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Follow a daring reporter in these four hard-boiled suspense mysteries from “a master of intrigue and adventure” (New York Times–bestselling author Clive Cussler). Meet Harker, an investigative reporter willing to do whatever it takes to break a story—even if it might break him first . . . The Harker File: A CIA agent knows the cause behind mysterious deaths in Wisconsin and Iowa—and their connection to Communist Russia. But getting the scoop means Harker will be the next to die . . . Dead and Paid For: A group of con men are preying on the families of US soldiers who are missing in action in Vietnam. Harker’s out to uncover the truth without going missing himself . . . They’ve Killed Anna: In this Edgar Award finalist, a vast government conspiracy is hiding the dangers of nuclear energy from the public. Harker’s source is about to help him break the story—when she suddenly dies. Now the journalist will need to watch his back . . . Kill the Reporter: Harker is helping a California senator search for his missing daughter—only to draw the ire of a religious cult hell-bent on silencing him.
DIV Chasing a scoop on the CIA, a reporter finds his own name on the hit list In Madison, Wisconsin, a dairy farmer drops dead of a heart attack. A few days later, a small-town citizen in Iowa is killed in a three-car pile-up. Few men know the connection between these deaths, and only one is willing to talk to Harker, an investigative reporter with sources on the inside of every agency in Washington. His source at the CIA is named Trotman, and he knows things that men cannot discuss in the light of day. The two dead men were CIA agents, defectors from Communist states living under assumed names. Trotman tells Harker not out of civic duty, but because the reporter will be one of the next to die. Getting the story of this terrifying conspiracy down in print is Harker’s only chance for survival. He must work quickly to stay alive, but that’s no problem. Reporters like Harker love deadlines. /div
Beginning in the twentieth century, American faculty increasingly viewed themselves as professionals who were more than mere employees. This volume focuses on key developments in the long process by which the American professoriate achieved tenure, academic freedom, and a voice in university governance.Christian K. Anderson describes the formation of the original faculty senates. Zachary Haberler depicts the context of the founding and early activities of the American Association of University Professors. Richard F. Teichgraeber focuses on the ambiguity over promotion and tenure when James Conant became president of Harvard in 1933. In "Firing Larry Gara," Steve Taaffe relates how the chairman of the department of history and political science was abruptly fired at the behest of a powerful trustee. In the final chapter, Tom McCarthy provides an overview of the evolution of student affairs on campuses and indirectly illuminates an important negative feature of that evolution the withdrawal of faculty from students' social and moral development.This volume examines twentieth-century efforts by American academics to establish themselves as an independent constituency in America's colleges and universities.
The Red Planet is a harsh, often hostile frontier world on the edge of civilization where only the toughest, roughest and, more often than not, the meanest are able to carve some sort of life out of the barren wastes. MarsColony is a rough-and-tumble, no-holds-barred collection of small cities, enviro-domed mansions and mining towns where people play by their own set of rules. Murders, rapes, smuggling, theft and all forms of immoral behavior are the "norms." In short, anything and everything goes on MarsColony. It's up to Joe Harker and a handful of MarsCops to make sure that things don't slide too much farther into the abyss
As London prepares for Queen Victoria’s jubilee, a master criminal prepares to unleash plague-infested rats on the city. Returning to London after a six-year absence, the Count joins the world’s greatest detective in an effort to avert a public disaster and avenge a personal enemy. Watson and the Count relate the story Watson once referenced as “a story for which the world is not yet prepared” — the story of Holmes, Dracula and the Giant Rat of Sumatra.
Winner of the Laney Book Prize from the Austin Civil War Round Table: “The post-battle coverage is simply unprecedented among prior Chickamauga studies.” —James A. Hessler, award-winning author of Sickles at Gettysburg This third and concluding volume of the magisterial Chickamauga Campaign trilogy, a comprehensive examination of one of the most important and complex military operations of the Civil War, examines the immediate aftermath of the battle with unprecedented clarity and detail. The narrative opens at dawn on Monday, September 21, 1863, with Union commander William S. Rosecrans in Chattanooga and most of the rest of his Federal army in Rossville, Georgia. Confederate commander Braxton Bragg has won the signal victory of his career, but has yet to fully grasp that fact or the fruits of his success. Unfortunately for the South, the three grueling days of combat broke down the Army of Tennessee and a vigorous pursuit was nearly impossible. In addition to carefully examining the decisions made by each army commander and the consequences, Powell sets forth the dreadful costs of the fighting in terms of the human suffering involved. Barren Victory concludes with the most detailed Chickamauga orders of battle (including unit strengths and losses) ever compiled, and a comprehensive bibliography more than a decade in the making. Includes illustrations
A half-mad, alcoholic Edgar Allan Poe aims to defeat an occultist’s terrifying plot in this “intelligent, suspenseful” thriller set in 1840s New York (Booklist). It is said that beneath Solomon’s glorious throne, books that gave the fabled king control over life, death, and demonic power were buried. The throne has been lost for millennia, but now one man seeks to find it and harness its secrets to unleash hell upon the world. Jonathan is the most powerful psychic on earth, and in service of his god, Lucifer, he will tear civilization apart. To combat his dark designs, mankind’s hopes rest on a troubled author named Edgar Allan Poe. In the shadows of New York City, Poe drowns his talent in rotgut gin, trying to forget the death of his beloved wife. A bare-knuckle fighter named Pierce James Figg arrives with a letter of introduction from Charles Dickens, begging for Poe’s help chasing down the power-mad devil worshiper. Now, writer and fighter must stand together to save humanity from a darkness beyond even Poe’s tortured imagination. This fast-paced tale of historical supernatural suspense, which Booklist hailed as “unfailingly readable and terrifically well-written,” provides “one cliffhanging chapter after another” (Kirkus Reviews).
DIV Harker uncovers a cult whose members believe in peace, love, understanding, and torture Rudolph Franklin thinks his biggest problem is reelection. A battle with a fellow senator about military spending is getting ugly, and if he can’t scrap out a victory, his career will be dead in the water. He calls Harker, a crack investigative reporter, to leak a story for him. Franklin thinks his problems are political—until his daughter disappears. In Barbarann’s bedroom, Harker finds pamphlets for the Children’s Crusade, a hippy-dippy cult best known for selling buttons and hard candy on street corners. But Harker learns about the crusade’s darker side—the enforcers charged with keeping members in line, and keeping the press from asking questions. His first warning is a dead cat, hung from the ceiling of his hotel room, paw sliced off. If he crosses the Crusade again, the next paw they take will be his own. /div
A History of the African American Novel offers an in-depth overview of the development of the novel and its major genres. In the first part of this book, Valerie Babb examines the evolution of the novel from the 1850s to the present, showing how the concept of black identity has transformed along with the art form. The second part of this History explores the prominent genres of African American novels, such as neoslave narratives, detective fiction, and speculative fiction, and considers how each one reflects changing understandings of blackness. This book builds on other literary histories by including early black print culture, African American graphic novels, pulp fiction, and the history of adaptation of black novels to film. By placing novels in conversation with other documents - early black newspapers and magazines, film, and authorial correspondence - A History of the African American Novel brings many voices to the table to broaden interpretations of the novel's development.