Download Free The Haunting Past Has Risen Book in PDF and EPUB Free Download. You can read online The Haunting Past Has Risen and write the review.

Janet Simmons's never thought that running away from home five years ago would come back at her like an erupting volcano. She had been warned that Ishmael, the false promise, usually came before Isaac, the true promise. She had met her Ishmael, her fool's gold, and now he wants her and her family eliminated.
This unique and unforgettable picture book uses rock art and simple text to tell children the story of the miracle of Easter—the resurrection of Jesus. Through the arrangement of a few rocks and powerful words directly from Scripture, the entire Easter story is told in He Is Risen: Rocks Tell the Story of Easter. Young readers will be intrigued by the nature-filled artwork that shows the death and resurrection of Jesus and the celebration of the very first Easter in a powerful and unique way. He Is Risen is perfect for: Children ages 4-8 Sharing the true story of Easter in a new and memorable way Easter gifts Inspiring creative art projects using natural items such as rocks, sticks, and leaves This unique holiday picture book: features beautiful photographs of the rock art uses the Gospel of Luke from the NKJV translation to tell the Easter story If you enjoy He Is Risen, check out A Savior Is Born: Rocks Tell the Story of Christmas.
First Published in 2015. This book places in firm historical perspective the roots of Caribbean dependency, highlighting the ways in which the region has been and continues to be a pawn in Great Power politics and economics. The past is both haunting and daunting, seriously hampering the region's capacity to pursue an autonomous path. The author develops his argument by focusing on how politics, economics and race have shaped Caribbean history and contemporary life. Discussions and analysis include examples from the Anglophone, Spanish, French and Dutch speaking Caribbean islands and countries. Thompson also attempts to provide prescriptions that would free the region from the shackles of the past and place the countries on the path to independence.
What beliefs are core to the Christian faith? This book is here to help you understand the reason for your hope as a Christian so that you can see it with fresh sight and invite others into the conversation. A lot of Christians take their story—the narratives that give rise to their beliefs—for granted. They pray, go to church, perhaps even read their Bible. But they might be stuck if a stranger asked them to explain what they believe and why they believe it. Author, pastor, and theologian Mike Horton unpacks the essential and basic beliefs that all Christians share in a way that is easy to understand and applicable to our lives today. And in a way that will make you excited to be a Christian! Core Christianity covers topics like: Jesus as both fully God and fully man. The doctrine of the Trinity. The goodness of God despite a broken world. The ways God speaks. The meaning of salvation. What is the Christian calling? Includes discussion questions for individual or group use. This introduction to the basic doctrines of Christianity is perfect for those who are new to the faith, as well as those who have an interest in deepening their understanding of what it means to be a follower of Jesus Christ.
Transatlantic approach: This project explores British and American texts in conversation together. Use of archival materials, which is relatively unusual within Gothic studies, and even in literary studies more generally. A focus on poetry, drama, and periodical writing, genres that are often ignored in the study of the Gothic. A focus on women’s work (both on the labor of women and on texts by women). A focus on local Gothic (especially in Lowell and Manchester), with a connection to larger international trends of the genre.
The love of four out of five sister had grown cold, and they found themselves pitted against each other like belligerent strangers living in the same house. Cynthia, the eldest sister, and the cause of battle scars between them, keeps her reason for causing all of the turmoil to such a high degree a secret. But Mary, their mother, and Annette, the only sister not a part of the battle bots, prayed for a change. And years later, they found themselves caught in a storm together, and facing a raging flood. Punishment sent by God? Will they all survive? Or, will at least one of them pay for refusing to repent?
“That’s a lot of horse hockey, Hamilton.” Described by the New York Times as “classic activist theater” and “a cross between ‘A Christmas Carol’ and a trial at The Hague’s International Criminal Court.” "In this, his latest work, the protean Ishmael Reed--the legendary artist and prolific writer--continues to burnish his already sterling reputation by dismantling the 'Creation Myth' of the founding of the U.S., as represented in the incredibly profitable play and musical, Hamilton. Reed, a verbal acrobat of global renown, demonstrates here why he is widely considered to be the leading intellectual in the U.S. today." -Gerald Horne, author of The Counter-Revolution of 1776: Slave Resistance and the Origins of the USA This powerful play, originally produced at the Nuyorican Poets Café, comprehensively dismantles the phenomenon of Lin-Manuel Miranda and Hamilton. Reed uses the musical’s crimes against history to insist on a radical, cleareyed way of looking at our past and our selves. Both durable and timely, this goes beyond mere corrective – it is a meticulously researched rebuttal, an absorbing drama, and brilliant rallying cry for justice. The perfect tie-in to both the success of and backlash to Hamilton, it is the major voice in contrast to the recent movie. It captures both the earnest engagement that fans of the musical desire, as well as the exhausted disbelief of those who can’t stand it. Teachers, students and fans of drama, literature, and history will find much to love. It is written by one of America’s most respected and original writers, who is eagerly promoting it, and who is long overdue for a renaissance.
This Companion provides a wide-ranging and up-to-date overview of the conceptual issues that history as a discipline and mode of thought gives rise to. The book offers both historical and systematic treatments of these issues, as well as addressing their contemporary relevance. Structured in three parts – Modes and Schools of Historical Thought, Epistemology and Metaphysics of History, and Issues and Challenges in Historical Theory – it offers the reader a wide scope and expert treatment of each topic in this vibrant field that can be read in any order. An international team of experts both discuss the basis of their topic and present their own view, offering the reader a cutting-edge contribution while ensuring their chapters are of interest to both students and specialists in the field of historical theory and engaging with the very nature of historical thought, the metaphysics of historical existence, the politics of history-writing, and the intelligibility of the historical process. The volume is an indispensable companion to the study of history and essential reading for anyone interested in the reflection on the nature of history and our historical existence.
"The Haunting Past is a brief but richly textured treatment of the role of the historian in dealing with information about contemporary political and legal matters."—Libraries and Culture
"Winter 1913. Ursula Kelp, a young English gardener, has come to Argentina to restore the gardens of Las Lágrimas. The long-abandoned estate lies deep in the Pampas, the vast empty grasslands of South America where the wind blows without end. Despite warnings from the locals of terrible things that once happened there and the evil that lingers, Ursula sets out to her new post full of hope. Yet when she arrives, all is not as promised. The garden is an untameable wilderness, the staff hostile. Setting to work, Ursula is disturbed by the crunch of footsteps on empty gravel paths, while from the nearby forest comes the frenzied chop of an axe when no one is there. But it is only as she unlocks the secrets of the place that Ursula comes to understand the true horror she is facing. For lurking in the trees - watching her, waiting for her - is a malevolent force that wants Las Lágrimas for itself."--Publisher.