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If you had to interview the candidates for a country's new hangman, what questions would you ask them? If your family was on the verge of starvation, and becoming a hangman was the only job available, would you apply? If you were hired, what would you do if the prisoners looked like your loved ones? If you knew that another good man was taking the job out of desperation, would you do anything to prevent him from getting it? What if that man's recruitment would somehow guarantee your own survival, would you encourage his candidacy? All these questions were asked of people who never thought they would find themselves in such a position, until they became mired in the chaos surrounding the hangman's replacement.
When Kente Cromwell is murdered, he is given demonic powers and escapes purgatory to go back to earth and avenge his death as The Hangman. However, unbeknown to him, a war has broken out between good and evil. He must choose a side. To either join the demon who gave him his powers and the legions of vampires and demons that follow the underworld leader, or join the angel he embarrassed when escaped purgatory, a vampire slayer, and a demon hunter in their quest to win the war. Which side will he choose?
A marathon dance mix consisting of thousands of mashed up text and image samples, In the House of the Hangman tries to give a taste of what life is like there, where it is impolite to speak of the noose. It is the third part of the life project Zeitgeist Spam. If you can't afford a copy ask me for a pdf.
This special issue focuses on literary texts by African writers in which the protagonist returns to his/her 'original' or ancestral 'home' in Africa from other parts of the world. Ideas of return - intentional and actual - have been a consistent feature of the literature of Africa and the African diaspora: from Equiano's autobiography in 1789 to Chimamanda Ngozi Adichie's 2013 novel 'Americanah'. African literature has represented returnees in a range of locations and dislocations including having a sense of belonging, being alienated in a country they can no longer recognize, or experiencing a multiple sense of place. Contributors, writing on literature from the 1970s to the present, examine the extent to which the original place can be reclaimed with or without renegotiations of 'home'. Articles on Nuruddin Farah, Chimamanda Ngozi Adichie, Pede Hollist, Ayi Kwei Amah, Dinaw Mengestu, Benjamin Kwakye. Interview with Tendai Huchu. Featured Articles by Bernth Lindfors, Eustace Palmer & Helen Chukwuma. Literary supplement : four poems by Tsitsi Ella Jaji .
A marathon dance mix consisting of thousands of mashed up text and image samples, In the House of the Hangman tries to give a taste of what life is like there, where it is impolite to speak of the noose. It is the third part of the life project Zeitgeist Spam. If you can't afford a copy ask me for a pdf.
An astonishing journey into the heart of Nazi evil: a portrait of one of the darkest figures of Hitler’s Nazi elite—Reinhard Heydrich, the designer and executor of the Holocaust, chief of the Reich Main Security, including the Gestapo—interwoven with commentary by his wife, Lina, from the author's in-depth interviews. He was called the Hangman of the Gestapo, the "butcher of Prague," with a reputation as a ruthlessly efficient killer. He was the head of the SS, and the Gestapo, second in command to Heinrich Himmler. His orders set in motion the Kristallnacht pogrom of 1938 and, as the lead planner of Hitler's Final Solution, he chaired the Wannsee Conference, at which details of the murder of millions of Jews across Nazi-occupied Europe were toasted with cognac. In The Hangman and His Wife, Nancy Dougherty, and, following her death, Christopher Lehmann-Haupt, masterfully explore who Heydrich was and how he came to be, and how he came to do what he did. We see Heydrich from his rarefied musical family origins and his ugly-duckling childhood and adolescence, to his sudden flameout as a promising Naval officer (he was forced to resign his Naval commission after dishonoring the office corps by having sex with the unmarried daughter of a shipyard director and refusing to marry her). Dougherty writes of his seemingly hopeless job prospects as an untrained civilian during Germany’s hyperinflation and unemployment, and his joining the Nazi party through the attraction to Nazism of his fiancée, Lina von Osten, and her father, along with the rumor shadowing him of a strain of Jewishness inherited from his father’s side. And we follow Heydrich’s meteoric rise through the Nazi high command—from SS major, to colonel to brigadier general, before he was thirty, deputy to Heinrich Himmler, expanding the SS, the Gestapo, and developing the Reich's plans for "the Jewish solution." And throughout, we hear the voice of Lina Heydrich, who was by his side until his death at the age of thirty-eight, living inside the Nazi inner circles as she waltzed with Rudolf Hess, feuded with Hermann Göring, and drank vintage wine with Albert Speer.
In this first instalment of the Bow Street Rivals series a riot breaks out in Dartmoor prison, enabling some American inmates to escape. The twin detectives Peter and Paul Skillen catch wind of a projected assassination but the target is unknown. Trouble ensues when a woman from the Home Office vanishes; a mysterious lady turns up at the archery shooting gallery; and Paul's gambling addiction worsens . . .
A bookseller finds an old diary containing a condemned man’s last words—but can they be trusted? “A compelling book, superbly plotted” (Peter Lovesey, author of The Last Detective). Browsing through a collection of old volumes, a bookseller comes across a diary—contained in it, the final words of a man sentenced to die for murder, addressed to his executioner. But after reading the journal, the bookseller wonders if there was a miscarriage of justice? Did the wrong man go to the gallows? And is there any way to prove it? A Coin for the Hangman is a “mesmerising and thought provoking” work of historical fiction, rich in detail and character, that delves into questions of duty, war, innocence, and guilt (Crime Fiction Lover). A Recommendation of the Walter Scott Prize Academy “A fiendishly clever plot set in the aftermath of World War II. I thoroughly enjoyed it.” —Minette Walters, Edgar Award–winning author of The Sculptress “Capital punishment seems so alien to modern Britain that it is a shock to be reminded that just over fifty years ago there was a middle-aged man in a middle-ranking job in a London office who, two or three times a year, was paid six guineas to visit one of Britain’s prisons and kill one of the prisoners. . . . A disturbing and poignant little novel.” —Historical Novels Review “A very moving piece of fiction.” —Crimesquad
“Surprising. Impressive. Cannibalism restores my faith in humanity.” —Sy Montgomery, The New York Times Book Review For centuries scientists have written off cannibalism as a bizarre phenomenon with little biological significance. Its presence in nature was dismissed as a desperate response to starvation or other life-threatening circumstances, and few spent time studying it. A taboo subject in our culture, the behavior was portrayed mostly through horror movies or tabloids sensationalizing the crimes of real-life flesh-eaters. But the true nature of cannibalism--the role it plays in evolution as well as human history--is even more intriguing (and more normal) than the misconceptions we’ve come to accept as fact. In Cannibalism: A Perfectly Natural History,zoologist Bill Schutt sets the record straight, debunking common myths and investigating our new understanding of cannibalism’s role in biology, anthropology, and history in the most fascinating account yet written on this complex topic. Schutt takes readers from Arizona’s Chiricahua Mountains, where he wades through ponds full of tadpoles devouring their siblings, to the Sierra Nevadas, where he joins researchers who are shedding new light on what happened to the Donner Party--the most infamous episode of cannibalism in American history. He even meets with an expert on the preparation and consumption of human placenta (and, yes, it goes well with Chianti). Bringing together the latest cutting-edge science, Schutt answers questions such as why some amphibians consume their mother’s skin; why certain insects bite the heads off their partners after sex; why, up until the end of the twentieth century, Europeans regularly ate human body parts as medical curatives; and how cannibalism might be linked to the extinction of the Neanderthals. He takes us into the future as well, investigating whether, as climate change causes famine, disease, and overcrowding, we may see more outbreaks of cannibalism in many more species--including our own. Cannibalism places a perfectly natural occurrence into a vital new context and invites us to explore why it both enthralls and repels us.