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The Harold Samuel Art Collection is a unique collection of 17th-century paintings from the Golden Age of Holland. Bequeathed to the City of London in 1987 by Lord Harold Samuel of Wych Cross, a wealthy property developer and entrepreneur, this remarkable collection of 84 works - the best collection of Dutch a nd Flemish art in Britain - enriches the splendor of the interior of the Mansion House, the residence of the Lord Mayor of London. The Merry Lute Player by Frans Hals is perhaps the best known picture in the collection, but Samuel also gathered truly outstanding examples of genre painting, indeed several of the finest works in existence by Nicolaes Maes, Jacob Ochtervelt, Adriaen van Ostade and Jan Steen. Eleven winter landscapes include such masterpieces as Hendrick Avercamp's large copper panel depicting a frozen river, and amongst the archtypical Dutch panoramas are exceptional works by masters of the genre, Philips Koninck and Jacob von Ruisdael.
Incorporating HCP 1624-i and ii, session 2005-06 previously unpublished
A remarkably versatile man, Jan van der Heyden (1637-1712) was the preeminent painter of cityscapes in the Netherlands and the first artist to capture all the beauty of the urban scene. Notwithstanding his achievements as an artist, Van der Heyden was even more famous in his own time as an inventor and engineer: he invented firefighting equipment that set the standard throughout Europe for two centuries, and he perfected the streetlamp. This is the first book in English devoted to Van der Heyden. It includes recent discoveries about his fascinating life and offers an introduction to his ravishing art. The book includes a general discussion of Van der Heyden’s work, entries on 40 of his paintings, illustrations of about 100 of his paintings, as well as supplemental drawings and prints. Focusing mainly on the bustling city of Amsterdam, he also recorded other Dutch, Flemish, and German cities with a brilliant palette and exceptionally detailed technique. Often innovative in his composition, he was the first artist to create imaginary scenes by rearranging existing city views and known buildings.
This unique and important directory incorporates some 3,200 entries. It covers all types and sizes of museums; galleries of paintings, sculpture and photography; and buildings and sites of particular historic interest. It also provides an extensive index listing over 3,200 subjects. The directory covers national collections and major buildings, but also the more unusual, less well-known and local exhibits and sites. The Directory of Museums, Galleries and Buildings of Historic Interest in the United Kingdom is an indispensable reference source for any library, an ideal companion for researcher and enthusiast alike, and an essential purchase for anyone with an interest in the cultural and historical collections of the UK. Features include: * Alphabetically listed entries, which are also indexed by subject for ease of reference * Entries include the name and address of the organization, telephone and fax numbers, email and internet addresses, a point of contact, times of opening and facilities for visitors * A breakdown of the collections held by each organization, giving a broad overview of the main collection as a whole * Details of special collections are provided and include the period covered as well as the number of items held.
Johannes Vermeer's luminous paintings are loved and admired around the world, yet we do not understand how they were made. We see sunlit spaces; the glimmer of satin, silver, and linen; we see the softness of a hand on a lute string or letter. We recognise the distilled impression of a moment of time; and we feel it to be real. We might hope for some answers from the experts, but they are confounded too. Even with the modern technology available, they do not know why there is no evidence of any preliminary drawing; why there are shifts in focus; and why his pictures are unusually blurred. Some wonder if he might possibly have used a camera obscura to capture what he saw before him. The few traces Vermeer has left behind tell us little: there are no letters or diaries; and no reports of him at work. Jane Jelley has taken a new path in this detective story. A painter herself, she has worked with the materials of his time: the cochineal insect and lapis lazuli; the sheep bones, soot, earth, and rust. She shows us how painters made their pictures layer by layer; she investigates old secrets; and hears travellers' tales. She explores how Vermeer could have used a lens in the creation of his masterpieces. The clues were there all along. After all this time, now we can unlock the studio door, and catch a glimpse of Vermeer inside, painting light.
An illustrated biographical dictionary of contemporary Western artists.
This title covers all of the key movements in Western art history, from Classicism to conceptual art - and profiles more than 780 of the world''s greatest artists. Specially commissioned illustrations and photographs, written by experts in each field, using the award winning design of the Eyewitness Travel Guides, Eyewitness Companions are the ultimate visual handbook to a wide range of subjects! Text previously published in ART: A Field Guide