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Who said that the suburbs are boring? The suburban trick is to look ordinary and be extraordinary, as Lynne Hapgood's absorbing discussion of the suburbs in fiction from 1880-1925 reveals.
22 essays and notes on Joyce & Beckett, cycling & walking, Wicklow & Connemara, Molly & Bloom, horses & cattle, trivia & totality, translation & migration, ashplants & annotations, long ways & short cuts, connections & distractions.
Through a series of poetic responses and critical reflections, Ceaseless Music explores the afterlives of Wordsworth's landmark autobiographical poem The Prelude in literature, philosophy and life writing, together with the insights it can offer into the writing of poetry today. Beginning with an exploration of the poem's genesis, from draft versions found in Wordsworth's notebooks onwards, the book goes on to sound out The Prelude's radical versions of selfhood through its attention to the 'musics' of place and of experience. The scope of the book ranges from biographical writings, to American literature and philosophy, neuroscience, musicology, and British and American poetries. The reader will discover new creative work in various modes, together with many re-echoings of Wordworth's text in later writers, across history, and from across the globe.
This is the extraordinary life of a poetic genius. Along with Sassoon and Wilfred Owen, Edward Thomas is by any reckoning a major first world war poet. A war poet is not one who chooses to commemorate or celebrate a war, but one who reacts against having a war thrust upon him. His great friend Robert Frost wrote 'his poetry is so very brave, so unconsciously brave.' Apart from a most illuminating understanding of his poetry, Dr Wilson shows how Thomas' life alone makes for absorbing reading: his early marriage, his dependence on laudanum, his friendships with Joseph Conrad, Edward Garnett, Rupert Brooke and Hilaire Belloc among others. The novelist Eleanor Farjeon entered into a curious menage a trois with him and his wife. He died in France in 1917, on the first day of the Battle of Arras. This is the stuff of which myths are made and posterity has been quick to oblige. But this has tended to obscure his true worth as a writer, as Dr Wilson argues. Edward Thomas's poems were not published until some months after his death, but they have never since been out of print. Described by Ted Hughes as 'the father of us all', Thomas's distinctively modern sensibility is probably the one most in tune with our twenty-first century outlook. He occupies a crucial place in the development of twentieth century poetry.
The Poetical gazette; the official organ of the Poetry society and a review of poetical affairs, nos. 4-7 issued as supplements to the Academy, v. 79, Oct. 15, Nov. 5, Dec. 3 and 31, 1910
The term ‘conversation’ is one of today’s jargon terms. This book explores in depth what conversation means in national terms. Its premise is that to be English is to participate in a conversation about the country’s history, politics, culture and society. The conversation changes, of course, but there is also continuity which illustrates a distinct tradition. It is a conversation, the book argues, which requires the plural notion of these Englands rather than the singularity of this England. Englishness, then, is the tone, register and idiom of it subject matters, its anxieties and certainties, differences and commonalities. The book explores the English conversation through historical, political, literary and popular voices and tries to identify the character of contemporary Englishness.
This book uses models of 'world literature' to present this 'quintessentially English' writer as a pioneering figure in an Anglophone Welsh literary tradition, a controversial reading that contributes to the present-day reconfiguration of cultural relations between Wales, England, Scotland