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First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Vol. 1: The musician an d his art ; vol. 2: Harmonic and acoustic theory
Ptolemy's comprehensive treatises on astronomy and geography were influential for nearly two millennia. Equally influential was his treatise on harmonics, the ancient science which combined and brought to completion the study of philosophy and science. This volume offers a comprehensive English translation and commentary of Ptolemy's Harmonics. The treatise begins with Ptolemy's study of pitches and intervals, for which he extracts both an idealized musical scale and a new acoustical tool. After discussing modulation, he expands his horizons by applying musical intervals to the human soul and celestial bodies, ultimately describing a cosmic harmony. The English translation faithfully reproduces Ptolemy's style and includes all the charts surviving in the manuscript tradition. The commentary offers a full exegesis of the text, loci paralleli, and citations of modern scholarly sources.
Porphyry's Commentary, the only surviving ancient commentary on a technical text, is not merely a study of Ptolemy's Harmonics. It includes virtually free-standing philosophical essays on epistemology, metaphysics, scientific methodology, aspects of the Aristotelian categories and the relations between Aristotle's views and Plato's, and a host of briefer comments on other matters of wide philosophical interest. For musicologists it is widely recognised as a treasury of quotations from earlier treatises, many of them otherwise unknown; but Porphyry's own reflections on musical concepts (for instance notes, intervals and their relation to ratios, quantitative and qualitative conceptions of pitch, the continuous and discontinuous forms of vocal movement, and so on) and his snapshots of contemporary music-making have been undeservedly neglected. This volume presents the first English translation and a revised Greek text of the Commentary, with an introduction and notes designed to assist readers in engaging with this important and intricate work.
The ancient science of harmonics investigates the arrangements of pitched sounds which form the basis of musical melody, and the principles which govern them. It was the most important branch of Greek musical theory, studied by philosophers, mathematicians and astronomers as well as by musical specialists. This 2007 book examines its development during the period when its central ideas and rival schools of thought were established, laying the foundations for the speculations of later antiquity, the Middle Ages and the Renaissance. It concentrates particularly on the theorists' methods and purposes and the controversies that their various approaches to the subject provoked. It also seeks to locate the discipline within the broader cultural environment of the period; and it investigates, sometimes with surprising results, the ways in which the theorists' work draws on and in some cases influences that of philosophers and other intellectuals.