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A woman, clad only in a white nightgown, is dead - her body discovered on the banks of Black River. Her unsolved murder, and her ghost, still haunt the small town where she lived and died.Twenty-five years later, Detective Gordon Daniels inherits his estranged grandfather's home on the property where the body was found. Anxious to sell it, Daniels invites his partner, Detective Aaron Remalla to help him clean it out and enjoy some time off from their high-pressure job. But their getaway is interrupted when a second woman's body is found on the river, clad in a white nightgown, and they are unwittingly thrown into an investigation they would prefer to avoid.Their scrutiny of the nearby town uncovers colorful suspects, including a cranky elderly woman and her entitled grandson, two fortune-telling sisters, a paranormal-investigating sheriff, a drifter with a dubious past and Daniels' own grandfather. As strange occurrences, frightening dreams, and spectral encounters stack up, Detectives Daniels and Remalla are forced to confront the town's ghosts and will uncover a sinister secret so shocking that someone is prepared to kill to keep it hidden.Can the specters of the past help them find a killer before the killer gets to them first?
This novel of sorrow and suspense, set in rural Montana, is “a complex and powerful story—put Black River on the must-read list” (The Seattle Times). Wes Carver returns to his hometown—Black River, Montana—with two things: his wife’s ashes and a letter from the parole board. The convict who once held him hostage during a prison riot is up for release. For years, Wes earned his living as a correction officer and found his joy playing the fiddle. But the uprising shook Wes’s faith and robbed him of his music; now he must decide if his attacker should walk free. With “lovely rhythms, spare language, tenderness, and flashes of rage,” S. M. Hulse shows us the heart and darkness of an American town, and one man’s struggle to find forgiveness in the wake of evil (Los Angeles Review of Books).
In famed author-illustrator P.J. Lynch’s gorgeous tale, he creates two worlds—underwater and above—to tell an epic and haunting love story. Jacob and his father are the only people who fish Lake Spetzia, which was formed when the river was dammed and their town was flooded. The villagers say the lake is haunted, but Jacob and his father don’t want to leave, because Jacob’s mother is buried in the cemetery below the water. As Jacob grows up, a village girl named Ellen falls in love with him, and he with her. But before they are married, Jacob disappears—lured underwater by the ghosts who inhabit the sunken village. Years go by, with Jacob held captive by the watery spirits and Ellen never giving up hope that she will find him, until a fateful night when Jacob sees the light of Ellen’s boat floating above. Can he break free and reach the surface? Masterful illustrations alive with achingly expressive characters and eerie underwater light bring readers into acclaimed creator P.J. Lynch’s rich world of love, loss, and hope.
Even though race influenced how Americans envisioned, represented, and shaped the American West, discussions of its history devalue the experiences of racial and ethnic minorities. In this lyrical history of marginalized peoples in Idaho, Robert T. Hayashi views the West from a different perspective by detailing the ways in which they shaped the western landscape and its meaning. As an easterner, researcher, angler, and third-generation Japanese American traveling across the contemporary Idaho landscape—where his grandfather died during internment during World War II—Hayashi reconstructs a landscape that lured emigrants of all races at the same time its ruling forces were developing cultured processes that excluded nonwhites. Throughout each convincing and compelling chapter, he searches for the stories of dispossessed minorities as patiently as he searches for trout. Using a wide range of materials that include memoirs, oral interviews, poetry, legal cases, letters, government documents, and even road signs, Hayashi illustrates how Thomas Jefferson’s vision of an agrarian, all-white, and democratic West affected the Gem State’s Nez Perce, Chinese, Shoshone, Mormon, and particularly Japanese residents. Starting at the site of the Corps of Discovery’s journey into Idaho, he details the ideological, aesthetic, and material manifestations of these intertwined notions of race and place. As he ?y-?shes Idaho’s fabled rivers and visits its historical sites and museums, Hayashi reads the contemporary landscape in light of this evolution.