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Contents: An Overview of Music and Musical Traditions in India, Research Methodology, Types of Indian Classical Musical Instruments, Place of Rudra Veena in Indian Classical Music, The Manufacturers of Rudra Veena A Case Study, Efforts to Preserve and Popularize Rudra Veena, Summary and Conclusion.
Step into the mystical world of the Lalita Sahasranama, where each of the Divine Mother’s
Out Of Evil Cometh Good. One Of The Important Consequences Of Colonialism In India Is The Birth Of Indian English Literature. The Process Through Which It Developed Had Three Distinct Stages. In The First Stage There Was Admiration And Imitation Of The Western Models. After The First Flush Was Over, A Reaction Set In. That Was The Second Stage, The Stage Of Resentment And Rebellion. This Naturally Led To The Third Stage The One We Are Passing Through The Stage Of Self-Discovery And Self-Assertion. The Writers Now Draw On The Rich Cultural Heritage Of India And At The Same Time Explore Its Contemporary Relevance. A Writer Of An Independent Country Cannot Afford To Lose Touch With Social Reality And He Must Understand, Transcribe And Recreate It In Verbal Artefact. The Task Is Rendered More Difficult Because The Indian English Writers Are Obliged To Write In A Language They Are Not Born Into. But The Writers Have Remarkably Overcome All These Difficulties And, Looking At The Achievements Of The Indian English Writers, It Can Be Definitely Claimed That Indian Writing In English Has Come Of Age And Has Completely Got Over The Anxiety Of Influence. The Nineteen Essays That Constitute This Volume Cover A Wide Range Of Authors And Subjects. Starting With Nirad C. Chaudhuri, One Of The Greatest Thinkers And Most Controversial Writers Of The Last Century, The Essays Shed New Lights On Different Aspects Of The Makers Of Indian English Literature: Mulk Raj Anand, R.K. Narayan, Manohar Malgonkar, Nayantara Sahgal, Bhabani Bhattacharya, Kasthuri Sreenivasan, Vikram Seth, Kamala Markandaya, Anita Desai, Arundhati Roy, A.K. Ramanujan And Kamala Das.Since Indian Writing In English Is Prescribed In Most Of The Universities In India, Both The Teachers And The Students Will Find This Volume Very Useful And Anybody Interested In Indian Writing In English Will Also Find These Luminous Essays Intellectually Stimulating.
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.From July 3 ,1949,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 18-03-1951 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 47 VOLUME NUMBER: Vol. XVI. No.12. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 15-43 ARTICLE: 1. Basic Values In Art: Subject-Matter And Form 2. Art Treasures In South India 3. Shortwave Transmissions: Listening Conditions In March : II 4. Backward Classes' Welfare In Bombay AUTHOR: 1. Dr. Charles Fabri 2. R. P. Nair 3. R. B. L. Srivastava 4. L. M. Shrikant KEYWORDS: 1. Negro Sculpture, surrealistic painting, Bodhisattva Avalokitesvara 2. Upparikka Malika, Kiratarjunamoorthi, Krishna Leela paintings 3. Shortwave Transmissions, National Home Service, Australian Broadcasting Commission 4. economic improvement, Backward Class Department, Aboriginal tribes Document ID: INL-1951 (J-J) Vol-I (11)
Since the thirteenth century, the sitara stringed, plucked instrument of Indiahas transformed into an instrument beloved by millions in its country of origin as well as all over the world. The Journey of the Sitar in Indian Classical Music details the origin, history, and playing styles of this unique stringed instrument. Dr. Swarn Lata relies on more than thirty-five years of experience teaching sitar to students from diverse cultures and communities as well as extensive research from libraries, museums, temples, and musicologists to compile a comprehensive guidebook filled with fascinating facts about the sitar. In a carefully organized format, Lata offers an in-depth examination of the meaning of musical instruments, the styles of different gharanas, and the place of the sitar in Indian classical music. Music is an extraordinary medium of expression that has the capability to bring the world together. This step-by-step guidebook shares a one-of-akind study of a unique instrument that produces a beautiful sound while providing an unforgettable spiritual experience to all who listen.
The presented book 'Indian Art & Culture' is extremely beneficial for the candidates preparing for the Preliminary and Mains Examination of Civil and State Services. The entire subject matter of the book is divided into 3 sections: Indian Art, Indian Culture and Indian Heritage. Each section has been discussed in detail in various chapters of the book. It is even more important for the aspirants because the book includes the diverse forms of Indian Art, Culture and Heritage, such as paintings and handicrafts, architecture, drama, dance, music, sculpture, architecture, inscriptions, festivals, heritage sites declared by UNESCO, language, literature, education, religion and philosophy etc. and their historical development since the time of their inception till now. This book is presented in a critical form with authentic facts and updated data keeping in view the latest developments in the field of art & culture. Four appendices have also been given at the end of the book in which examination related material pertaining to art and culture has been incorporated.
Breaking the constraints of style and imagery central to classical Tamil literature, Mahakavi C. Subramania Bharati (1882-1921) heralded a new era for the language by making it simpler, thereby encouraging a wider readership. His prodigious contribution to the writings of his homeland - done while in exile during a tumultuous time in the nation's freedom movement - has since propelled his stature to that of a revered literary figure in the subcontinent. In The Chariot of Wisdom, his only novella, a vexed journalist, plagued by material worries and the daily attrition of twentieth-century, British-occupied India, escapes into a daydream to realms mystical and unexplored. He navigates an imaginary chariot through The World of Tranquillity, The World of Pleasure, The World of Truth and The World of Dharma, and finds his values and ideals informing, competing and often contradicting one another. As his self-doubts deepen, he battles the notion that peace and happiness come at a price. A critical examination of a colonized, afflicted civilization marred by corruption and greed, Bharati's pioneering work speaks to a morally wounded country through astute observations and lively humour. Translated with refined intellectual acuity by Gregory James, this modern classic - as timely today as it was a century ago - is a cleverly masked plea to the people of a distracted nation to rally together in pursuit of a just society.
Glorious Bharat is the reflection of ancient culture, religious richness, histories and mysteries of India. Each book comprises of 111 fascinating facts about India. This book is part 3 of the series.