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Can Madeline Waters capture a picture of the ghost William Gray believes is haunting him? Others have caught some shadowy figures on film at the Antebellum house, built in the eighteen hundreds on a privately-owned island, in Winyah Bay, South Carolina. A single photo would result in William granting permission for her to use the private journals of his long-dead ancestor and namesake, Captain William Gray, in her thesis research. Madeline's disbelief in the supernatural isn’t helpful and she wonders if the wealthy loner is suffering a mental collapse until she experiences the ghost of the Captain herself. Saving her from drowning, he floods her with the emotions she has longed for, and opens a dimension for her previously thought to be pure fantasy. Is it possible to fall in love with an apparition, or will she be able to aid in setting his spirit free? With help from a local Gullah woman's knowledge of voodoo, the mystery unravels. In the process, William and Madeline's hearts also become entwined.
An innovative collection of essays examining the sometimes paradoxical alignment of Realism and Naturalism with the Gothic in American literature to highlight their shared qualities Following the golden age of British Gothic in the late eighteenth century, the American Gothic’s pinnacle is often recognized as having taken place during the decades of American Romanticism. However, Haunting Realities explores the period of American Realism—the end of the nineteenth century—to discover evidence of fertile ground for another age of Gothic proliferation. At first glance, “Naturalist Gothic” seems to be a contradiction in terms. While the Gothic is known for its sensational effects, with its emphasis on horror and the supernatural, the doctrines of late nineteenth-century Naturalism attempted to move away from the aesthetics of sentimentality and stressed sobering, mechanistic views of reality steeped in scientific thought and the determinism of market values and biology. Nonetheless, what binds Gothicism and Naturalism together is a vision of shared pessimism and the perception of a fearful, lingering presence that ominously haunts an impending modernity. Indeed, it seems that in many Naturalist works reality is so horrific that it can only be depicted through Gothic tropes that prefigure the alienation and despair of modernism. In recent years, research on the Gothic has flourished, yet there has been no extensive study of the links between the Gothic and Naturalism, particularly those which stem from the early American Realist tradition. Haunting Realities is a timely volume that addresses this gap and is an important addition to scholarly work on both the Gothic and Naturalism in the American literary tradition.
Sara Goode is leading an exciting life in New York until her radio talk show is cancelled. She heeds the advice of a homeless woman—who insists she speaks with angels—and returns to Bland, Virginia for Thanksgiving. But not everyone in the small town is happy to see her. Sara learns there is more to forgiveness than just receiving, but granting it as well. It doesn’t hurt that she’s falling for the town’s most eligible bachelor, Luke Sterling, the handsome minister of her family’s church. Luke has his own connection to NYC. He also has rejection angst since going from “college football field hero” to “has been” overnight. Can they face their fears and embrace love? Manhattan’s bright lights still call to Sara, and Luke’s fears of being rebuffed may just be too deep to overcome.
When Prime Minister William Lyon Mackenzie King died in 1950, the public knew little about his eccentric private life. In his final will King ordered the destruction of his private diaries, seemingly securing his privacy for good. Yet twenty-five years after King's death, the public was bombarded with stories about "Weird Willie," the prime minister who communed with ghosts and cavorted with prostitutes. Unbuttoned traces the transformation of the public’s knowledge and opinion of King's character, offering a compelling look at the changing way Canadians saw themselves and measured the importance of their leaders’ personal lives. Christopher Dummitt relates the strange posthumous tale of King's diary and details the specific decisions of King's literary executors. Along the way we learn about a thief in the public archives, stolen copies of King's diaries being sold on the black market, and an RCMP hunt for a missing diary linked to the search for Russian spies at the highest levels of the Canadian government. Analyzing writing and reporting about King, Dummitt concludes that the increasingly irreverent views of King can be explained by a fundamental historical transformation that occurred in the era in which King's diaries were released, when the rights revolution, Freud, 1960s activism, and investigative journalism were making self-revelation a cultural preoccupation. Presenting extensive archival research in a captivating narrative, Unbuttoned traces the rise of a political culture that privileged the individual as the ultimate source of truth, and made Canadians rethink what they wanted to know about politicians.
The forgotten story of two British expeditions to Africa that went disastrously wrong and left a hidden legacy.
A popular phenomenon since antiquity, the image of the haunted house is one that has translated elegantly into the modern medium of film. The haunted house transcends genre, appearing in mysteries, gothic romances, comedies and horror films. This book is the first comprehensive historical and critical study of themes surrounding haunted houses in film. Covering more than 100 films, it spans from the Mystery House thrillers of the silent era to the high-tech, big budget productions of the 21st Century. Included are the works of such acclaimed directors as D.W. Griffith, Robert Wise, Mario Bava, Alfred Hitchcock, Stanley Kubrick, Tim Burton and Guillermo Del Toro. The book also covers the real-life "haunted house" phenomenon and movies based on paranormal case files, including those featured in films like the Conjuring series.
On the heels of professional failure, flavor chemist Sabrina Bianco travels to Martha's Vineyard to reopen her parents' ice cream parlor, hire a manager, and return to North Carolina before a co-worker snags her promotion. Secretive about his reasons for returning, Tommy O'Brien, the man who left Sabrina and the island seven years earlier to pursue his dream photographer career, shows up to photograph the creamery for the local newspaper. Forced to work together, will they rekindle their relationship, or is Tommy's interest in her unique flavor creations for nefarious reasons?
No one knows who the lady pulled from a Venetian canal is. Even she doesn't seem to know and the ball gown and period undergarments she was wearing give no clues. hitting her head and oxygen deprivation have left her with amnesia. Dr. Luca Viale is determined to find out her identity. The bruises on her body appear to come from different times, convincing him that her situation was no accident. Can he restore her memory before another attempt is made on her life? Time is running out and his growing attraction to her is beginning to cause problems in both his personal and professional life.
For millennia people have held folk beliefs about the existence of the doppelganger--"double walker" in German--a look-alike second self that is often the antithesis of one's identity and is usually considered an omen of misfortune or death. The theme of the double has inspired works by E.T.A. Hoffmann, Poe, de Maupassant, Dostoevsky and others, and has been the basis for many classic mystery, horror and science fiction movies. This critical survey examines the double in more than 100 films by such acclaimed directors as Alfred Hitchcock, Mario Bava, Roger Corman, David Cronenberg, George Romero, Fritz Lang, James Cameron, Robert Siodmak, Don Siegel, John Frankenheimer, Terry Gilliam, Brian De Palma and Roman Polanski.