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In Edna St. Vincent Millay's book 'The harp-weaver, and other poems', readers are immersed in a collection of emotionally-charged poems that explore themes of love, loss, and the complexities of the human experience. Millay's poetic style is characterized by its lyrical beauty, vivid imagery, and emotional depth, making each poem a captivating journey for the reader. The book, first published in 1923, is a significant work of modernist poetry, showcasing Millay's talent for crafting powerful and evocative verses that resonate with readers across generations. Edna St. Vincent Millay, a Pulitzer Prize-winning poet known for her bold and unconventional approach to writing, draws inspiration from her own tumultuous life experiences to create the poignant poems found in 'The harp-weaver, and other poems'. Her keen insight into the human psyche and her mastery of poetic language allow her to captivate readers and evoke strong emotions through her work. I highly recommend 'The harp-weaver, and other poems' to any reader looking to delve into the realm of modernist poetry, explore themes of love and loss, and experience the beauty of Millay's poetic craftsmanship. This collection is a timeless classic that continues to enthrall and inspire poetry lovers worldwide.
Thirty years after the smashing success of Zelda, Nancy Milford returns with a stunning second act. Savage Beauty is the portrait of a passionate, fearless woman who obsessed American ever as she tormented herself. If F. Scott Fitzgerald was the hero of the Jazz Age, Edna St. Vincent Millay, as flamboyant in her love affairs as she was in her art, was its heroine. The first woman ever to win the Pulitzer Prize, Millay was dazzling in the performance of herself. Her voice was likened to an instrument of seduction and her impact on crowds, and on men, was legendary. Yet beneath her studied act, all was not well. Milford calls her book "a family romance"—for the love between the three Millay sisters and their mother was so deep as to be dangerous. As a family, they were like real-life Little Women, with a touch of Mommie Dearest. Nancy Milford was given exclusive access to Millay's papers, and what she found was an extraordinary treasure. Boxes and boxes of letter flew back and forth among the three sisters and their mother—and Millay kept the most intimate diary, one whose ruthless honesty brings to mind Sylvia Plath. Written with passion and flair, Savage Beauty is an iconic portrait of a woman's life.
More than sixty years after her death, the Pulitzer Prizewinning poet Edna St. Vincent Millay continues to captivate new generations of readers. The twentieth-century American author was catapulted to fame after the publication of Renascence, her first major work and a poem written while she was still a teenager. Millays frank attitude toward sexualityalong with immortal lines such as "My candle burns at both ends"solidified her reputation as the quintessential liberated woman of the Jazz Age. In this authoritative volume, Timothy F. Jackson has compiled and annotated a new selection that represents the full range of her published work alongside previously unpublished manuscript excerpts, poems, prose, and correspondence. The poems, appearing as they were printed in their first editions, are complemented by Jacksons extensive, illuminating notes, which draw on archival sources and help situate her work in its historical and literary context. Two introductory essaysone by Jackson and the other by Millays literary executor, Holly Peppealso help critically frame the poets work.
A noted biographer and poet illuminates the unique woman who wrote the greatest American love poetry of the twentieth century What Lips My Lips Have Kissed is the story of a rare sort of American genius, who grew up in grinding poverty in Camden, Maine. Nothing could save the sensitive child but her talent for words, music and drama, and an inexorable desire to be loved. When she was twenty, her poetry would make her famous; at thirty she would be loved by readers the world over. Edna St. Vincent Millay was widely considered to be the most seductive woman of her age. Few men could resist her, and many women also fell under her spell. From the publication of her first poems until the scandal over Fatal Interview twenty years later, gossip about the poet's liberated lifestyle prompted speculation about who might be the real subject of her verses. Using letters, diaries and journals of the poet and her lovers that have only recently become available, Daniel Mark Epstein tells the astonishing story of the life, dedicated to art and love, that inspired the sublime lyrics of Edna St. Vincent Millay.
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