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A poet whose verse inspired music by Schubert, Schumann, Mendelssohn and Brahms, Heinrich Heine (1797-1856) was in his lifetime equally admired for his elegant prose. This collection charts the development of that prose, beginning with three meditative works from the Travel Pictures, inspired by Heine's journeys as a young man to Lucca, Venice and the Harz Mountains. Exploring the development of spirituality, the later On the History of Religion and Philosophy in Germany spans the earliest religious beliefs of the Germanic people to the philosophy of Hegel, and warns with startling force of the dangers of yielding to 'primeval Germanic paganism'. Finally, the Memoirs consider Heine's Jewish heritage and describe his early childhood. As rich in humour, satire, lyricism and anger as his greatest poems, together the pieces offer a fascinating insight into a brilliant and prophetic mind.
In her penetrating new study, Na’ama Rokem observes that prose writing—more than poetry, drama, or other genres—came to signify a historic rift that resulted in loss and disenchantment. In Prosaic Conditions, Rokem treats prose as a signifying practice—that is, a practice that creates meaning. During the nineteenth and twentieth centuries, prose emerges in competition with other existing practices, specifically, the practice of performance. Using Zionist literature as a test case, Rokem examines the ways in which Zionist authors put prose to use, both as a concept and as a literary mode. Writing prose enables these authors to grapple with historical, political, and spatial transformations and to understand the interrelatedness of all of these changes.
This book-series, initiated in 1992, has an interdisciplinary orientation; it comprises research monographs, collections of essays and annotated editions from the 18th century to the present. The term German-Jewish literature refers to the literary work of Jewish authors writing in German to the extent that Jewish aspects can be identified in these. However, the image of Jews among non-Jewish authors, often determined by anti-Semitism, is also a factor in the history of German-Jewish relations as reflected in literature. This series provides an appropriate forum for research into the whole problematic area.
This book is about representations of the devil in English and European literature. Tracing the fascination in literature, philosophy, and theology with the irreducible presence of what may be called evil, or comedy, or the carnivalesque, this book surveys the parts played by the devil in the texts derived from the Faustus legend, looks at Marlowe and Shakespeare, Rabelais, Milton, Blake, Hoffmann, Baudelaire, Goethe, Dostoevsky, Bulgakov, and Mann, historically, speculatively, and from the standpoint of critical theory. It asks: Is there a single meaning to be assigned to the idea of the diabolical? What value lies in thinking diabolically? Is it still the definition of a good poet to be of the devil's party, as Blake argued?
'Discovering the Human' investigates the emergence of the modern human sciences and their impact on literature, art and other media in the 18th and 19th centuries. Up until the 1830s, science and culture were part of a joint endeavour to discover and explore the secret of life. The question 'What is life?' unites science and the arts during the Ages of Enlightenment and Romanticism, and at the end of the Romantic period, a shift of focus from the human as an organic whole to the specialized disciplines signals the dawning of modernity. The emphasis of the edited collection is threefold: the first part sheds light on the human in art and science in the Age of Enlightenment, the second part is concerned with the transitions taking place at the turn of the 19th century. The chapters forming the third part investigate the impact of different media on the concept of the human in science, literature and film.