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"The Greater Harappa Rehabilitation, Reclamation and Redevelopment Committee (GHRRRC) has conducted a gigantic survey of the current ethnography and urban mythology of a country on the brink of great hormonal changes. Changes of such enormity that they would be barely comprehensible to civil society. And now, the decade-long findings are finally going to be made public by one Sri Sarnath Banerjee, who has created the Harappa Files, a series of graphic commentaries that analyse the cracks in postliberalized India. Although impressed by the far-sightedness of the government in setting up the GHRRRC, Banerjee has one niggling concern: he is worried that the consequence of his project will be the release of the dreaded Harappa recommendations, making it mandatory for all citizens to sign the draconian, ultrainvasive Form 28B, giving the government the power to decide the fate of every single citizen"--Publisher's website.
Set in 18th century Calcutta, the second city of the Empire is teeming with scandalous gossip and rumour. Abravanel Ben Obadiah Ben Aharon Kabariti, Sephardic Jew from Syria and trader in novelties, befriends the British officers and the local elite by day and records their escapades at night.
In the heart of Lutyens' Delhi sits Jehangir Rangoonwalla, enlightened dispenser of tea, wisdom, and second-hand books. Among his customers are Brighu, a postmodern Ibn Batuta looking for obscure collectibles and a love life; Digital Dutta who lives mostly in his head, torn between Karl Marx and an H1-B visa; and the newly-married Shintu, looking for the ultimate aphrodisiac in the seedy by-lanes of old Delhi. Played out in the corridors of Connaught Place and Calcutta, the story captures the alienation and fragmented reality of urban life through an imaginative alchemy of text and image.
A Homeric tale of a man's journey to the centre of the earth in search of the mythical river Saraswati, this graphic novel is set against the fictitious yet ever-so-real Water Wars of Delhi. It is a dystopian landscape where neighbourhoods fight brutal battles against each other and even victory must end in defeat.
This 3 Volume Set Presents An Official Account Of Archaeological Excavations At Mohenjo-Daro Between The Year 1922-1927. Vol. I Has Text-Chapter1-19 Plates I-Xiv, Vol. Ii Has Text Chapters 20-32 Appendices And Index, Vol. Iii Has Plates Xv-Cl X Iv. An Excellent Reference Tool.
Reading New India is an insightful exploration of contemporary Indian writing in English. Exploring the work of such writers as Aravind Adiga (author of the Man-Booker Prize winning White Tiger), Usha K.R. and Taseer, the book looks at how the 'new' India has been recreated and defined in an English Language literature that is now reaching a global audience. The book describes how Indian fiction has moved beyond notions of 'postcolonial' writing to reflect an increasingly confident and diverse cultures. Reading New India covers such topics as: - Representation of the city: Mumbai and Bangalore - Chick Lit to Crick Lit - Call centre dramas and corporate lives - Crime novels and Bharati narratives - Graphic novels Including a chronological time-line of major social, cultural and political reforms, biographies of the major authors covered, further reading and a glossary of Hindi terms, this book is an essential guide for students of contemporary world literature and postcolonial writing.
At once troubling, funny, and joyous, this is an intimate, lyrical, and deeply moving novel of an ordinary family crumbling under the weight of past mistakes. Isabel Ashdown's captivating debut vividly brings to life the gentility of a 1950s childhood, the free-spirited hedonism of the 1960s, and the urban domesticity of 1980s Portsmouth. 13-year-old Jake's world is unraveling as his father and older brother leave home, and his mother plunges into alcoholic freefall. Despite his turbulent home life, Jake is an irrepressible teenager and his troubled mother is not the only thing on his mind: there's the hi-fi he's saving up for, his growing passion for Greek mythology (and his pretty classics teacher), and the anticipation of brief visits to see his dad. When his parents reconcile, life finally seems to be looking up. Their first family holiday, announced over scampi and chips in the Royal Oak, promises to be the icing on the cake—until long-unspoken family secrets begin to surface.
This book discusses climate and dating of the Indus Valley civilization and Sir Mortimer Wheeler summarizes other contributions to the study.
This book is a detailed study of the Indian graphic novel as a significant category of South Asian literature. It focuses on the genre’s engagement with history, memory and cultural identity and its critique of the nation in the form of dissident histories and satire. Deploying a nuanced theoretical framework, the volume closely examines major texts such as The Harappa Files, Delhi Calm, Kari, Bhimayana, Gardener in the Wasteland, Pao Anthology, and authors and illustrators including Sarnath Banerjee, Vishwajyoti Ghosh, Durgabai Vyam, Amrutha Patil, Srividya Natarajan and others. It also explores — using key illustrations from the texts — critical themes like contested and alternate histories, urban realities, social exclusion, contemporary politics, and identity politics. A major intervention in Indian writing in English, this volume will be of great importance to scholars and researchers of South Asian literature, cultural studies, art and visual culture, and sociology.