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Magic Child, a fifteen-year old Indian girl, wanders into the wrong whorehouse. She is looking for the right men to kill the monster. The monster that lives in the ice caves under the basement of Miss Hawkline's yellow house. Richard Brautigan takes the reader on a heroic, magical adventure through Eastern Oregon. The Hawkline Monster confirms his place as one of the twentieth century's most exciting writers.
A Gothic WesternAn imaginative novel about a mansion, a monster and a magic child
Jesse and Lee share a house owned by a very nice Chinese dentist, where it rains in the hall. They move to cabins on the cliffs at Big Sur where the deafening croaks of frogs can be temporarily silenced by the cry, 'Campbell's Soup'. Ultimately, we learn how the frogs are permanently silenced . . . and dreams disperse around a fire into 186,000 endings per second. In anticipating flower power and the ideals of the Sixties, Brautigan's debut novel was at least at decade before its time and remains a weird and brilliant classic.
When you hire C.Card, you have scraped the bottom of the private eye barrel. And when Card is hired to steal a body from the morgue, he needs to stop dreaming, find bullets for his gun and get there before someone else does. Not since Trout Fishing in America has Brautigan so successfully combined his wild sense of humour with his famous poetic imagination. In this parody of the hard-boiled crime novel, the adventures of seedy, not-too-bright C.Card are a delight to both the mind and the heart.
A heartbroken American writer starts a story about an ice-cold sombrero that falls inexplicably from the sky and lands in the centre of a small Southwest town. Devastated by the departure of his gorgeous Japanese girlfriend, he cannot concentrate on his writing and in frustration he throws away his beginning. But as the man searches through his apartment for strands of his lost love's hair, the discarded story in the wastepaper basket - through some kind of elaborate origami - carries on without him. Arguments over the sombrero begin, one thing leads to another and before long all hell breaks loose in the normally sleep town. Brautigan's fertile imagination twists and pulls at the ensuing chaos to come up with a tender, moving, surreal and incredibly funny tale that is told by a writer at the very peak of his creative powers.
Published 15 years after his suicide, this all-new, youthful work by Brautigan, was written a decade before he found sudden fame with "Trout Fishing in America".
"Assumes the form of a traveler's journal, chronicling the protagonists's journey and his oblique ruminations on the suicide of one woman and the death from cancer of another, close friend."--Jacket.
In The Hawkline Monster, Brautigan's minimalist metafictive parody of the double depicts our narcissistic view of reality. In Double or Nothing, Federman subverts the conventional double, exposing its gamelike structures and traditional views of life and text.
In all of the obituaries and writing about Richard Brautigan that appeared after his suicide, none revealed to Ianthe Brautigan the father she knew. Through it took all of her courage, she delved into her memories, good and bad, to retrieve him, and began to write. You Can't Catch Death is a frank, courageous, heartbreaking reflection on both a remarkable man and the child he left behind.