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With the exception of Alberto Gerchunoff, arguably the father of Jewish Latin American writing, all the writers are living and writing actively."--BOOK JACKET.
A history of a college town, Davidson, NC, told in autobiography by an African-American barber who lived a 20th century of unparalleled change. Ralph Johnson, 96, caught in the poverty-ridden rule of Jim Crow customs, tells of struggles against disadvantage, unbelievable today, to get ahead. Of frugal, intense personal discipline, correspondence courses, self-schooling and hard work. As he moved into the post world war II years and his efforts began to find some success -- his 7-chair shop was one of the largest in the south -- he suddenly became the 1967 target of desegregation picketers who demanded he sacrifice his business to try to settle the centuries old curse of segregation. After a difficult, divisive struggle of a community with itself, Mr. Johnson's peacefully became the first publicly integrated barber shop anyone knew of in the South if not the nation and its demise followed shortly thereafter. Trying to understand what happened to him and why is a very personal puzzle in this eloquent, gripping life story as well as a life changing experience for any serious reader.
This authoritative reference work investigates the roots of the Sacred Harp, the central collection of the deeply influential and long-lived southern tradition of shape-note singing. David Warren Steel and Richard H. Hulan concentrate on the regional culture that produced the Sacred Harp in the nineteenth century and delve deeply into history of its authors and composers. They trace the sources of every tune and text in the Sacred Harp, from the work of B. F. White, E. J. King, and their west Georgia contemporaries who helped compile the original collection in 1844 to the contributions by various composers to the 1936 to 1991 editions. Drawing on census reports, local histories, family Bibles and other records, rich oral interviews with descendants, and Sacred Harp Publishing Company records, this volume reveals new details and insights about the history of this enduring American musical tradition. David Waren Stel is an associate professor of music and southern culture at the University of Mississippi. Richard H. Hulan is an independent scholar of American folk hymnody.
This is a translation by Dennis Weber, edited by John Wheeler and jointly published with King David's Harp, in which a noted French musicologist argues that the accentual system preserved in the Masoretic Text was originally a method of recording hand signals (chironomy) by which temple musicians were directed in the performance of music. She explains her reconstruction of these notations which has allowed her to perform haunting and beautiful music around the worlds using only the Hebrew text as a score.