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"Early American Literature and Culture: Essays Honoring Harrison T. Meserole, a timely collection that reflects changing conceptions of the field, contains studies by leading scholars and celebrates the achievements of Harrison T. Meserole--colonialist, bibliographer, and Shakespeare scholar extraordinaire. These dynamic essays deal with areas at the forefront of current research, such as popular culture, minority and non-Anglo writings, recanonization, genre studies, and Anglo-American links. All the contributors were Meserole's students sometime during the twenty-eight years he taught at The Pennsylvania State University, and all have established their own scholarly reputations since then." "Timothy K. Conley examines the institutionalization of American literature. Donald P. Wharton considers the influence of the English Renaissance on Colonial sea literature. Paul J. Lindholdt provides an overview of a vast popular genre, the colonial promotion tract." "Raymond F. Dolle uncovers the satire against Sir Walter Raleigh, the romantic treasure-seeker, by his more hard-nosed contemporary, John Smith. Reiner Smolinski's revisionist essay argues that New England's leading divines did not--as many still believe--justify their Errand eschatologically. Ada Van Gastel discusses the main text of the early Dutch colonists, by Adriaen van der Donck." "Kathryn Zabelle Derounian-Stodola analyzes Sarah Kemble Knight's travel journal as an unusual example of a Puritan picaresque. Jeffrey Walker probes eighteenth-century undergraduate commonplace books revealing the seamy side of Harvard undergraduate life. Stephen R. Yarbrough examines Jonathan Edwards's conceptions of time in the last work he saw to press before he died." "Robert D. Arner introduces and annotates two unpublished poems by the Samuel Pepys of eighteenth-century Virginia, Robert Bolling. Robert D. Habich explores Franklin's rhetorical method as rooted in contemporary empirical science. Cheryl Z. Oreovicz shows how Mercy Warren's tragedies contained stern messages for the post-Revolutionary "Lost generation."" "Jayne K. Kribbs looks at the popular novelist John Davis as a candidate for recanonization, and Paul Sorrentino shows that Mason Lock Weems's so-called children's classic, The Life of Washington, is a complex, artistic work for adults."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The first edition of this book, published in 2002, aimed to complete the study material for our students of American literature. The third edition strives to emphasize this aspect while expanding and deepening the general overview as well as including other important movements and authors. The exposition of the 20th century underwent major changes: the scholars added new texts while supplementing the older ones to comply with the development of critical and academic approaches. The book is written to the point and in comprehensible language, corresponding with the ambition to present and explain the development of one of the most interesting world literatures to university students.
Updated throughout and with much new material, A History of American Literature, Second Edition, is the most up-to-date and comprehensive survey available of the myriad forms of American Literature from pre-Columbian times to the present. The most comprehensive and up-to-date history of American literature available today Covers fiction, poetry, drama, and non-fiction, as well as other forms of literature including folktale, spirituals, the detective story, the thriller, and science fiction Explores the plural character of American literature, including the contributions made by African American, Native American, Hispanic and Asian American writers Considers how our understanding of American literature has changed over the past?thirty years Situates American literature in the contexts of American history, politics and society Offers an invaluable introduction to American literature for students at all levels, academic and general readers
The antebellum period has long been identified with the belated emergence of a truly national literature. And yet, as Meredith L. McGill argues, a mass market for books in this period was built and sustained through what we would call rampant literary piracy: a national literature developed not despite but because of the systematic copying of foreign works. Restoring a political dimension to accounts of the economic grounds of antebellum literature, McGill unfolds the legal arguments and political struggles that produced an American "culture of reprinting" and held it in place for two crucial decades. In this culture of reprinting, the circulation of print outstripped authorial and editorial control. McGill examines the workings of literary culture within this market, shifting her gaze from first and authorized editions to reprints and piracies, from the form of the book to the intersection of book and periodical publishing, and from a national literature to an internally divided and transatlantic literary marketplace. Through readings of the work of Dickens, Poe, and Hawthorne, McGill seeks both to analyze how changes in the conditions of publication influenced literary form and to measure what was lost as literary markets became centralized and literary culture became stratified in the early 1850s. American Literature and the Culture of Reprinting, 1834-1853 delineates a distinctive literary culture that was regional in articulation and transnational in scope, while questioning the grounds of the startlingly recent but nonetheless powerful equation of the national interest with the extension of authors' rights.
In Providence Tales and the Birth of American Literature, James D. Hartman uncovers the genesis of the captivity narrative in the English providence tale and its transformation in the seventeenth century. Exploring the cultural context in which both English providence tales and their American counterparts emerged - focusing in particular on the influence of religious, scientific, and literary developments during this critical period - Hartman offers a provocative reassessment of the origins of American literature.
Susan Clair Imbarrato, Carol Berkin, Brett Barney, Lisa Paddock, Matthew J. Bruccoli, George Parker Anderson, Judith S.
This product contains both The Broadview Anthology of American Literature Volume A: Beginnings to 1820 and The Broadview Anthology of American Literature Volume B: 1820 to Reconstruction as a single purchase. Covering American literature from its pre-contact Indigenous beginnings through the Reconstruction period, the first two volumes of The Broadview Anthology of American Literature represent a substantial reconceiving of the canon of early American literature. Guided by the latest scholarship in American literary studies, and deeply committed to inclusiveness, social responsibility, and rigorous contextualization, the anthology balances representation of widely agreed-upon major works with an emphasis on American literature’s diversity, variety, breadth, and connections with the rest of the Americas. Highlights of Volumes A & B: Beginnings to Reconstruction • Complete texts of Mary Rowlandson’s captivity narrative, The Coquette, Narrative of the Life of Frederick Douglass, An American Slave; and Benito Cereno • In-depth, Contexts sections on such topics as “Slavery and Resistance,” “Print Culture and Popular Literature,” “Expansion, Native American Expulsion, and Manifest Destiny,” and “Gender and Sexuality” • Broader and more extensive coverage of Indigenous oral and visual literature and African American oral literature than in competing anthologies • Full author sections in the anthology are devoted to authors such as Anne Hutchinson, Sor Juana Inés de la Cruz, Briton Hammon, Jane Johnston Schoolcraft, José Maria Heredia, Black Hawk, and many others
Using romantic theories, Caton analyzes America's contemporary novel. Organized through the two sections of "Theory" and "Practice," Reading American Novels and Multicultural Aesthetics begins with a study of aesthetic form only to have it reveal the content of politics and history. This presentation immediately offers a unified platform for an interchange between multiple cultural and aesthetic positions. Romantic theory provides for an integrated examination of diversity, one that metaphorically fosters a solid, inclusive, and democratic legitimacy for intercultural communication. This politically astute cosmopolitan appreciation will generate an intriguing "cross-over" audience: from ethnic studies to American studies and from literary studies to romantic studies, this book will interest a range of readers.