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The first short story set in Peter Newman’s incredible world of THE VAGRANT.
The Vagrant is his name. He has no other.
Thialfi, the Norse thunder god's goat boy, tells how he inadvertently helped the giant Thrym to steal Thor's magic hammer, the lengths to which Thor must go to retrieve it, and his own assistance along the way.
‘An exciting new writer – sharp, compelling and original’ – Mark Lawrence
Sofia has misplaced her toy hammer, and detectives Fox and Goat are on the case! Young children will join them as they search a construction site for clues and learn new concepts along the way. Is the hammer long or short, round or flat, large or small? Close observers may find the hammer before our professional sleuths do! This toddler's version of Sherlock Holmes is certain to engage and entertain young minds.
AFTERSHOCK ORIGINAL GRAPHIC NOVEL Witch. The word conjures images of hags in black robes and crooked hats, standing over cauldrons of bubbling brew. But witches are among us, and we do not realize it. They are our friends and neighbors. They are our family members. They are our idols. And someone is murdering them. Agents Frontenac and Guinness are on the killer's trail. But as they delve deeper into the hidden, magical world around them, they are haunted by a terrifying question. Is the killer doing the right thing? Presenting the first in a unique collection of compelling stories crafted by master storytellersand told in the way they were meant to be told. Original Graphic Novels from AfterShock. Shockingly Exceptional.
The second short story set in Peter Newman’s incredible world of THE VAGRANT.
D. Harlan Wilson returns with another ferociously mindbending collection of short fiction. Masked in absurdity, these stories reveal the horrifying and hilarious faces of everyday life. Wilson tells of egg raids, hog rippers, monk spitters, fathers who take their children to pet stores to buy them whales, sociopaths who threaten to clothesline eternity, and the simple act of the story itself becoming a means of repetitive, endless torture. Put on your goat head, hop in your hovercraft, and take a ride with a juggernaut of modern imaginative fiction.
Poetry. "Emily Pettit has included a number of 'how to' poems in her nimble and dazzling first collection, such as: 'How to Make No Noise, ' and the especially useful 'How to Avoid Confronting Most Large Animals.' Her kindness is always ahead of us, anticipating the problems we will or won't run into, and we always end up in a different, precise place than the one we started out from, as she reassuringly tells us: 'You know / you know you know. It's all uncertainty / and your neck. You walk slowly / in a calm voice.' GOAT IN THE SNOW is multicolored, ever-changing, a delight to try to clasp." John Ashbery "GOAT IN THE SNOW is like a taste test between an etch-a-sketch and a spotlight, a race between a wind-up beetle and an idea. The certainty of Pettit's 'I know, ' and 'I think' quickly turns into a quicksand of questions. Perceptive, jumpy and perfectly odd, this book encourages you to 'try to maneuver like a spacecraft / passing sufficiently close to a planet / in order to make some relatively detailed observations / Without landing.'" Matthea Harvey "The poems in GOAT IN THE SNOW often ask odd, penetrating questions. 'What do you call a field of black telephones ringing?' 'Where did you find such a stunning embankment?' 'Is this what loving someone is like?' 'Do you remember the basement?' 'In what direction do you look when someone says something true?' These poems are full of mortal awareness, and are sophisticated without being ornate or 'poetic.' When the poet says, 'Once in modest and murky water, I had a very disturbing conversation with a boat,"' I don't feel as if she is writing in metaphor. I feel like something real has happened." Matthew Zapruder"
Goats eat EVERYTHING! Especially when a garden gate is left open and a feast awaits. Not content with strawberries, lemons and beans they continue to munch until all the plants, the shed and the garden gnomes have been devoured. And then . . . off to the next cafe!