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Uncovers the ways in which the spectator's memory informs theatrical reception
Theatre and Ghosts brings theatre and performance history into dialogue with the flourishing field of spectrality studies. Essays examine the histories and economies of the material operations of theatre, and the spectrality of performance and performer.
Edgar Award Winner Dori Hillestad Butler gives us the ninth title in her not-too-scary chapter book mystery series, The Haunted Library. Kaz are Claire are on the case again—this time, they're looking for Kaz's long-lost uncle! Their search takes them to a bakery and a movie theater. Along the way, they meet another kid ghost detective. Will Kaz and Claire be able to figure out what's going on?
Nina had just missed her one chance to be on the hottest TV talent show around—Singing Superstar! But then fate intervened and provided another stage for her to show off her talent, a stage far from the TV cameras. Some say that fame comes at a price. Nina was about to find out just how high that price can be!
In the first book of the Nina Tanleven Mysteries, Nina investigates the ghost of a haunted auditorium Standing on the Grand Theater’s storied stage, sixth-grader Nina Tanleven is about to audition for the latest local production. But as she launches into song, she sees a mysterious woman dressed all in white appearing out of nowhere. It isn’t until later, after Nina has won a part in the play, that she learns the truth: Fifty years ago, on the Grand’s famous stage, the beautiful actress Lily Larkin—known for her captivating white costumes—was killed by a falling chandelier. Ever since, rumors have swirled that the ghost of Lily Larkin haunts the Grand. When eerie events start disrupting the play’s rehearsals, Nina knows that Lily is responsible. But what is Lily trying to tell her? Along with her best friend, Chris, Nina decides that the only way she can save the play is to get to the bottom of this decades-old murder mystery. The Ghost in the Third Row is the first book of the Nina Tanleven Mysteries, which continue with The Ghost Wore Gray and The Ghost in the Big Brass Bed. This ebook features an illustrated personal history of Bruce Coville including rare images from the author’s collection.
1944 was a troubled and momentous year for Jack Kerouac. In March, his close friend and literary confidant, Sebastian Sampas, lost his life on the Anzio beachhead while serving as a US Army medic. That spring -- still reeling with grief over Sebastian -- Kerouac solidified his friendships with Lucien Carr, William Burroughs, and Allen Ginsberg, offsetting the loss of Sampas by immersing himself in New York's blossoming mid-century bohemia. That August, however, Carr stabbed his longtime acquaintance and mentor David Kammerer to death in Riverside Park, claiming afterwards that he had been defending his manhood against Kammerer's persistent and unwanted advances. Kerouac was originally charged in Kammerer'a killing as an accessory after the fact as a result of his aiding Carr in disposing of the murder weapon and Kammerer's eyeglasses. Consequently, Kerouac was jailed in August 1944 and married his first wife, Edie Parker, on the twenty-second of that month in order to secure the money he needed for his bail bond. Eventually the authorities accepted Carr's account of the killing, trying him instead for manslaughter and thus nullifying the charges against Kerouac. At some point later in the year -- under circumstances that remain rather mysterious -- the aspiring writer lost a novella-length manuscript titled The Haunted Life, a coming of age story set in Kerouac's hometown of Lowell, Massachusetts. Kerouac set his fictional treatment of Peter Martin against the backdrop of the everyday: the comings and goings of the shopping district, the banter and braggadocio that occurs within the smoky atmospherics of the corner bar, the drowsy sound of a baseball game over the radio. Peter is heading into his sophomore year at Boston College, and while home for the summer in Galloway he struggles with the pressing issues of his day -- the economic crisis of the previous decade and what appears to be the impending entrance of the United States into the Second World War. The other principal characters, Garabed Tourian and Dick Sheffield, are based respectively on Sebastian Sampas and fellow Lowellian Billy Chandler, both of whom had already died in combat by the time of Kerouac's drafting of The Haunted Life (providing some of the impetus for its title). Garabed is a leftist idealist and poet, with a pronounced tinge of the Byronic. Dick is a romantic adventurer whose wanderlust has him poised to leave Galloway for the wider world -- with or without Peter. The Haunted Life also contains a compelling and controversial portrayal of Jack's father, Leo Kerouac, recast as Joe Martin. Opposite of Garabed's progressive, New Deal persepctive, Joe is a right-wing and bigoted populist, and an ardent admirer of radio personality Father Charles Coughlin. The conflicts of the novella are primarily intellectual, then, as Peter finds himself suspended between the differing views of history, politics, and the world embodied by the other three characters, and struggles to define what he believes to be intellectually true and worthy of his life and talents. The Haunted Life, skillfully edited by University of Massachusetts at Lowell Assistant Professor of English Todd F. Tietchen, is rounded out by sketches, notes, and reflections Kerouac kept during the novella's composition, as well as a revealing selection of correspondence with his father, Leo Kerouac.
From Chicago historian Adam Selzer, expert on all of the Windy City’s quirks and oddities, comes a compelling heavily researched anthology of the stories behind its most fascinating unsolved mysteries. To create this unique volume, Selzer has collected forty unsolved mysteries from the 1800s to modern day. He has poured through all newspaper, magazine, and book references to them, and consulted expert historians. Topics covered include who really started the great Chicago fire, who was the first “automobile murderer,” and even if there was actually a vampire slaying at Rose Hill cemetery. The result is both a colorful read to get lost in, a window to a world of curiosity and wonder, as well as a volume that separates fact from fiction—true crime from urban legend. Complementing the gripping stories Selzer presents are original images of the crime and its suspects as developed by its original investigators. Readers will marvel at how each character and crime were presented, and happily journey with Selzer as he presents all facts and theories presented at the time of the “crime” and uses modern hindsight to assemble the pieces.
This invaluable student handbook is the first detailed guide to explain in detail the relationship between the drama text and the theory and practice of drama in performance. Beginning at the beginning, with accessible explanations of the meanings and methods of semiotics, Theatre as Sign System addresses key drama texts and offers new and detailed information about the theories of performance.
Exploring the historical antecedents and mimetic dimensions of "Theater of the Real"