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Today, Fleet Street is just a term for the newspaper business. But not so long ago it was a real place. Each paper had its own favourite pubs, its own extraordinary characters, and its own stock of legendary tales about the triumphs and disasters that had befallen friends and enemies. It was the Street of Dreams; the Street of Adventure; the Street of Disillusion and, in the end, sadly, the Street of Profits. But once upon a time it was a place of magic. Mike Molloy began in Fleet Street as a messenger boy on the Sunday Pictorial, and subsequently worked as a cartoonist, page designer, feature writer, and features executive. Eventually he was appointed the thirteenth and youngest editor of the Daily Mirror, a post he held for ten years. To his surprise, as he had opposed the take-over, when Robert Maxwell bought the Mirror, Maxwell made him editor-in-chief of the group. This is Molloy’s spellbinding, and often hilarious, account of his years working with some of the giants, and pygmies, who produced the nation’s daily papers. Along the way he tells of his encounters with politicians, prime ministers, rock stars, American presidents, trade union leaders, members of the royal family, and some of the legendary figures of show business. In the final sector of the book he charts his astonishingly surreal five years with Robert Maxwell, whose chaotic reign brought new heights of blundering absurdity to the role of the tyrannical ‘press lord’.
The British National Daily Press and Popular Music c.1956–1975 constitutes a reappraisal of the reactions of the national daily press to forms of music popular with young people in Britain from the mid-1950s to the 1970s (including rock ‘n’ roll, skiffle, ‘beat group’ and rock music). Conventional histories of popular music in Britain frequently accuse the newspapers of generating ‘moral panic’ with regard to these musical genres and of helping to shape negative attitudes to the music within the wider society. This book questions such charges and considers whether alternative perspectives on press attitudes towards popular music may be discerned. In doing so, it also challenges the tendency to perceive evidence from newspapers straightforwardly as a mere illustration of wider social trends and considers the manner in which the post-war newspaper industry, as a sociocultural entity in its own right, responded to developments in youth culture as it faced distinctive challenges and pressures amid changing times.
From the bestselling author of John Christie of Rillington Place. “If you have an interest in post war crime and criminals this is one for you!” —Robert Bartlett, author of Blood Royal The trial of the year in 1950 was of Donald Hume, a North London petty thief accused of stabbing car dealer Stanley Setty to death, of cutting up his corpse and dropping his body parts from an airplane. The press and public were horrified and fascinated by the details. But Hume was convicted and jailed as an accessory—he later claimed his wife was guilty of the crime. He then fled to Switzerland, taking up with a Swiss woman in Zurich, but he needed money to finance his lavish lifestyle and he returned to robbery. He carried out two armed robberies, shooting a member of the bank staff, but getting clean away. Then in 1959 his attempt to rob a bank failed and he shot dead a bystander. Arrested, he stood trial and was sentenced to life, but was later deemed criminally insane and was returned to Britain and to Broadmoor. Jonathan Oates’s compelling account of Hume’s notorious life of crime is based on extensive primary research. It sheds new light on Hume and his crimes, especially the murder of Setty, and gives the reader a rare insight into the criminal underworld of the time.
'A cracking read ... Ghislaine Maxwell's story has had endless column inches, but John gives such a great overview, and has mined so many sources that it still feels fresh and compelling.' Mail on Sunday Once upon a time there was a beautiful princess who suffered a tragedy, the death of her father, a war hero, a philanthropist, a good man, in suspicious circumstances. She fled to New York where she made a new life with a brilliant mathematician. Her name is Ghislaine Maxwell and her lover was Jeffrey Epstein. Through Jeffrey, and her family name, Ghislaine became friends with some of the most powerful people on earth, ex-President Bill Clinton and President-to-be Donald Trump and the second son of the Queen of England, Prince Andrew, the Duke of York. But this is no fairy tale. HUNTING GHISLAINE sets out the other side of the story, and it's one of the darkest you will ever read. Ghislaine's father, Robert Maxwell, was a sadist, a war criminal, a monster. His cruelty deformed Ghislaine Maxwell long before she met Jeffrey Epstein. Her one-time lover was convicted for being a paedophile. So Ghislaine's life has been spent serving not one monster but two. In HUNTING GHISLAINE, legendary investigative journalist John Sweeney uncovers the truth behind this fairy tale story in reverse.
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Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight Two months since the stars fell... Two months of silence, while a world held its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route. So who do you send to force introductions with unknown and unknowable alien intellect that doesn't wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won't be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they've been sent to find. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.