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In this steampunk adventure by the author of The Dragon Men, a femme fatale offers a vengeful vigilante a simple job that becomes deadly. The Clockwork Plague continues to incite destruction throughout the world. For Thaddeus Sharpe, the only solution for the disease is death. That is why he has dedicated his life to hunting and killing Clockworkers, and his mission brings him to the streets of St. Petersburg. There he meets a mysterious young woman named Sofiya Ekk, who offers him a proposition from her powerful employer, Mr. Griffin. Thad has his suspicions, but it’s an offer he cannot refuse. In a nearby village, a mad Clockwork scientist named Mr. Havoc has taken residence in a castle. His dreadful experiments on men and machine terrify the locals. He has created a dangerous machine, a ten-legged robotic spider. Griffin doesn’t care what happens to Havoc; he only wants the invention. Simple enough . . . But when Thad arrives at the castle with Sofiya, they make a startling discovery. Not only is Havoc hiding the machine, but he has also been experimenting on a little boy. Now Thad finds himself caught in a mystery he must quickly unravel before havoc reigns . . . Praise for the Novels of the Clockwork Empire “Action, adventure, dirigibles, and mad scientists, oh my!” —Night Owl Reviews on The Impossible Cube “Harper creates a fascinating world of devices, conspiracies, and personalities. . . . Harper’s world building is well developed and offers an interesting combination of science and steam.” —SFRevu on The Doomsday Vault “My favorite book in the series yet. I’m not sure whether that’s because I’ve become so enamored with the world of the Clockwork Empire as a whole, or that the action sequences are nearly relentless, which a definite plus in this case.” —That’s What I’m Talking About on The Dragon Men
Intelligent machines have long existed in science fiction, and they now appear in mainstream films such as Bladerunner, Ex Machina, I Am Mother and Her, as well as in a recent proliferation of literary texts narrated from the machine's perspective. These new portrayals of artificial intelligence inevitably foreground dilemmas related to identity and selfhood, concepts being reassessed in the 21st century. Taking a close look at novels like Ancillary Justice, Aurora, All Systems Red, The Actuality, The Unseen World and Klara and the Sun, this work investigates key questions that arise from the use of AI narrators. It describes how these narratives challenge humanist principles by suggesting that selfhood is an illusion, even as they make the case for extending these principles to machines by proposing that they are not so different from humans. The book examines what is at stake with nonhuman narration, the qualities of AI narratives, and what it might mean to relate to a narrator when the voice adopted is that of an AI.
Finalist for the Helen Bernstein Book Award for Excellence in Journalism From a New York Times investigative reporter, this “authoritative and devastating account of the impacts of social media” (New York Times Book Review) tracks the high-stakes inside story of how Big Tech’s breakneck race to drive engagement—and profits—at all costs fractured the world. The Chaos Machine is “an essential book for our times” (Ezra Klein). We all have a vague sense that social media is bad for our minds, for our children, and for our democracies. But the truth is that its reach and impact run far deeper than we have understood. Building on years of international reporting, Max Fisher tells the gripping and galling inside story of how Facebook, Twitter, YouTube, and other social network preyed on psychological frailties to create the algorithms that drive everyday users to extreme opinions and, increasingly, extreme actions. As Fisher demonstrates, the companies’ founding tenets, combined with a blinkered focus on maximizing engagement, have led to a destabilized world for everyone. Traversing the planet, Fisher tracks the ubiquity of hate speech and its spillover into violence, ills that first festered in far-off locales, to their dark culmination in America during the pandemic, the 2020 election, and the Capitol Insurrection. Through it all, the social-media giants refused to intervene in any meaningful way, claiming to champion free speech when in fact what they most prized were limitless profits. The result, as Fisher shows, is a cultural shift toward a world in which people are polarized not by beliefs based on facts, but by misinformation, outrage, and fear. His narrative is about more than the villains, however. Fisher also weaves together the stories of the heroic outsiders and Silicon Valley defectors who raised the alarm and revealed what was happening behind the closed doors of Big Tech. Both panoramic and intimate, The Chaos Machine is the definitive account of the meteoric rise and troubled legacy of the tech titans, as well as a rousing and hopeful call to arrest the havoc wreaked on our minds and our world before it’s too late.
An authority on creativity introduces us to AI-powered computers that are creating art, literature, and music that may well surpass the creations of humans. Today's computers are composing music that sounds “more Bach than Bach,” turning photographs into paintings in the style of Van Gogh's Starry Night, and even writing screenplays. But are computers truly creative—or are they merely tools to be used by musicians, artists, and writers? In this book, Arthur I. Miller takes us on a tour of creativity in the age of machines. Miller, an authority on creativity, identifies the key factors essential to the creative process, from “the need for introspection” to “the ability to discover the key problem.” He talks to people on the cutting edge of artificial intelligence, encountering computers that mimic the brain and machines that have defeated champions in chess, Jeopardy!, and Go. In the central part of the book, Miller explores the riches of computer-created art, introducing us to artists and computer scientists who have, among much else, unleashed an artificial neural network to create a nightmarish, multi-eyed dog-cat; taught AI to imagine; developed a robot that paints; created algorithms for poetry; and produced the world's first computer-composed musical, Beyond the Fence, staged by Android Lloyd Webber and friends. But, Miller writes, in order to be truly creative, machines will need to step into the world. He probes the nature of consciousness and speaks to researchers trying to develop emotions and consciousness in computers. Miller argues that computers can already be as creative as humans—and someday will surpass us. But this is not a dystopian account; Miller celebrates the creative possibilities of artificial intelligence in art, music, and literature.
From Action/Adventure novelist Michael Kasner comes a military techno-thriller series! In the tradition of Blue Thunder. Torn apart by violent crime, 1999 America was in big trouble. Armed criminal cartels terrorized our cities and heartlands, dealing drugs and death wholesale. Local police were outgunned and overrun by the explosion of terror, so the President unleashed the only force able to stop the killing and save the country: the U.S. TACTICAL POLICE FORCE. An elite army of super cops with ammo to burn, they powered down on the hot spots in sleek high-tech attack choppers to win the dirty war and take back the streets of America! CHOPPER COPS - BOOK ONE: NUCLEAR NIGHTMARE! The battle lines are drawn when a powerful Seattle crime gang hijacks a Trident missile to threaten the entire West Coast of the United States. Hot off a night mission to interdict illegal arms, Capt. Buzz Corcran and his TPF Dragon Flight strike team target an old Puget Sound prison island as the terrorists’ fortified headquarters, swooping down to blast the enemy and stop the missile's detonation.
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
In this steampunk sequel to The Impossible Cube, two adventurers must find a way inside a kingdom on the brink of war to save themselves and the world. As Gavin Ennock pilots his airship, the Lady of Liberty, to China, his fiancée, Lady Alice Michaels prays they make it in time. The Clockwork Plague consumes Gavin’s body and mind, driving him increasingly mad—and driving a wedge between him and Alice. Their only hope lies in China with the Dragon Men. But a power-hungry general has seized the Chinese throne, intending to conquer Asia, Britain, and the world. He has also closed the country’s borders to foreigners. Meanwhile, the former ruling dynasty is plotting to return the throne’s rightful heir to power. Seeing their opportunity, the two travelers dive into a political power struggle where one false move could spell doom for Gavin and the entire world. “[The Dragon Men] continues to demonstrate its original premise and to showcase the inventive pair who strive to save a world.” —Library Journal “My favorite book in the series yet. I’m not sure whether that’s because I’ve become so enamored with the world of the Clockwork Empire as a whole, or that the action sequences are nearly relentless, which a definite plus in this case.” —That’s What I’m Talking About