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Follow a daring reporter in these four hard-boiled suspense mysteries from “a master of intrigue and adventure” (New York Times–bestselling author Clive Cussler). Meet Harker, an investigative reporter willing to do whatever it takes to break a story—even if it might break him first . . . The Harker File: A CIA agent knows the cause behind mysterious deaths in Wisconsin and Iowa—and their connection to Communist Russia. But getting the scoop means Harker will be the next to die . . . Dead and Paid For: A group of con men are preying on the families of US soldiers who are missing in action in Vietnam. Harker’s out to uncover the truth without going missing himself . . . They’ve Killed Anna: In this Edgar Award finalist, a vast government conspiracy is hiding the dangers of nuclear energy from the public. Harker’s source is about to help him break the story—when she suddenly dies. Now the journalist will need to watch his back . . . Kill the Reporter: Harker is helping a California senator search for his missing daughter—only to draw the ire of a religious cult hell-bent on silencing him.
Chasing a scoop on the CIA, a reporter finds his own name on the hit list In Madison, Wisconsin, a dairy farmer drops dead of a heart attack. A few days later, a small-town citizen in Iowa is killed in a three-car pile-up. Few men know the connection between these deaths, and only one is willing to talk to Harker, an investigative reporter with sources on the inside of every agency in Washington. His source at the CIA is named Trotman, and he knows things that men cannot discuss in the light of day. The two dead men were CIA agents, defectors from Communist states living under assumed names. Trotman tells Harker not out of civic duty, but because the reporter will be one of the next to die. Getting the story of this terrifying conspiracy down in print is Harker’s only chance for survival. He must work quickly to stay alive, but that’s no problem. Reporters like Harker love deadlines.
DIV Chasing a scoop on the CIA, a reporter finds his own name on the hit list In Madison, Wisconsin, a dairy farmer drops dead of a heart attack. A few days later, a small-town citizen in Iowa is killed in a three-car pile-up. Few men know the connection between these deaths, and only one is willing to talk to Harker, an investigative reporter with sources on the inside of every agency in Washington. His source at the CIA is named Trotman, and he knows things that men cannot discuss in the light of day. The two dead men were CIA agents, defectors from Communist states living under assumed names. Trotman tells Harker not out of civic duty, but because the reporter will be one of the next to die. Getting the story of this terrifying conspiracy down in print is Harker’s only chance for survival. He must work quickly to stay alive, but that’s no problem. Reporters like Harker love deadlines. /div
Beginning in the twentieth century, American faculty increasingly viewed themselves as professionals who were more than mere employees. This volume focuses on key developments in the long process by which the American professoriate achieved tenure, academic freedom, and a voice in university governance.Christian K. Anderson describes the formation of the original faculty senates. Zachary Haberler depicts the context of the founding and early activities of the American Association of University Professors. Richard F. Teichgraeber focuses on the ambiguity over promotion and tenure when James Conant became president of Harvard in 1933. In "Firing Larry Gara," Steve Taaffe relates how the chairman of the department of history and political science was abruptly fired at the behest of a powerful trustee. In the final chapter, Tom McCarthy provides an overview of the evolution of student affairs on campuses and indirectly illuminates an important negative feature of that evolution the withdrawal of faculty from students' social and moral development.This volume examines twentieth-century efforts by American academics to establish themselves as an independent constituency in America's colleges and universities.
The Red Planet is a harsh, often hostile frontier world on the edge of civilization where only the toughest, roughest and, more often than not, the meanest are able to carve some sort of life out of the barren wastes. MarsColony is a rough-and-tumble, no-holds-barred collection of small cities, enviro-domed mansions and mining towns where people play by their own set of rules. Murders, rapes, smuggling, theft and all forms of immoral behavior are the "norms." In short, anything and everything goes on MarsColony. It's up to Joe Harker and a handful of MarsCops to make sure that things don't slide too much farther into the abyss