Books — Uncle Remus: His Songs and His Sayings (1881) — Nights with Uncle Remus (1883) — Uncle Remus and His Friends (1892) — The Tar-Baby and Other Rhymes of Uncle Remus (1904) — Told by Uncle Remus (1905) — Uncle Remus and Brer Rabbit (1907) — Uncle Remus and the Little Boy (1910) — Uncle Remus Returns (1918) — Seven Tales of Uncle Remus (1948) 2. Mr. Thimblefinger Series — Little Mr. Thimblefinger and His Queer Country (1894) — Mr. Rabbit at Home (1895) — The Story of Aaron (So Named), the Son of Ben Ali (1896) — Aaron in the Wildwoods (1897) 3. The Novels — The Romance of Rockville (1878) — On the Plantation (1892) — Sister Jane (1896) — Gabriel Tolliver (1902) — A Little Union Scout (1904) — Shadow between His Shoulder Blades (1909) — The Bishop and the Boogerman (1909) 4. The Shorter Fiction — Mingo and Other Sketches in Black and White (1884) — Free Joe and Other Georgian Sketches (1887) — Daddy Jake, The Runaway: And Short Stories Told After Dark (1889) — Balaam and His Master and Other Sketches and Stories (1891) — Evening Tales (1893) — Stories of Georgia (1896) — Tales of the Home Folks in Peace and War (1898) — The Chronicles of Aunt Minervy Ann (1899) — Plantation Pageants (1899) — On the Wing of Occasions (1900) — The Making of a Statesman and Other Stories (1902) — Wally Wanderoon and His Story-Telling Machine (1903)