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DigiCat presents the meticulously edited and timeless Harvard collection: Vols. 1 & 2: The History of Tom Jones by Henry Fielding Vol. 3: A Sentimental Journey by Laurence Sterne Pride and Prejudice by Jane Austen Vol. 4: Guy Mannering by Sir Walter Scott Vol. 5 & 6: Vanity Fair by William Makepeace Thackeray Vol. 7 & 8: David Copperfield by Charles Dickens Vol. 9: The Mill on the Floss by George Eliot Vol. 10: The Scarlet Letter by Nathaniel Hawthorne Rappaccini's Daughter by Nathaniel Hawthorne Rip Van Winkle by Washington Irving The Legend of Sleepy Hollow by Washington Irving Eleonora by Edgar Allan Poe The Fall of the House of Usher by Edgar Allan Poe The Purloined Letter by Edgar Allan Poe The Luck of Roaring Camp by Francis Bret Harte The Outcasts of Poker Flat by Francis Bret Harte The Idyl of Red Gulch by Francis Bret Harte Jim Smiley and His Jumping Frog by Mark Twain The Man Without a Country by Edward Everett Hale Vol.11: The Portrait of a Lady by Henry James Vol. 12: Notre Dame de Paris by Victor Hugo Vol. 13: Old Goriot by Honoré de Balzac The Devil's Pool by George Sand The Story of a White Blackbird by Alfred de Musset The Siege of Berlin by Alphonse Daudet The Last Class by Alphonse Daudet The Child Spy by Alphonse Daudet The Game of Billiards by Alphonse Daudet The Bad Zouave by Alphonse Daudet Walter Schnaffs' Adventure by Guy de Maupassant Two Friends by Guy de Maupassant The Cripple by Guy de Maupassant Vol. 14: Wilhelm Meister's Apprenticeship by J. W. von Goethe Vol.15: The Sorrows of Young Werther by J. W. von Goethe The Banner of the Upright Seven by Gottfried Keller The Rider on the White Horse by Theodor Storm Trials and Tribulations by Theodor Fontane Vols. 16 & 17: Leo Tolstoy Anna Karenina Ivan the Fool Vol. 18: Crime and Punishment by Fyodor Dostoevsky Vol. 19: Ivan Turgenev A House of Gentlefolk Fathers and Children Vol. 20: Pepita Jimenez by Juan Valera A Happy Boy by Bjørnstjerne Bjørnson Skipper Worse by Alexander L. Kielland
The original Harvard Classics Collection contains 51 volumes of the essential works of world literature, showing the progress of man from antics to modern age. In this edition, the original collection is supplemented with the 20 volume Harvard Shelf of Fiction, a selection of the greatest works of fiction. Content: The Harvard Classics: V. 1: Franklin, Woolman & Penn V. 2: Plato, Epictetus & Marcus Aurelius V. 3: Bacon, Milton, Browne V. 4: John Milton V. 5: R. W. Emerson V. 6: Robert Burns V. 7: St Augustine & Thomas á Kempis V. 8: Nine Greek Dramas V. 9: Cicero and Pliny V. 10: The Wealth of Nations V. 11: The Origin of Species V. 12: Plutarchs V. 13: Æneid V. 14: Don Quixote V. 15: Bunyan & Walton V. 16: 1001 Nights V. 17: Folklore & Fable V. 18: Modern English Drama V. 19: Goethe & Marlowe V. 20: The Divine Comedy V. 21: I Promessi Sposi V. 22: The Odyssey V. 23: Two Years Before the Mast V. 24: Edmund Burke V. 25: J. S. Mill & T. Carlyle V. 26: Continental Drama V. 27 & 28: English & American Essays V. 29: The Voyage of the Beagle V. 30: Scientific Papers V. 31: The Autobiography of Benvenuto Cellini V. 32: Literary and Philosophical Essays V. 33: Voyages & Travels V. 34: French & English Philosophers V. 35: Chronicle and Romance V. 36: Machiavelli, Roper, More, Luther V. 37: Locke, Berkeley, Hume V. 38: Harvey, Jenner, Lister, Pasteur V. 39: Prologues V. 40–42: English Poetry V. 43: American Historical Documents V. 44 & 45: Sacred Writings V. 46 & 47: Elizabethan Drama V. 48: Blaise Pascal V. 49: Saga V. 50: Reader's Guide V. 51: Lectures The Shelf of Fiction: V. 1 & 2: The History of Tom Jones V. 3: A Sentimental Journey & Pride and Prejudice V. 4: Guy Mannering V. 5 & 6: Vanity Fair V. 7 & 8: David Copperfield V. 9: The Mill on the Floss V. 10: Irving, Poe, Harte, Twain, Hale V.11: The Portrait of a Lady V. 12: Notre Dame de Paris V. 13: Balzac, Sand, de Musset, Daudet, de Maupassant V. 14 & 15: Goethe, Keller, Storm, Fontane V. 16–19: Tolstoy, Dostoevsky, Turgenev V. 20: Valera, Bjørnson, Kielland
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A literary scholar explains how eighteenth-century novels were manufactured, sold, bought, owned, collected, and read alongside Protestant religious texts. As the novel developed into a mature genre, it had to distinguish itself from these similar-looking books and become what we now call “literature.” Literary scholars have explained the rise of the Anglophone novel using a range of tools, from Ian Watt’s theories to James Watt’s inventions. Contrary to established narratives, When Novels Were Books reveals that the genre beloved of so many readers today was not born secular, national, middle-class, or female. For the first three centuries of their history, novels came into readers’ hands primarily as printed sheets ordered into a codex bound along one edge between boards or paper wrappers. Consequently, they shared some formal features of other codices, such as almanacs and Protestant religious books produced by the same printers. Novels are often mistakenly credited for developing a formal feature (“character”) that was in fact incubated in religious books. The novel did not emerge all at once: it had to differentiate itself from the goods with which it was in competition. Though it was written for sequential reading, the early novel’s main technology for dissemination was the codex, a platform designed for random access. This peculiar circumstance led to the genre’s insistence on continuous, cover-to-cover reading even as the “media platform” it used encouraged readers to dip in and out at will and read discontinuously. Jordan Alexander Stein traces this tangled history, showing how the physical format of the book shaped the stories that were fit to print.
Assembled by Harvard University president Charles William Eliot in the early 20th century, the Five-Foot Shelf of Books is a collection of classic works of literature, philosophy, and history that represents the best of Western thought and culture. This volume, featuring the poems and songs of Scotland's national bard Robert Burns, is a wonderful introduction to the rich literary heritage of the Scottish people. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from The Harvard Classics Shelf of Fiction The history of the German novel would have, however, also to record that those writers have secured the most permanent distinction who have most significantly modified in their own way the suggestions which foreign examples gave them, and that the greatest distinction of all belongs to writers whom we can, if we will, associate with one or another Of the main currents, but wh'o are by no means carried away by it. In the work of these men the national character Of the German novel, if it has a national character, ought to be discoverable. For two reasons it is a fair question whether the Ger man novel has a national character. In the first place, modern Germany has been a nation only Since 1871; and in the second place, only in times of some great crisis does there appear to be in Germany a national life, as we under stand the term. At other times life in Germany is urban, provincial, or private, in those aspects of existence which the Germans most prize. The imperial capital affects to represent Germany as London represents England and Paris represents France; but such ascendancy is stoutly denied Berlin in the capitals of the other states, and Saxons or Bavarians refuse to submit to Prussian hegemony in any other than political and military affairs. In literature Prussia is not the nation; the empire itself is a federation of states, and Berlin is less specifically a German city than any other in the realm. Germany is emphatically e plum'bus. Still, there may be some bond of union stronger than political alliance, some fundamental quality common to Prussian, Saxon, and Bavarian. In this we should seek the national character. We should find the national character depicted in the historical novel, which has had a great vogue in Germany; but we may discern it also in the fiction devoted to the problems Of contemporary life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Complete Harvard Classics - ALL 71 Volumes, stands as a monumental anthology that embarks on an epic journey through the annals of world literature, philosophy, and science. This collection is distinguished by its diverse array of literary styles, embracing works from ancient tracts to the prose of the Enlightenment and the poetry of the Romantic era. The anthology skillfully intertwines the dynamics of literary form, thematic depth, and historical context, offering readers an unparalleled vista into human thought and creativity. Among its pages, standout pieces across civilizations and centuries coalesce, forming a dialogue that transcends temporal and geographical boundaries, reflective of editor Charles W. Eliot's vision of a comprehensive 'five-foot shelf' of books that could serve as a good education in itself. The contributing authors and editors, ranging from Homer to Shakespeare, and Darwin to Tolstoy, present a tapestry rich with the intellectual and cultural movements that have shaped human history. This anthology not only mirrors the evolution of literature and thought but also encapsulates the spirit of the periods from which these titans hailed. Their collective works, diverse in origin yet unified in their exploration of human experience, provide insight into the notions of identity, morality, and society. The anthology stands as a testament to the enduring nature of their contributions, aligning with various historical, cultural, and literary movements and fostering a deeper appreciation for the multiplicity of human expression. The Complete Harvard Classics - ALL 71 Volumes is not merely a collection to be admired from afar but is a vibrant invitation to immerse oneself in the wealth of knowledge and emotion captured within its pages. It beckons scholars, students, and curious minds alike to delve into its depths, offering an educational journey that is as profound as it is expansive. This anthology facilitates a dialogue with the minds of great thinkers and artists across ages, providing a unique opportunity to explore the landscape of human culture and intellect. Engaging with this collection is to partake in an ongoing conversation about the values, questions, and understandings that continue to shape our world.
This edition includes: Vols. 1 & 2: The History of Tom Jones by Henry Fielding Vol. 3: A Sentimental Journey by Laurence Sterne Pride and Prejudice by Jane Austen Vol. 4: Guy Mannering by Sir Walter Scott Vol. 5 & 6: Vanity Fair by William Makepeace Thackeray Vol. 7 & 8: David Copperfield by Charles Dickens Vol. 9: The Mill on the Floss by George Eliot Vol. 10: The Scarlet Letter by Nathaniel Hawthorne Rappaccini's Daughter by Nathaniel Hawthorne Rip Van Winkle by Washington Irving The Legend of Sleepy Hollow by Washington Irving Eleonora by Edgar Allan Poe The Fall of the House of Usher by Edgar Allan Poe The Purloined Letter by Edgar Allan Poe The Luck of Roaring Camp by Francis Bret Harte The Outcasts of Poker Flat by Francis Bret Harte The Idyl of Red Gulch by Francis Bret Harte Jim Smiley and His Jumping Frog by Mark Twain The Man Without a Country by Edward Everett Hale Vol.11: The Portrait of a Lady by Henry James Vol. 12: Notre Dame de Paris by Victor Hugo Vol. 13: Old Goriot by Honoré de Balzac The Devil's Pool by George Sand The Story of a White Blackbird by Alfred de Musset The Siege of Berlin by Alphonse Daudet The Last Class by Alphonse Daudet The Child Spy by Alphonse Daudet The Game of Billiards by Alphonse Daudet The Bad Zouave by Alphonse Daudet Walter Schnaffs' Adventure by Guy de Maupassant Two Friends by Guy de Maupassant The Cripple by Guy de Maupassant Vol. 14: Wilhelm Meister's Apprenticeship by J. W. von Goethe Vol.15: The Sorrows of Young Werther by J. W. von Goethe The Banner of the Upright Seven by Gottfried Keller The Rider on the White Horse by Theodor Storm Trials and Tribulations by Theodor Fontane Vols. 16 & 17: Leo Tolstoy Anna Karenina Ivan the Fool Vol. 18: Crime and Punishment by Fyodor Dostoevsky Vol. 19: Ivan Turgenev A House of Gentlefolk Fathers and Children Vol. 20: Pepita Jimenez by Juan Valera A Happy Boy by Bjørnstjerne Bjørnson Skipper Worse by Alexander L. Kielland
Harvard's Classics Collection: Complete 71 Volumes is a monumental anthology that serves as a comprehensive survey of the foundational texts and figures that have shaped Western literature and thought. This collection spans millennia, encompassing works from ancient Greece to the Enlightenment, and up through the 19th century, showcasing a diverse range of literary styles, including poetry, philosophy, fiction, and scientific discourse. The inclusion of seminal works by figures such as Dante Alighieri, William Shakespeare, Plato, and Charles Darwin, amongst others, highlights the anthologys breadth and depth, offering readers an unparalleled insight into the various currents that have influenced Western cultural and intellectual history. The contributing authors and editors of this collection are each luminary in their own right, having left indelible marks on their respective fields. This anthology not only collates works by philosophers, scientists, and literary giants but also orchestrates a dialogue among them, offering a unique multidisciplinary perspective. The collection navigates through Renaissance humanism, the Enlightenments valorization of reason, and the romantic eras emphasis on individual emotion and natural beauty, painting a rich historical and cultural panorama. Through their collective works, this anthology encapsulates the essence of human thought and its evolution over the centuries. Harvards Classics Collection: Complete 71 Volumes is an essential resource for those looking to immerse themselves in the rich tapestry of human knowledge and creativity. Whether for scholarly research, educational pursuits, or personal enrichment, this collection offers an unmatched opportunity to engage with the texts that have served as cornerstones of Western culture. Readers are invited to explore this treasure trove of human experience, thought, and expression, which continues to enlighten, instruct, and inspire generations.