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Hilarious satire of academia set in a northern California university literature department.
Includes an excerpt from North of need / Laura A. Kaye.
This book assesses key works of twentieth-century dystopian fiction, including Katharine Burdekin’s Swastika Night, George Orwell’s Nineteen Eighty-Four, and Margaret Atwood’s The Handmaid’s Tale, to demonstrate that the major authors of this genre locate empathy and morality in eroticism. Taken together, these books delineate a subset of politically conscious speculative literature, which can be understood collectively as projected political fiction. While Thomas Horan addresses problematic aspects of this subgenre, particularly sexist and racist stereotypes, he also highlights how some of these texts locate social responsibility in queer and other non-heteronormative sexual relationships. In these novels, even when the illicit relationship itself is truncated, sexual desire fosters hope and community.
An instant classic and eerily prescient cultural phenomenon, from “the patron saint of feminist dystopian fiction” (New York Times). Now an award-winning Hulu series starring Elizabeth Moss. In this multi-award-winning, bestselling novel, Margaret Atwood has created a stunning Orwellian vision of the near future. This is the story of Offred, one of the unfortunate “Handmaids” under the new social order who have only one purpose: to breed. In Gilead, where women are prohibited from holding jobs, reading, and forming friendships, Offred’s persistent memories of life in the “time before” and her will to survive are acts of rebellion. Provocative, startling, prophetic, and with Margaret Atwood’s devastating irony, wit, and acute perceptive powers in full force, The Handmaid’s Tale is at once a mordant satire and a dire warning.
In a world of the short and swift, of texts and Twitter, there's something of special value about a carefully composed letter. In homage to this most civilised of activities, Marieke Hardy and Michaela McGuire created the literary afternoons of Women of Letters. Some of Australia's finest dames of stage, screen and page have delivered missives on a series of themes, collected here for the first time. Claudia Karvan sends 'A love letter' to love itself, Helen Garner contacts ghosts of her past in 'The letter I wish I'd written', Noni Hazlehurst dispatches a stinging rebuke 'To my first boss', and Megan Washington pays tribute to her city and community as she writes 'To the best present I ever received'. And some gentlemen correspondents - including Paul Kelly, Eddie Perfect and Bob Ellis - have been invited to put pen to paper in a letter 'To the woman who changed my life'. By turns hilarious, moving and outrageous, this is a diverse and captivating tribute to the art of letter writing. All royalties for this book will go to Edgar's Mission animal rescue shelter.
Ce volume contient l’intervention de Margaret Atwood, « Genesis of The Handmaid’s Tale and Role of the Historical Notes » et la table ronde avec l’auteur, lors du colloque de Rouen du 16 novembre 1998. Sept textes inédits du colloque de Paris III du 14 novembre 1998 et du colloque de Rouen du 16 novembre 1998 mettent en relief la multiplicité des approches possibles de The Handmaid’s Tale : la vision de l’auteur, l’histoire des idées, la psychanalyse, l’étude des thèmes et des genres littéraires s’y succèdent et soulignent la richesse de ce roman multiforme.
A model of spiritual transformation based on Mary's message at Medjugorje that is expressed in the language of conception, birth and maternity. Althouth Medjugorje is the starting point here, it is not the only point. This is not a book about apparitions or miracle, but about Mary's message. We will try to appeal to lovers of Marian spirituality as well as the wackos who love the sensational aspects of Medjugorje. Will have a title change.
We live in an information economy, a vast archive of data ever at our fingertips. In the pages of science fiction, powerful entities--governments and corporations--attempt to use this archive to control society, enforce conformity or turn citizens into passive consumers. Opposing them are protagonists fighting to liberate the collective mind from those who would enforce top-down control. Archival technology and its depictions in science fiction have developed dramatically since the 1950s. Ray Bradbury discusses archives in terms of books and television media, and Margaret Atwood in terms of magazines and journaling. William Gibson focused on technofuturistic cyberspace and brain-to-computer prosthetics, Bruce Sterling on genetics and society as an archive of social practices. Neal Stephenson has imagined post-cyberpunk matrix space and interactive primers. As the archive is altered, so are the humans that interact with ever-advancing technology.