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This wonderful novel transports us to Nazareth in biblical times, where we meet Mary and Joseph–and understand them as never before: young, in love, and suddenly faced with an unexpected pregnancy. Aided by a great and abiding love, they endure challenges to their relationship as well as threats to their lives as they come to terms with the mysterious circumstances surrounding the birth of their child, Jesus. For Mary, the pregnancy is a divine miracle and a privilege. For Joseph, it is an ongoing test of his faith–in his wife as well as in his God. Exquisitely written and imbued with emotional truth and richness of detail, The Handmaid and the Carpenter explores lives touched profoundly by miracles large and small. Praise for The Handmaid and the Carpenter “The oldest story ever told becomes fresh, even modern. [Grade:] A.” –Entertainment Weekly “Poetic, reflective, and intricate . . . There is a crystalline humanity, a logical vulnerability in [Elizabeth] Berg’s imaginative interpretation [that] brings novel resplendence to a familiar story.” –Booklist “Sweetly lyrical and yet movingly realistic.” –New York Daily News “[Berg] movingly takes the story of the least ordinary couple in history, and by respectfully evoking the rhythms and rituals of daily life, makes them more human, yet no less transcendent.” –Richmond Times-Dispatch “Imaginative and compelling.” –Star Ledger
In this book, we have hand-picked the most sophisticated, unanticipated, absorbing (if not at times crackpot!), original and musing book reviews of "The Handmaid and the Carpenter: A Novel." Don't say we didn't warn you: these reviews are known to shock with their unconventionality or intimacy. Some may be startled by their biting sincerity; others may be spellbound by their unbridled flights of fantasy. Don't buy this book if: 1. You don't have nerves of steel. 2. You expect to get pregnant in the next five minutes. 3. You've heard it all.
Elizabeth Berg, bestselling author of The Art of Mending and The Year of Pleasures, has a rare talent for revealing her characters’ hearts and minds in a manner that makes us empathize completely. Her new novel, We Are All Welcome Here, features three women, each struggling against overwhelming odds for her own kind of freedom. It is the summer of 1964. In Tupelo, Mississippi, the town of Elvis’s birth, tensions are mounting over civil-rights demonstrations occurring ever more frequently–and violently–across the state. But in Paige Dunn’s small, ramshackle house, there are more immediate concerns. Challenged by the effects of the polio she contracted during her last month of pregnancy, Paige is nonetheless determined to live as normal a life as possible and to raise her daughter, Diana, in the way she sees fit–with the support of her tough-talking black caregiver, Peacie. Diana is trying in her own fashion to live a normal life. As a fourteen-year-old, she wants to make money for clothes and magazines, to slough off the authority of her mother and Peacie, to figure out the puzzle that is boys, and to escape the oppressiveness she sees everywhere in her small town. What she can never escape, however, is the way her life is markedly different from others’. Nor can she escape her ongoing responsibility to assist in caring for her mother. Paige Dunn is attractive, charming, intelligent, and lively, but her needs are great–and relentless. As the summer unfolds, hate and adversity will visit this modest home. Despite the difficulties thrust upon them, each of the women will find her own path to independence, understanding, and peace. And Diana’s mother, so mightily compromised, will end up giving her daughter an extraordinary gift few parents could match.
The Last Utopians delves into the biographies of four key figures--Edward Bellamy, William Morris, Edward Carpenter, and Charlotte Perkins Gilman--who lived during an extraordinary period of literary and social experimentation. The publication of Bellamy's Looking Backward in 1888 opened the floodgates of an unprecedented wave of utopian writing. Morris, the Arts and Crafts pioneer, was a committed socialist whose News from Nowhere envisions a workers' Arcadia. Carpenter boldly argued that homosexuals constitute a utopian vanguard. Gilman, a women's rights activist and the author of "The Yellow Wallpaper," wrote numerous utopian fictions, including Herland, a visionary tale of an all-female society. These writers, Robertson shows, shared a belief in radical equality, imagining an end to class and gender hierarchies and envisioning new forms of familial and romantic relationships. They held liberal religious beliefs about a universal spirit uniting humanity. They believed in social transformation through nonviolent means and were committed to living a simple life rooted in a restored natural world. And their legacy remains with us today, as Robertson describes in entertaining firsthand accounts of contemporary utopianism, ranging from Occupy Wall Street to a Radical Faerie retreat.
Wild meets Endless Love in this multilayered story of love, survival, and self-discovery McKenna Berney is a lucky girl. She has a loving family and has been accepted to college for the fall. But McKenna has a different goal in mind: much to the chagrin of her parents, she defers her college acceptance to hike the Appalachian Trail from Maine to Georgia with her best friend. And when her friend backs out, McKenna is determined to go through with the dangerous trip on her own. While on the Trail, she meets Sam. Having skipped out on an abusive dad and quit school, Sam has found a brief respite on the Trail, where everyone’s a drifter, at least temporarily. Despite lives headed in opposite directions, McKenna and Sam fall in love on an emotionally charged journey of dizzying highs and devastating lows. When their punch-drunk love leads them off the trail, McKenna has to persevere in a way she never thought possible to beat the odds or risk both their lives.
A charming novel about sisterhood, self-identity, and friendship from the author of Flutter Indie Lee Chickory knows she's not as cool as her older sister Bebe. Bebe has more friends, for one. And no one tells Bebe she's a fish freak, for two. So when Indie accidentally brings her pet lobster to school, makes a scene, loses him in the ocean and embarrasses Bebe worse than usual, she makes a wish on a star to become a better Chickory. She tries to do this by joining the stage crew of the community's theater production, The Sound of Music. (Bebe has a starring role.) But Bebe is worried that Indie will embarrass her again, so she gives her a makeover and tells her who she should be friends with. That means Owen is out. But he's fun and smart, so Indie keeps her friendship with him a secret. At night, Indie and Owen rebuild a tree house into a ship in the sky to catch Indie's pet lobster. But during the day, Indie has to hide her friendship with Owen. When things come to a head, Indie realizes that being true to yourself is more important than being cool. But what's even more surprising is that Bebe realizes it, too. Praise for TRACING STARS * “This improbable plot and spunky protagonist are appealing bait for a heartfelt, memorable story.”--Kirkus Reviews, starred review * “This timeless story perfectly captures the growth that summer affords kids when, after endless days and nights, they emerge truer versions of themselves.”--Booklist, starred review “Moulton’s sensitivity to her characters’ emotions extends this quiet tale’s mood and setting. (8–11 years)”--The Horn Book
Nearly a century has passed since the world was devastated by pandemics and wars that wiped out over ninety-percent of the earth's population. To assure the survival of mankind, the leaders of the rebuilt city of Haven are breeding a better human race: meaning those deemed too stupid, too weak, too poor - too "unfit" - are arrested and forcibly sterilized. John Hunter is a penniless, self-educated young man from the wrong side of Haven struggling to make something of himself to provide for his wife and their hopes of starting a family. Until the authorities show up at his door and arrest him for the crime of being "unfit." Heartbroken and humiliated, will John abandon his aspirations and resign himself to quietly accept his fate?