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Long out of print, Rebecca Brown’s brilliant debut novel explores the psychic repercussions of growing up in an alcoholic family, and the ways in which one woman’s past continues to inform and inhabit her life. Robin Daley’s childhood is dominated by a sense of impermanence: Her hard-drinking father disappears as suddenly and unexpectedly as he arrives. Her adulthood offers an escape, but strange things happen when the dark corners and locked rooms of family life are revealed. Rebecca Brown is the author of The Gifts of the Body, The Last Time I Saw You, and The End of Youth. She lives in Seattle.
It was a job any kid would kill for: to play a role in the Historical Society's Haunted House Halloween fundraising event. Ellen Streater was thrilled to play Joan of Arc, burning at the stake. It was for a good cause—to benefit the eerie old Clayton House, soon to reopen as a museum. They said the house was haunted. Ellen didn't believe it—until she felt a strange, icy feeling when she touched the beautiful Fairylustre bowl. Then she saw the ghost in the mirror—a beautiful phantom who beckoned her into a nightmare beyond her wildest dreams. "Entertaining and appealing, with lively and believable young people and a personable ghost." —School Library Journal
Varla Ventura, Coast to Coast favorite, Weird News blogger on Huffington Post, and author of The Book of the Bizarre and Beyond Bizarre, introduces Weiser Books’ new Collection of forgotten occult classics. Paranormal Parlor is an eerie assemblage of affordable digital editions, curated with Varla’s sixth sense for tales of the weird and unusual. In the 1859 Christmas edition of his regular publication, All Year Round, Charles Dickens solicited his favorite authors to take up residence in his Haunted House. With an introductory story by Dickens (The Mortals in the House) each author writes from the point of view of the ghost residing in a room. On the Twelfth Night of Christmas, a night believed to hold supernatural powers, the ghost begin to speak. Adelaide Anne Procter, who was Queen Victoria’s favorite poet, delivers the tale of “The Ghost in the Picture Room” entirely in rhyming verse. Wilkie Collins, a lifelong friend of Dickens and a well known author and playwright, delights with his nautical story of “The Ghost in the Cupboard Room.” And Elizabeth Gaskell, in the longest of the stories in the collection, paints a vivid portrait of the ghost of a judge in “The Ghost in the Garden Room.” For any lover of Dickens, Gaskell, or even just a good ghost story, this unique collection will warm the heart and chill the bones.
Maureen Swanson is the scourge of the neighborhood. At age nine, she already has a reputation as a hard slapper, a loud laugher, a liar, and a stay-after-schooler. The other kids call her Stinky. So sometimes when Maureen passes the crumbling (and haunted?) Messerman mansion, she imagines that she is Maureen Messerman–rich, privileged, and powerful. Then she finds a way into the forbidden, boarded-up house. In the hall are portraits of seven young women wearing elaborate gowns and haughty expressions. Maureen has something scathing to say to each one, but then she notices that the figures seem to have shifted in their frames. So she reaches out her finger to touch the paint–just to make sure–and touches . . . silk! These seven daughters of privilege are colder and meaner than Maureen ever thought to be. They are wicked, wicked ladies, and Maureen has something they want. . . .
A girl moves in to her Grandmother's old house and starts to hear suspicious noises and she starts to think that it is her imagination playing tricks on her. Read the story so you'll know what I mean.
DigiCat Publishing presents to you this special edition of "The Haunted House" by Walter Hubbell. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.