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The blue-painted wizard appeared and spoke to Finnian. “You let a man die today because you couldn’t be bothered!” “It wasn’t my business.” “You think nothing in life is your business!” the wizard howled. “But I’ll make it so tings will be!” Finnian waited alert, ready to kill if the wizard voiced a curse, but he only looked hard and said: “From now on, as long as you stay in my land, you will aid any man or woman in need of help.” That didn’t sound so bad . . . until Finnian discovered the whole realm needed help!
In his Novels of the Change, New York Times bestselling author S.M. Stirling presents “a devastated, mystical world that will appeal to fans of traditional fantasy as well as post-apocalyptic SF” (Publishers Weekly, starred review). Continuing their quest that began in The Golden Princess, two future rulers of a world without technology risk their lives seeking a fabled blade… Reiko, Empress of Japan, has allied herself with Princess Órlaith, heir to the High Kingdom of Montival, to find the Kusanagi-no-Tsurugi, the Grass-Cutting Sword, a legendary treasure of an ancient dynasty that confers valor and victory to its bearer. Órlaith understands all too well the power it signifies. Her own inherited blade, the Sword of the Lady, was both a burden and a danger to her father, Rudi Mackenzie, as it failed to save the king from being assassinated. But the fabled sword lies deep within the Valley of Death, and the search will be far from easy. And war is building, in Montival and far beyond. As Órlaith and Reiko encounter danger and wonder, Órlaith’s mother, Queen Mathilda, believes her daughter’s alliance and quest have endangered the entire realm. There are factions both within and without Montival whose loyalty died with the king, and whispers of treachery and war grow ever louder. And the Malevolence that underlies the enemy will bend all its forces to destroy them.
Egil and Nix, adventurers and swords for hire, are pulled into the dark schemes of a decadent family with a diabolical secret. A fast paced adventure redolent with the best of classic sword and sorcery tales. File Under: Fantasy [ Swords | Hammers | Deadly Secrets | Time To Die ] From the Paperback edition.
Volume 1 - The Root: Foundation Modern literacy education in African music has hitherto focused more on observed context studies. The philosophical rooting and the psychological and therapeutic force that ground African indigenous musical arts have not been much discerned or integrated. Much needed in contemporary education, then, are integrative studies and literature materials that represent the intellectual base of the knowledge owners and creators, and which will ensure cognitive understanding of the indigenous musical arts systems of Africa. There is as yet no comprehensive, learner-centred book that fosters African indigenous knowledge perspectives and rationalisation about the musical arts. The concern over the years has been for the production of research-informed books for modern, systematic education in African musical arts that derive in essence from the original African intellectual perspectives about the sense and meaning of music - indigenous to contemporary. The five volumes of the musical arts study series derive from 36 years of research and analytical studies in African musical arts. The volumes address the pressing need for learning texts informed by the indigenous African musical arts systems that target tertiary education. The texts incorporate knowledge of conventional European classical music as they relate to the unique features of African musical arts thinking and theoretical content. The contemporary African musical arts specialist needs secure grounding in his/her own human-cultural knowledge authority in order to contribute with original intellectual integrity to African as well as global scholarship discourse and knowledge creation.
This is largely a facsimile of the 1993 edition published by Mercier Press. There is a new preface by Sheila Larchet Cuthbert, and the biographical material has been updated. It is a collection of studies and exercises for the use of teachers and pupils of the Irish harp. For decades, Sheila Larchet Cuthbert has been known world-wide as a highly accomplished harp player
Kaiser explores the extraordinary career of Melville A. Clark (1883–1953), a musician, inventor, entrepreneur, community leader, and collector whose colorful story is largely unknown. Beginning with an account of Clark’s musical family, Kaiser chronicles the founding in 1859 of the Clark Music Company, of which Melville Clark became president in 1919. Originally just a tinker’s shed, the business ultimately moved into a six-story building in the center of Syracuse, New York. The music company celebrates its 150th anniversary in 2010. Clark also combined his talents as a gifted musician and an astute entrepreneur to start the first Syracuse Symphony Orchestra. Kaiser recounts the development of the Clark Irish Harp, the first portable harp manufactured in the United States that could easily play accidentals. There were other Clark inventions, such as the first nylon strings for instruments, a fruit picker, and balloons that the British used in 1918 to drop more than 1,250,000 pamphlets over Germany. Clark’s story unfolds in fascinating detail: a musical encounter with President Wilson, an opportunity to perform for President F. D. Roosevelt at the White House, a visit to Buckingham Palace to present Princess Elizabeth with a music box, and the journey of a Clark Irish Harp to Antarctica with Admiral Byrd. Lavishly illustrated, Pulling Strings not only uncovers the life of a musical genius but also sheds light on a forgotten chapter in Syracuse history.
Blade of Fortriu is the second book in Juliet Marillier's Bridei Chronicles. Five Winters have passed since young king Bridei ascended the throne of Fortriu. Five years, in which the people have felt a contentment unknown for generations. But the security of a people can vanish in a heartbeat, for wolves are often drawn to fields filled with fattened sheep. Bridei is determined to drive the Gaelic invaders from his lands once and for all. And so, with his land secure and his house in order, he prepares for war. And one of Bridei's plans to win the war to come involves the beautiful young Ana. A princess of the Light Isles, she has dwelt as a hostage at the court of Fortriu for most of her young life. Despite being a pawn of fortune, she has bewitched all at court and is dearly loved by Bridei and his queen. But Ana understands her duty. And so she will travel north, to make a strategic marriage with a chieftain she has never seen, in the hopes of gaining an ally on whom Bridei's victory relies. For secrecy's sake, Ana must travel at a soldier's pace, with a small band led by the enigmatic spymaster Faolan. Bridei implores Ana to trust see the good in Faolan...but Ana cannot see beyond his cold competence and killer's eyes. Then, when she arrives at the chieftain Alpin's stronghold in the mysterious Briar Woods, her discomfort and unease increase tenfold, for this is a place of full of secrets and her betrothed is an enigma himself. The more Ana tries to uncover the truth of her new life, the more she discovers a maze of polite diversions that mask deadly lies. She fears Faolan, but he may prove to be the truest thing in her world. Or her doom. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.