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Tucked away in a rundown quarter, just out of sight of downtown Cairo, a group of intellectuals gather regularly to smoke hashish in Hakeem’s den. The den is the center of their lives, both a refuge and a stimulus, and at the center of the den is the remarkable man who keeps their hashish bowls topped up—Rowdy Salih. While his former life is a mystery to his loyal clientele of writers, painters, film directors, and even window dressers, each sees himself reflected in Salih; but without his humor, humility, or insight, or his occasional passions fueled by hootch. And when the nation has to face its own demons during the peace initiative of the 1970s, it is Rowdy Salih who speaks for them all. This is a comic novel with a broken heart, very like Salih himself, whose warm rough voice calls out long after we have recovered from the novel’s painful conclusion.
Tucked away in a rundown quarter, just out of sight of downtown Cairo, a group of intellectuals gather regularly to smoke hashish in Hakeem's den. The den is the center of their lives, both a refuge and a stimulus, and at the center of the den is the remarkable man who keeps their hashish bowls topped up-Rowdy Salih. While his former life is a mystery to his loyal clientele of writers, painters, film directors, and even window dressers, each sees himself reflected in Salih; but without his humor, humility, or insight, or his occasional passions fueled by hootch. And when the nation has to face.
Egyptians are known among the Arabs as awlād al-nukta, Sons of the Jokes, for their ability to laugh in face of adversity. This creative weapon has been directed against socio-political targets both in times of oppression and popular upheaval, such as the 2011 Tahrir Revolution. This book looks at the literary expression of Egyptian humour in the novels of Muḥammad Mustajāb, Khayrī Shalabī, and Ḥamdī Abū Julayyil, three writers who revive the comic tradition to innovate the language of contemporary fiction. Their modern tricksters, wise fools, and antiheroes play with the stereotypical traits attached to the ordinary Egyptians, while laughing at the universal contradictions of life. This ability to combine local and global culture, literary traditions and popular references, makes them a stimulating read in an intercultural perspective. Combining humour studies and literary criticism, this book examines language play and narrative creativity to understand which strategies craft Egyptian literary humour. In doing so, it sheds light on the contribution of humour to literary innovations of Egyptian fiction since the late Seventies, while adding new writers to those who are considered the masters of humour in the Arab novel.
THE BLOODY ROAD TO DEATH depicts all the savagery of war punctuated with black humour, as Tiny, Porta and the rest of the men advance across Europe. The Russian Officer falls forward and I sink my teeth into his throat. Blood runs down over my face but I don't notice it. I am fighting for my life. The 27th Penal Regiment are veterans of the frontline. But when Hitler's war takes them through Greece, Yugoslavia and Albania, they are entirely unprepared for what awaits them. And when the water rations run out, they are willing to commit murder just for a drink.
From the fight for survival against the ferocious Red Army and the icy, shell-ravaged wastes of the vicious Russian winter, to the bloodiest battles on the Eastern Front, Sven Hassel's gripping novels are based on his own experiences in the German army. Convicted of deserting the German army, Sven Hassel was sent to a punishment regiment on the Russian Front. He and his comrades were regarded as little more than dispensable killing-machines, cannon fodder for Hitler's war. His unflinching narrative takes us to the most extreme outposts of war, where soldiers face an inferno of blood and butchery. THE SVEN HASSEL COLLECTION includes all 14 books in Sven Hassel's series and exclusive extra material.