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Beth Powning offers readers an unforgettable story of love, grief and renewal — both past and present — as well as her extraordinary perceptions of the natural world. At the age of fifty-two, Kate Harding has hit a crossroads: the pain that overwhelmed her when her husband died suddenly from a heart attack the previous year hasn’t diminished, and she is at a loss as to how to go on with her life. Living alone in her large Victorian house, its emptiness magnified by memories of better days, Kate can only dream of a time when her grief will abate, at least enough to allow her to hope for change. When Kate’s sister drops off nine antique hatboxes of papers recovered from their grandparents’ eighteenth-century home in Connecticut, Kate isn’ t sure she is ready to face the remnants of her family’s past. She’s having enough trouble going through Tom’s things. Soon, though, the smell of the hatboxes begins to permeate the air in her home and “awakens a feeling in Kate that she remembers from childhood, composed of odd emotional strands: love, sorrow, pain, contentment.” As she slowly sorts through the letters, diaries and photographs, Kate begins to find some solace in the past. But the further she delves into her grandparents’ history, the more Kate realizes that her perfect world had its own dark side — an undercurrent of tragedy, personal loss and eternal grief. Then an old acquaintance moves back to New Brunswick, and Kate begins to edge out of her solitude, surprising herself. But when a new tragedy comes, it forces Kate to begin picking up the pieces of her shattered life.
The Memory of All That is Katharine Weber’s memoir of her extraordinary family. Her maternal grandmother, Kay Swift, was known both for her own music (she was the first woman to compose the score to a hit Broadway show, Fine and Dandy) and for her ten-year romance with George Gershwin. Their love affair began during Swift’s marriage to James Paul Warburg, the multitalented banker and economist who advised (and feuded with) FDR. Weber creates an intriguing and intimate group portrait of the renowned Warburg family, from her great-great-uncle, the eccentric art historian Aby Warburg, whose madness inspired modern theories of iconography, to her great-grandfather Paul M. Warburg, the architect of the Federal Reserve System whose unheeded warnings about the stock-market crash of 1929 made him “the Cassandra of Wall Street.” As she throws new light on her beloved grandmother’s life and many amours, Weber also considers the role the psychoanalyst Gregory Zilboorg played in her family history, along with the ways the Warburg family has been as celebrated for its accomplishments as it has been vilified over the years by countless conspiracy theorists (from Henry Ford to Louis Farrakhan), who labeled Paul Warburg the ringleader of the so-called international Jewish banking conspiracy. Her mother, Andrea Swift Warburg, married Sidney Kaufman, but their unlikely union, Weber believes, was a direct consequence of George Gershwin’s looming presence in the Warburg family. A notorious womanizer, Weber’s father was a peripatetic filmmaker who made propaganda and training films for the OSS during World War II before producing the first movie with smells, the regrettable flop that was AromaRama. He was as much an enigma to his daughter as he was to the FBI, which had him under surveillance for more than forty years, and even noted Katharine’s birth in a memo to J. Edgar Hoover. Colorful, evocative, insightful, and very funny, The Memory of All That is an enthralling look at a tremendously influential—and highly eccentric—family, as well as a consideration of how their stories, with their myriad layers of truth and fiction, have both provoked and influenced one of our most prodigiously gifted writers.
Ellie Morgan's life isn't going exactly as she planned. She finds herself divorced and working as a teacher in the Midwest when word arrives that a distant relative has died ... and left her everything. Ellie travels to Tennessee to attend to the estate, which includes a large plantation house that has been in the family since the early 1800s. Ellie feels drawn to the attic, where she finds a stack of letters hidden in a hatbox. The letters appear to be from a Civil War soldier by the name of Rafe Collins. Rafe fought on the Confederate side; however, the letters are addressed to Ms. Hattie Townes, whose family stood behind the Union. Ellie can't help but read the one-sided exchange, wondering at the love shared between Rafe and Hattie, despite the division of war. The more immersed Ellie gets, the more she suspects she isn't alone in the grand plantation house. A haunted spirit wanders the halls, and Ellie soon realizes it's the ghost of Rafe Collins. Distressed by his lost love, he lingers in the house, looking for answers. What ever became of Hattie? Why didn't she answer his letters? Ellie decides to try to solve Rafe's mystery-and, in the process, develops feelings for a local man. Perhaps Ellie's broken heart can be mended, and perhaps Rafe can finally find peace in the arms of his beloved.
This is the first collection in print of the letters of Australian colonial poet Charles Harpur (1813–68) and his circle. Supported by extensive annotation newly prepared for this edition, the 200 letters and life-documents open up successive phases of colonial culture from the 1830s to the 1860s in a newly focused way. Harpur’s two-way correspondence with poet Henry Kendall, and with poet and future premier of NSW Henry Parkes, is especially impressive. The letters selected for this edition document Harpur’s life in a previously unavailable way. They reveal the intriguing struggle of a high-minded young man to pursue a serious vocation as a poet amidst the unpromising contours of colonial New South Wales society. Despite bearing the taint of a convict family background, Harpur took his vocation with utmost seriousness and had much to endure before he would find recognition as a poet, mainly in colonial newspapers where his poems made over 900 appearances. This edition captures the process in detail, as well as the production in 1883 of his Poems in book form. Even though editorially mangled, Poems confirmed his reputation and led to his presence in dozens of anthologies down to the present day.
A gripping novel of love and adventure on the high seas that introduces an unforgettable young heroine. Growing up on the Bay of Fundy in the 1860s, Azuba Galloway is determined to escape the confines of her town and live at sea. When she captures the heart of Captain Nathaniel Bradstock, she is sure her dreams are about to be realized, only to have pregnancy intervene. But when Azuba becomes embroiled in a scandal, Nathaniel must bring his young family abroad to save his reputation. Azuba gets her wish, but at what price? Alone in a male world, and juggling the splendor of foreign ports with the terror of the open seas, Azuba must fight to keep her family together. Blending the high-tension drama of missed chances and unexpected twists of the sort that made A Reliable Wife a bestseller with the pluck and spirit of a heroine in the vein of Laura Ingalls Wilder, The Sea Captain's Wife will captivate readers and critics alike.
A phenomenonally precicious schoolboy, Rimbaud was still a teenager when he became notorious as Europe's most shocking and exhilarating poet. During his brief 5-year reign as the enfant terrible of French literature he produced an extraordinary body of poems that range from the exquisite to the obsene, while simultaneously living a life of dissolute excess with his lover and fellow poet, Verlaine. At the age of 21, he abandonned poetry and travelled across Europe before settling in Africa as an arms trader. This edition sets the two sides of Rimbaud side by side with a sparkling translation of his most exhilarating poetry and a generous selection of the letters from the harsh and colourful period of his life as a colonial trader.
The Seventh Telling is a journey into the Kabbalah, a spiritual discipline hidden within the folds of Jewish history. Stephanie and Sidney have been studying with Moshe Katan, a kabbalist who shared his learning only when he perceived that a kabbalistic intervention might be necessary to save the life of Rivkah, his wife. What has happened to Moshe and Rivkah we do not know, only that their house is now being used for an extraordinary storytelling, a spiritual discipline to share with those willing to risk examining the very core of their beliefs.