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"The hands of Cantu" are the gifted hands of the best horseman ever seen in New Spain.
NAMED A TOP 10 BOOK OF 2018 BY NPR and THE WASHINGTON POST WINNER OF THE LOS ANGELES TIMES BOOK PRIZE IN CURRENT INTEREST FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE NONFICTION AWARD The instant New York Times bestseller, "A must-read for anyone who thinks 'build a wall' is the answer to anything." --Esquire For Francisco Cantú, the border is in the blood: his mother, a park ranger and daughter of a Mexican immigrant, raised him in the scrublands of the Southwest. Driven to understand the hard realities of the landscape he loves, Cantú joins the Border Patrol. He and his partners learn to track other humans under blistering sun and through frigid nights. They haul in the dead and deliver to detention those they find alive. Plagued by a growing awareness of his complicity in a dehumanizing enterprise, he abandons the Patrol for civilian life. But when an immigrant friend travels to Mexico to visit his dying mother and does not return, Cantú discovers that the border has migrated with him, and now he must know the full extent of the violence it wreaks, on both sides of the line.
It isn't every day that we come across a book that has the power to change the world through the heart of the reader. La Maleta, has the power to do just that. Through its symbolic and enlightening storytelling, we learn about Maria and her emotional, yet all too common journey. From the moment she is born, the colorful "maleta" she's been given by her family starts getting filled with wonderful memories and pieces of her identify. She can't imagine anyone having a better suitcase than the one her parents have given her, and her family has helped her fill. But all this changes when Maria starts 1st grade at a new school. Everyone looks and sounds different from her, and their suitcases don't look like hers either. Little does young Maria know the journey she is about to embark on, as she loses the security of her precious "maleta". Through the emotional journey Maria navigates, we get a firsthand look at the toll denying someone's identity can have, not only on them, but on those around them. La Maleta speaks directly to our hearts to remind us that when we embrace who we are and accept others for who they are, we become better, together.
In Never Not Broken Yvette Cantu Schneider descends into the abyss of her own psyche after her young daughter?s leukemia diagnosis. Desperate for relief from ceaseless panic, she sees a psychotherapist who introduces her to guided imagery meditation to heal trauma. Over the course of her daughter?s 28-month treatment, Cantu Schneider encounters in meditation, animals, goddesses and other guides who show her that it is the wounded feminine within her that pushed her to find meaning and acceptance in a rigid religious structure and to become a spokesperson for controversial socio-political causes. As Cantu Schneider struggles to heal from difficult events from her childhood, the abuses and hypocrisies of religious leaders, and the effects of her own denial of the feminine divine, she discovers her true self. In the end, she finds that life?s healing power is that we are all never not broken.
I'm Not Your Perfect Mexican Daughter meets Emergency Contact in this stunning Pura Belpré Honor Book about first love, familial expectations, the power of food, and finding where you belong. Penelope Prado has always dreamed of opening her own pastelería next to her father's restaurant, Nacho's Tacos. But her mom and dad have different plans—leaving Pen to choose between not disappointing her traditional Mexican American parents or following her own path. When she confesses a secret she's been keeping, her world is sent into a tailspin. But then she meets a cute new hire at Nacho's who sees through her hard exterior and asks the questions she's been too afraid to ask herself. Xander Amaro has been searching for home since he was a little boy. For him, a job at Nacho's is an opportunity for just that—a chance at a normal life, to settle in at his abuelo's, and to find the father who left him behind. But when both the restaurant and Xander's immigrant status are threatened, he will do whatever it takes to protect his newfound family and himself. Together, Pen and Xander must navigate first love and discovering where they belong in order to save the place they all call home. This stunning and poignant novel from debut author Laekan Zea Kemp explores identity, found families and the power of food, all nestled within a courageous and intensely loyal Chicanx community.
Outfoxing all other military and political personnel in the territory of Baja California Norte, Colonel Esteban Cantú, on becoming governor, astutely played the leaders of the Mexican Revolution one against another. A compelling figure in the Mexican Revolution, he maintained his independence from Mexico City until he was forced from office in August 1920. While Cantú was appointed governor by Venustiano Carranza, Pancho Villa, and Eulalio Gutierrez of the Convention Government, he followed their orders only when it suited him and published the laws of the government in Mexico City to give the appearance that he was loyal to the central power when in fact he was not. He was more concerned with neighboring Sonora and supported every anti-central government movement in that state to secure his own independence. When he gained power, Cantú faced an indescribable morass of crime and immorality in Tijuana and Mexicali: white slavery and prostitution; opium dens; cocaine, morphine, and heroin dealers; and gambling halls, saloons, and dives of all descriptions. Governor Cantú either licensed many of these or became connected to them in some other way, personally profiting from such activities but also employing much of this revenue to create the territory’s first reliable infrastructure. This engaging account reveals the complexity of the Mexican Revolution, with a cast of characters that includes officers and officials of the Porfirian regime, revolutionaries and counterrevolutionaries, US investors, crackpots, German spies, Japanese schemers, Chinese workers, and purveyors of every sort of vice.
"El Paso artist Tom Lea was commissioned by Life Magazine to paint the war as it was being experienced by U.S. and Allied soldiers, sailors, and airmen. Along with his sketchbook, Lea carried on these assignments his "record of work", a notebook in which he recorded observations and details on the images he hoped to create from the events he had seen." "Brendan M. Greeley, Jr. has collected virtually all of Tom Lea's firsthand accounts of his assignments for Life, along with his powerful sketches and unforgettable paintings, and placed them in context, along with photographs and research focusing on the people, places, and wartime events encountered by Tom Lea. Drawing on previously unpublished sources - the artist's diary, letters to the Texas historian J. Frank. Dobie, oral interviews, and archival materials from Texas and national collections - Greeley presents in The Two Thousand Yard Stare a uniquely comprehensive and sustained treatment of Lea's creative accomplishments during World War II." "This well-documented and astonishingly illustrated volume will fascinate those interested in the realistic depiction of war, in both images and words. Also a must-read for students, scholars, and collectors of the artist's work, The Two Thousand Yard Stare: Tom Lea's World War II is a brilliant compendium of the work and thought of one of America's most compelling painters and writers."--BOOK JACKET.
Telling to Live embodies the vision that compelled Latina feminists to engage their differences and find common ground. Its contributors reflect varied class, religious, ethnic, racial, linguistic, sexual, and national backgrounds. Yet in one way or another they are all professional producers of testimonios—or life stories—whether as poets, oral historians, literary scholars, ethnographers, or psychologists. Through coalitional politics, these women have forged feminist political stances about generating knowledge through experience. Reclaiming testimonio as a tool for understanding the complexities of Latina identity, they compare how each made the journey to become credentialed creative thinkers and writers. Telling to Live unleashes the clarifying power of sharing these stories. The complex and rich tapestry of narratives that comprises this book introduces us to an intergenerational group of Latina women who negotiate their place in U.S. society at the cusp of the twenty-first century. These are the stories of women who struggled to reach the echelons of higher education, often against great odds, and constructed relationships of sustenance and creativity along the way. The stories, poetry, memoirs, and reflections of this diverse group of Puerto Rican, Chicana, Native American, Mexican, Cuban, Dominican, Sephardic, mixed-heritage, and Central American women provide new perspectives on feminist theorizing, perspectives located in the borderlands of Latino cultures. This often heart wrenching, sometimes playful, yet always insightful collection will interest those who wish to understand the challenges U.S. society poses for women of complex cultural heritages who strive to carve out their own spaces in the ivory tower. Contributors. Luz del Alba Acevedo, Norma Alarcón, Celia Alvarez, Ruth Behar, Rina Benmayor, Norma E. Cantú, Daisy Cocco De Filippis, Gloria Holguín Cuádraz, Liza Fiol-Matta, Yvette Flores-Ortiz, Inés Hernández-Avila, Aurora Levins Morales, Clara Lomas, Iris Ofelia López, Mirtha N. Quintanales, Eliana Rivero, Caridad Souza, Patricia Zavella