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The author details the events of the turn-of-the-century revolution that abrogated the monarchy and ended the sovereignty of the Kingdom of the Hawaiian Islands. Russ focuses on the days of the revolution and the reaction to the news in the United States.
An award-winning author tells the stories of the audacious American politicians, military commanders, and business executives who took it upon themselves to depose monarchs, presidents, and prime ministers of other countries with disastrous long-term consequences.
In 1893 a small group of white planters and missionary descendants backed by the United States overthrew the Kingdom of Hawai‘i and established a government modeled on the Jim Crow South. In Nation Within Tom Coffman tells the complex history of the unsuccessful efforts of deposed Hawaiian queen Lili‘uokalani and her subjects to resist annexation, which eventually came in 1898. Coffman describes native Hawaiian political activism, the queen's visits to Washington, D.C., to lobby for independence, and her imprisonment, along with hundreds of others, after their aborted armed insurrection. Exposing the myths that fueled the narrative that native Hawaiians willingly relinquished their nation, Coffman shows how Americans such as Theodore Roosevelt conspired to extinguish Hawai‘i's sovereignty in the service of expanding the United States' growing empire.
Last Among Equals is the first detailed account of Hawaii's quest for statehood. It is a story of struggle and accommodation, of how Hawaii was gradually absorbed into the politcal, economic, and ideological structures of American life. It also recounts the complex process that came into play when the states of the Union were confronted with the difficulty of granting admission to a non-contiguous territory with an overwhelmingly non-Caucasian population. More than any previous study of modern Hawaii, this book explains why Hawaii's legitimate claims to equality and autonomy as a state were frustrated for more than half a century. Last Among Equals is sure to remain a standard reference for modern Hawaiian and American political historians. As important, it will require a reevaluation of two commonly held myths: that of racial harmony in Hawaii and that of automatic equality under the Constitution of the United States.
Dynamite on the Tropic of Cancer is the radical, explosive retelling of the first decade of the 'Father of Modern China' Dr Sun Yatsen’s globally shaped formation as a professional revolutionist, and of the impact of the adult Sun’s revolutionary relationship with Hawaiʻi and with his varied communities of supporters there during its own most turbulent political decade, the 1890s, years in which this remote island nation transformed from native monarchy, via sovereign independent republic, to become the USA’s first overseas territory. Drawn from neglected primary sources, Dynamite reveals the hitherto untold story of the secret revolutionary alliance forged in Honolulu’s backstreets between Sun’s Xingzhonghui and the idiosyncratic italophile soldier Robert Wilcox, "Hawaiʻi’s Garibaldi" and leader of the Kanaka/Native Hawaiian counterrevolution of January 1895. This failed uprising to restore Hawaiʻi’s tragic last Queen, witnessed firsthand by Sun Yatsen, became the archetype upon which ten months later Sun would base his own first attempt at armed insurrection in China: the Canton uprising of 26 October 1895. With an epic sweep across the Pacific’s Tropic of Cancer, Dynamite is the most important study yet written on the origins of Sun Yatsen’s Chinese Revolution and its dynamic interface with Hawaiian history.
China’s century of revolutionary change has been heard as much as seen, and nowhere is this more evident than in an auditory history of the modern Chinese poem. From Lu Xun’s seminal writings on literature to a recitation renaissance in urban centers today, poetics meets politics in the sounding voice of poetry. Supported throughout by vivid narration and accessible analysis, Voices in Revolution offers a literary history of modern China that makes the case for the importance of the auditory dimension of poetry in national, revolutionary, and postsocialist culture. Crespi brings the past to life by first examining the ideological changes to poetic voice during China’s early twentieth-century transition from empire to nation. He then traces the emergence of the spoken poem from the May Fourth period to the present, including its mobilization during the Anti-Japanese War, its incorporation into the student protest repertoire during China’s civil war, its role as a conflicted voice of Mao-era revolutionary passion, and finally its current adaptation to the cultural life of China’s party-guided market economy. Voices in Revolution alters the way we read by moving poems off the page and into the real time and space of literary activity. To all readers it offers an accessible yet conceptually fresh and often dramatic narration of China’s modern literary experience. Specialists will appreciate the book’s inclusion of noncanonical texts as well as its innovative interdisciplinary approach.