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This is a study of tumultuous transformations of kinship and intimate relationships in American horror fiction over the last three decades. Twelve contemporary novels (by ten women writers and two whose work has been identified as women’s fiction) are grouped into four main thematic clusters – haunted houses; monsters; vampires; and hauntings – but it is social scripts and concerns linked directly to intimacy and family life that structure the entire volume. By drawing attention to how the most intimate of all social relationships – the family – supports and replicates social hierarchies, exclusions, and struggles for dominance, the book problematises the source of horror. The consideration of horror narratives through the lens of familial intimacies makes it possible to rethink genre boundaries, to question the efficacy of certain genre tropes, and to consider the contribution of such diverse authors as Kathe Koja, Tananarive Due, Gwendolyn Kiste, Elizabeth Engstrom, Sara Gran and Caitlín R. Kiernan.
Focusing on recent postmodern examples, this is a collection of essays reviewing the history of the horror film and the psychological reasons for its persistent appeal.
A popular phenomenon since antiquity, the image of the haunted house is one that has translated elegantly into the modern medium of film. The haunted house transcends genre, appearing in mysteries, gothic romances, comedies and horror films. This book is the first comprehensive historical and critical study of themes surrounding haunted houses in film. Covering more than 100 films, it spans from the Mystery House thrillers of the silent era to the high-tech, big budget productions of the 21st Century. Included are the works of such acclaimed directors as D.W. Griffith, Robert Wise, Mario Bava, Alfred Hitchcock, Stanley Kubrick, Tim Burton and Guillermo Del Toro. The book also covers the real-life "haunted house" phenomenon and movies based on paranormal case files, including those featured in films like the Conjuring series.
Shirley Jackson's 'The Haunting of Hill House' is a horror classic that delves deep into the psychological terror of a haunted house. The novel is known for its gripping narrative style, blending supernatural elements with complex character dynamics. Jackson's exploration of fear and isolation captivates readers, creating an atmosphere of unease and suspense. Set in a mysterious mansion with a dark history, the book challenges traditional ghost story conventions, leaving readers questioning reality and the nature of evil. Jackson's masterful prose and subtle storytelling make 'The Haunting of Hill House' a timeless masterpiece in the horror genre. Shirley Jackson, known for her dark and unsettling fiction, drew inspiration from her own fascination with the supernatural and the macabre. Her psychological insight and keen observation of human nature shine through in this haunting tale of terror. 'The Haunting of Hill House' showcases Jackson's distinctive voice and her ability to evoke primal fear in her audience. I highly recommend 'The Haunting of Hill House' to readers who enjoy atmospheric and psychologically chilling narratives. Shirley Jackson's classic novel is a must-read for fans of horror fiction, as it continues to enthrall and disturb audiences with its timeless exploration of fear and the unknown.
A popular phenomenon since antiquity, the image of the haunted house is one that has translated elegantly into the modern medium of film. The haunted house transcends genre, appearing in mysteries, gothic romances, comedies and horror films. This book is the first comprehensive historical and critical study of themes surrounding haunted houses in film. Covering more than 100 films, it spans from the Mystery House thrillers of the silent era to the high-tech, big budget productions of the 21st Century. Included are the works of such acclaimed directors as D.W. Griffith, Robert Wise, Mario Bava, Alfred Hitchcock, Stanley Kubrick, Tim Burton and Guillermo Del Toro. The book also covers the real-life "haunted house" phenomenon and movies based on paranormal case files, including those featured in films like the Conjuring series.
Ellen and Corey Streater agree to play roles in the Historical Society's Haunted House, and Ellen meets the ghost of Lydia Clayton and uncovers a robbery plot.
When Edgar Allan Poe set down the tale of the accursed House of Usher in 1839, he also laid the foundation for a literary tradition that has assumed a lasting role in American culture. “The House of Usher” and its literary progeny have not lacked for tenants in the century and a half since: writers from Nathaniel Hawthorne to Stephen King have taken rooms in the haunted houses of American fiction. Dale Bailey traces the haunted house tale from its origins in English gothic fiction to the paperback potboilers of the present, highlighting the unique significance of the house in the domestic, economic, and social ideologies of our nation. The author concludes that the haunted house has become a powerful and profoundly subversive symbol of everything that has gone nightmarishly awry in the American Dream.
John Carradine, Jamie Lee Curtis, Yvonne De Carlo, Faith Domergue, Boris Karloff, Otto Kruger, Bela Lugosi, Jack Palance, Vincent Price, Santo, and George Zucco are just a few of the 80 horror film stars that are covered in this major standard reference work, now in its third edition. The author has revised much of the information from the two previous editions and has added several more performers to the lineup of horror film stars. The performers are given well rounded career bios and detailed horror film write-ups, with complete filmographies provided for those most associated with horror, science fiction, and fantasy movies, and genre-oriented filmographies for the lesser stars.
Greatly expanded and updated from the 1977 original, this new edition explores the evolution of the modern horror film, particularly as it reflects anxieties associated with the atomic bomb, the Cold War, 1960s violence, sexual liberation, the Reagan revolution, 9/11 and the Iraq War. It divides modern horror into three varieties (psychological, demonic and apocalyptic) and demonstrates how horror cinema represents the popular expression of everyday fears while revealing the forces that influence American ideological and political values. Directors given a close reading include Alfred Hitchcock, Brian De Palma, David Cronenberg, Guillermo Del Toro, Michael Haneke, Robert Aldrich, Mel Gibson and George A. Romero. Additional material discusses postmodern remakes, horror franchises and Asian millennial horror. This book also contains more than 950 frame grabs and a very extensive filmography.
“Love a good ghost story? So do I... or at least I did until my life became one. My name is Stone and this is my story. Let me take you on a trip back to when I had only one voice in my head, MY OWN!” And with just those few words the doors to the Funhouse of Horrors opened to the world. Now the international smash hit series that has readers around the globe seeing ghosts, has entombed all four bestselling books into one huge creepy crawling monster of a tale. In this collection you can, if you dare, go behind the Funhouse doors and discover the bones of what made this thriller... in the "History of a Good Scare". Or if you are feeling brave, look under the floorboards and brush aside the cobwebs to see never before released scripting and artwork. Hear from author, Jazan Wild, and artist, Rudy Vasquez, in their own words, just what it takes to wake the dead! Truly, we are dying for YOU to come inside. So, Enter If You Dare... Jazan Wild's Funhouse of Horrors Graphic Novel! "CARNIVAL COMICS" and "FUNHOUSE OF HORRORS" are Registered Trademarks.