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Historian Nora Titone takes a fresh look at the strange and startling history of the Booth brothers, answering the question of why one became the nineteenth-century’s brightest, most beloved star, and the other became the most notorious assassin in American history. The scene of John Wilkes Booth shooting Abraham Lincoln in Ford’s Theatre is among the most vivid and indelible images in American history. The literal story of what happened on April 14, 1865, is familiar: Lincoln was killed by John Wilkes Booth, a lunatic enraged by the Union victory and the prospect of black citizenship. Yet who Booth really was—besides a killer—is less well known. The magnitude of his crime has obscured for generations a startling personal story that was integral to his motivation. My Thoughts Be Bloody, a sweeping family saga, revives an extraordinary figure whose name has been missing, until now, from the story of President Lincoln’s death. Edwin Booth, John Wilkes’s older brother by four years, was in his day the biggest star of the American stage. Without an account of Edwin Booth, author Nora Titone argues, the real story of Lincoln’s assassin has never been told. Using an array of private letters, diaries, and reminiscences of the Booth family, Titone has uncovered a hidden history that reveals the reasons why John Wilkes Booth became this country’s most notorious assassin. The details of the conspiracy to kill Lincoln have been well documented elsewhere. My Thoughts Be Bloody tells a new story, one that explains for the first time why Lincoln’s assassin decided to conspire against the president in the first place, and sets that decision in the context of a bitterly divided family—and nation. By the end of this riveting journey, readers will see Abraham Lincoln’s death less as the result of the war between the North and South and more as the climax of a dark struggle between two brothers who never wore the uniform of soldiers, except on stage.
On April 14, 1865, five days after the end of the Civil War, John Wilkes Booth fired a single shot and changed the course of American history. His infamous deed cost him his life and brought notoriety and shame to his family-particularly his elder brother, the renowned actor Edwin Booth. From that day forward, Edwin would be known as "the brother of the man who killed President Lincoln." In many ways, the Booth brothers were two of a kind. They were among America's finest actors, having inherited from their father, Junius Brutus Booth, a commanding stage presence and a rich, expressive voice. They also inherited Junius's penchant for alcohol and impulsive behavior. In other respects, the two brothers were very different. Edwin's introspective nature made him the perfect actor to play Hamlet, while John, with his dashing good looks and passionate intensity, excelled in romantic roles. They also stood at opposite poles politically. Edwin voted for Abraham Lincoln; John was an ardent advocate of the Confederacy. Award-winning author James Cross Giblin draws on first-hand accounts of family members, friends, and colleagues to create a vivid image of John Wilkes, the loving son and brother who became an assassin. Equally clear is the picture of Edwin, who battled his own weaknesses and emerged a pivotal figure in the development of the American theater. Comprehensive and compelling, this dual portrait illuminates a dark and tragic moment in the nation's history and explores the complex legacy of two leading men-one revered, the other abhorred. Book jacket.
David Stacton’s The Judges of The Secret Court is a long-lost triumph of American fiction as well as one of the finest books ever written about the Civil War. Stacton’s gripping and atmospheric story revolves around the brothers Edwin and John Wilkes Booth, members of a famous theatrical family. Edwin is a great actor, himself a Hamlet-like character whose performance as Hamlet will make him an international sensation. Wilkes is a blustering mediocrity on stage who is determined, however, to be an actor in history, and whose assassination of Abraham Lincoln will change America. Stacton’s novel about how the roles we play become, for better or for worse, the lives we lead, takes us back to the day of the assassination, immersing us in the farrago of bombast that fills Wilkes’s head while following his footsteps up to the fatal encounter at Ford’s Theatre. The political maneuvering around Lincoln’s deathbed and Wilkes’s desperate flight and ignominious capture then set the stage for a political show trial that will condemn not only the guilty but the—at least relatively—innocent. For as Edwin Booth broods helplessly many years later, and as Lincoln, whose tragic death and wisdom overshadow this tale, also knew, “We are all accessories before or after some fact. . . . We are all guilty of being ourselves.”
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Stop, look, and discover—the streets and parks of Manhattan are filled with beautiful historic monuments that will entertain, stimulate, and inspire you. Among the 54 monuments in this volume are major figures in American history: Washington, Lincoln, Lafayette, Horace Greeley, and Gertrude Stein; more obscure figures: Daniel Butterfield, J. Marion Sims, and King Jagiello; as well as the icons of New York: Atlas, Prometheus, and the Firemen's Memorial. The monuments represent the work of some of America's best sculptors: Augustus Saint Gaudens’ Farragut and Sherman, Daniel Chester French’s Four Continents, and Anna Hyatt Huntington’s José Martí and Joan of Arc. Each monument, illustrated with black-and-white photographs, is located on a map of Manhattan and includes easy-to-follow directions. All the sculptures are considered both as historical mementos and as art. We learn of furious General Sherman court-martialing a civilian journalist, and also of exasperated Saint Gaudens’ proposing a hook-and-spring device for improving his assistants' artistic acuity as they help model Sherman. We discover how Lincoln dealt with a vociferous Confederate politician from Ohio, and why the Lincoln in Union Square doesn't rank as a top-notch Lincoln portrait. Sidebars reveal other aspects of the figure or event commemorated, using personal quotes, poems, excerpts from nineteenth-century periodicals (New York Times, Harper's Weekly), and writers ranging from Aeschylus, Washington Irving, and Frederic-Auguste Bartholdi to Mark Twain and Henryk Sienkiewicz. As a historical account, Outdoor Monuments of Manhattan: A Historical Guide is a fascinating look at figures and events that changed New York, the United States and the world. As an aesthetic handbook it provides a compact method for studying sculpture, inspired by Ayn Rand’s writings on art. For residents and tourists, and historians and students, who want to spend more time viewing and appreciating sculpture and New York history, this is the start of a unique voyage of discovery.
Best Book of the Year Real Simple • AARP • USA Today • NPR • Virginia Living Longlisted for the 2022 Booker Prize From the Man Booker finalist and bestselling author of We Are All Completely Beside Ourselves comes an epic and intimate novel about the family behind one of the most infamous figures in American history: John Wilkes Booth. In 1822, a secret family moves into a secret cabin some thirty miles northeast of Baltimore, to farm, to hide, and to bear ten children over the course of the next sixteen years. Junius Booth—breadwinner, celebrated Shakespearean actor, and master of the house in more ways than one—is at once a mesmerizing talent and a man of terrifying instability. One by one the children arrive, as year by year, the country draws frighteningly closer to the boiling point of secession and civil war. As the tenor of the world shifts, the Booths emerge from their hidden lives to cement their place as one of the country’s leading theatrical families. But behind the curtains of the many stages they have graced, multiple scandals, family triumphs, and criminal disasters begin to take their toll, and the solemn siblings of John Wilkes Booth are left to reckon with the truth behind the destructively specious promise of an early prophecy. Booth is a startling portrait of a country in the throes of change and a vivid exploration of the ties that make, and break, a family.
A New York Times–bestselling author’s “lively” account of a family of famous actors—who became notorious after the assassination of President Lincoln (The New Yorker). Junius Booth and his sons, Edwin and John Wilkes, were nineteenth-century America’s most famous theatrical family. Yet the Booth name is forever etched in the history books for one terrible reason: the assassination of President Abraham Lincoln by John Wilkes Booth at Ford’s Theatre on April 14, 1865. In American Gothic, bestselling historian Gene Smith vividly chronicles the triumphs, scandals, and tragedies of this infamous family. The preeminent English tragedian of his day, Junius Booth was a madman and an alcoholic who abandoned his wife and young son to move to America and start a new family. His son Edwin became the most renowned Shakespearean actor in America, famously playing Hamlet for one hundred consecutive nights, but he suffered from depression and a crippling fear of inheriting his father’s insanity. Blessed with extraordinary good looks and a gregarious nature, John Wilkes Booth seemed destined for spectacular fame and fortune. However, his sympathy for the Confederate cause unleashed a dangerous instability that brought permanent disgrace to his family and forever changed the course of American history. Richly detailed and emotionally insightful, American Gothic is a “ripping good tale” that brings to life the true story behind a family tragedy of Shakespearean proportions (The New York Times).
The first book on Booth's ten tumultuous years on the stage, with a wealth of rare period illustrations reproduced with special techniques yielding results of better quality than the originals. The book evaluates his performances through newspaper reviews and the recorded opinions of his contemporaries; it also separates Booth the actor from Booth the assassin. Previously unpublished letters are included, some in facsimile. John Wilkes' famous brother Edwin was not necessarily the leading actor of his era: this book indicates why John Wilkes Booth might claim that distinction. One of the appendices is an exhaustive chronology of all his performances, and all fellow cast members.