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Famously, Blake believed that 'without contraries' there could be no 'progression'. Conflict was integral to his artistic vision, and his style, but it had more to do with critical engagement than any urge to victory. The essays in this volume look at conflict as it marked Blake's thinking on politics, religion and the visual arts.
William Blake is one of England’s most fascinating writers; he was not only a groundbreaking poet, but also a painter, engraver, radical, and mystic. Although Blake was dismissed as an eccentric by his contemporaries, his powerful and richly symbolic poetry has been a fertile source of inspiration to the many writers and artists who have followed in his footsteps. In this collection Patti Smith brings together her personal favorites of Blake’s poems, including the complete Songs of Innocence and Songs of Experience, to give a singular picture of this unique genius, whom she calls in her moving introduction “the spiritual ancestor” of generations of poets.
A reader may be in" a text as a character is in a novel, but also as one is in a train of thought--both possessing and being possessed by it. This paradox suggests the ambiguities inherent in the concept of audience. In these original essays, a group of international scholars raises fundamental questions about the status--be it rhetorical, semiotic and structuralist, phenomenological, subjective and psychoanalytic, sociological and historical, or hermeneutic--of the audience in relation to a literary or artistic text. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
DIVDefinitive study of strange symbolism Blake used to attack political tyranny of his time. "For our sense of Blake in his own times we are indebted to David Erdman more than anyone else."—Times Literary Supplement. Third revised edition. 32 black-and-white illus. /div
With unprecedented scope and consummate skill, Norman Mailer unfolds a rich and riveting epic of an American spy. Harry Hubbard is the son and godson of CIA legends. His journey to learn the secrets of his society—and his own past—takes him through the Bay of Pigs, the Cuban Missile Crisis, and the “momentous catastrophe” of the Kennedy assassination. All the while, Hubbard is haunted by women who were loved by both his godfather and President Kennedy. Featuring a tapestry of unforgettable characters both real and imagined, Harlot’s Ghost is a panoramic achievement in the tradition of Tolstoy, Melville, and Balzac, a triumph of Mailer’s literary prowess. Praise for Harlot’s Ghost “[Norman Mailer is] the right man to exalt the history of the CIA into something better than history.”—Anthony Burgess, The Washington Post Book World “Elegantly written and filled with almost electric tension . . . When I returned from the world of Harlot’s Ghost to the present I wished to be enveloped again by Mailer’s imagination.”—Robert Wilson, USA Today “Immense, fascinating, and in large part brilliant.”—Salman Rushdie, The Independent on Sunday “A towering creation . . . a fiction as real and as possible as actual history.”—The New York Times Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
London, 1820: George IV is to be crowned King at last. But will his estranged wife Caroline be allowed to join him as Queen? The city is in turmoil, as her radical supporters rally to her cause and threaten to overturn the government.
Gypsy Theron is delighted with her new combat training. Encouraged by her recent victories, and aided by her Razorback lover, Caraculla, her dream of becoming a warrior is finally within reach. All she has to do is focus and not let the gorgeous colonel distract her from her goal. But what she doesn't realize is her father is far from finished with her, and her beloved Caraculla is his right hand man. Now Gypsy must overcome several new obstacles on her path to victory, and one of those obstacles she just can't seem to resist. Colonel Caraculla is a Razorback AEssyrian and General Theron's right hand man. He agreed to take over Gypsy's training to see her succeed. But now he has a problem--he's fallen madly in love with her. If she continues to win, it will mark the end of their affair, and that's something he just cannot accept.