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Sumerian, the oldest language known, is represented by hundreds of thousands of clay tablets inscribed in the cuneiform writing system. Most of the tablets are devoted to mundane matters- ration lists, annual accounts, deeds, contracts- but a substantial number contain examples of perhaps the earliest poetry extant. In this volume, the eminent Assyriologist Thorkild Jacobsen presents translations of some of these ancient poems, including a number of compositions that have never before been published in translation. "What a wonderful bouquet; a gift to us all from a master Sumeriologist, a singer of human achievement, and a lover of words. Jacobsen needs no introduction and this work is special, and should be found in the home of all human and literate persons. It gives access to the mind of ancient Mesopotamia in a manner rarely duplicated heretofore ... Jacobsen has chosen widely from Sumer's rich literature- myth, epics, hymns, boasts, epithalamia, love songs, lamentations, fables- nad has presented us with perspective renderings". Jack M. Sasson, Religious Studies Review.
Sumerian is the oldest written language of ancient Iraq, first written down some 5,000 years ago. Its literature, encompassing narrative myths, lyrical hymns, proverbs and love poetry, provides a stimulating insight into the world's first urban civilization. This is a comprehensive collection.
This book teaches the student step by step how to play the harp. Each of the 12 lessons includes instructions, exercises, and folk and classical pieces using the new skills and techniques taught in the lesson. --from publisher description.
A rich, heartwarming and charming debut novel that reminds us that sometimes you find love in the most unexpected places. Dan Hollis lives a happy, solitary life carving exquisite Celtic harps in his barn in the countryside of the English moors. Here he can be himself, away from social situations that he doesn’t always get right or completely understand. On the anniversary of her beloved father’s death, Ellie Jacobs takes a walk in the woods and comes across Dan’s barn. She is enchanted by his collection. Dan gives her a harp made of cherrywood to match her cherry socks. He stores it for her, ready for whenever she’d like to take lessons. Ellie begins visiting Dan almost daily and quickly learns that he isn’t like other people. He makes her sandwiches precisely cut into triangles and repeatedly counts the (seventeen) steps of the wooden staircase to the upstairs practice room. Ellie soon realizes Dan isn’t just different; in many ways, his world is better, and he gives her a fresh perspective on her own life.
In this volume, William L. Moran has collected seventeen of Jacobsen's widely scattered essays. Dealing with religion, history, culture, government, economics, and grammar, these pieces are representative of all aspects of Jacobsen's work, but stress his studies in history and religion, the fields in which he made his most important contributions to our knowledge of Mesopotamian culture and the origins of Western civilization. Moran has also included a bibliography of and a lexical index to Jacobsen's writings.
Relates what happens to three American children, unwillingly transplanted to wales for one year, when one of them finds an ancient harp-uning key that takes him back to the time of the great sixth-century bard Taliesin.
An updated, step-by-step method for playing the harp. This book can be used alone or with a teacher. the easy-to-follow method produces results for musicians of all levels, and even if you have no prior experience, and varying levels of difficulty are presented in arrangements of familiar musical pieces. All basic techniques and tunes are clearly and thoroughly explained. Specific topics include: how to use this book, how to sit with your harp, how to tune your harp, how to use your hands, plucking the strings, finger placement, basic structural concepts of music and 14 tunes.
This ambitious and well-researched study brings together for the first time translations of the ancient literature concerning the Sumerian god Enki, one of four gods and goddesses who comprised the highest level of the Sumerian pantheon. The very existence of these writings, which date from the Third Millennium B.C., was unknown until about 100 years ago, when their cuneiform script was deciphered. Since then, it has become apparent that Sumerian literature had a profound and enduring influence on both Biblical and classical Greek literature, and so on the literature of the western world as a whole. Kramer, one of the world's leading sumerologists, has prepared these translations from among the scores of works he has published over the last fifty years; John Maier provides a full interpretive framework that places the translations in their broader comparative cultural context. This rare collection will be of interest to students and scholars in a wide range of disciplines from Near Eastern and Biblical Studies to Mythology and Comparative Literature.