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In this pioneering study of the shifting status of the emperor within court society and the relationship between the state and the Buddhist community during the Heian period (794–1185), Asuka Sango details the complex ways in which the emperor and other elite ruling groups employed Buddhist ritual to legitimate their authority. Although considered a descendant of the sun goddess, Amaterasu, the emperor used Buddhist idiom, particularly the ideal king as depicted in the Golden Light Sūtra, to express his right to rule. Sango’s book is the first to focus on the ideals presented in the sūtra to demonstrate how the ritual enactment of imperial authority was essential to justifying political power. These ideals became the basis of a number of court-sponsored rituals, the most important of which was the emperor’s Misai-e Assembly. Sango deftly traces the changes in the assembly’s format and status throughout the era and the significant shifts in the Japanese polity that mirrored them. In illuminating the details of these changes, she challenges dominant scholarly models that presume the gradual decline of the political and liturgical influence of the emperor over the course of the era. She also compels a reconsideration of Buddhism during the Heian as “state Buddhism” by showing that monks intervened in creating the state’s policy toward the religion to their own advantage. Her analysis further challenges the common view that Buddhism of the time was characterized by the growth of private esoteric rites at the expense of exoteric doctrinal learning. The Halo of Golden Light draws on a wide range of primary sources—from official annals and diaries written by courtiers and monks to ecclesiastical records and Buddhist texts—many of them translated or analyzed for the first time in English. In so doing, the work brings to the surface surprising facets in the negotiations between religious ideas and practices and the Buddhist community and the state.
Our final destiny in life will be to join our creator in heaven after our long journey on earth ends. Before we go to the spirit, into the eternal light, we will learn what heaven is all about from a man who has more out of body experiences than most. With more of an extraordinary ability to receive and share visual information sent down from the heavens, spiritual messaging will come as a very big surprise. The inclusion of special meditations relieves inner tension, opens the spiritual eye within, and is the perfect solution to inner harmony between God and ourselves. Foreword Brighter than the twinkling stars in the sky, and yet softer than the wool on a baby lamb, the light of God will be upon us in the next life too. Abundantly so with goodness, and much to our delight, we will hardly be grasping it entirely, unless one has been immersed into and has experienced the connecting light while fully maximized. The fear of passing away should no longer exist in our mind. Complicated thinking is all that it is. Just as simple as knowing there is love in the afterlife, that is where our heart and soul belongs. Travel to heaven in the highway of your mind. It is very safe lifting a yielding conscious to achieve exceptional knowledge within the spirit world.
Utilize the science of sensitivity to help you maximize your gifts of empath, intuition, vision, and expression. Are you often told that you are too sensitive? Can you intuit things before they happen? Are you an introvert who cares deeply about the people and places around you? Using a new and specialized framework for understanding empaths and sensitive individuals, integrative health coach Courtney Marchesani demystifies the science of sensitivity to help you maximize your gifts of empathy, intuition, vision, and expression. Her insightful sensitivity quiz will help you to recognize where your strengths lie, while her Mind-Body Method will help you to heal from the past and current trauma affecting your sensory processing and employ coping skills to manage what can be an overwhelming onslaught of intense emotions and sensations. Allow your sensory intelligence to shine and relish your profound ability to connect with the world by recognizing and honoring your unique gift of sensitivity.
This volume examines the various patterns of trans-regional exchanges in Buddhist art within East Asia (China, Korea, and Japan) in the medieval period, from the fifth to the thirteenth centuries. A traditional approach to the study of East Asian Buddhist art revolves around the notion of an artistic relay: India was regarded as the source of inspiration for China, and China in turn influenced artistic production in the Korean peninsula and Japan. While this narrative holds some truth, it has the implicit baggage of assuming that art in the host country is only derivative and obscures a deep understanding of the complexity of transnational exchanges. The essays in this volume aim to go beyond the conventional query of tracing origins and mapping exchanges in order to investigate the agency of the “receivers” with contextual case studies that can expand our understanding of artistic dialogues across cultures. The volume is divided into three sections. In Section I, “Transmission and Local Interpretations,” the three chapters by Jinchao Zhao, Li-kuei Chien, and Hong Wu all address topics of transnational transmission of Buddhist imagery, their figural styles, and subsequent alterations or adaptations based on local preferences and interpretations. Buddhism had important impacts on East Asian countries in the political dimension, especially when the religion and certain Buddhist sutras and deities were believed to have state-protecting properties. The chapters by Dorothy C. Wong, Imann Lai, and Clara Ma in Section II, “Buddhism and the State,” attend to the political aspect of Buddhism in visual representation. Section III, “Iconography and Traditions,” includes chapters by Sakiko Takahashi, Suijun Ra, and Tamami Hamada that closely study the cross-border transmission of and subtle variations in iconography and style of specific Buddhist deities, notably deities of esoteric strands that include the Thousand-Armed Avalokiteśvara (Bodhisattva of Compassion).
Started in 1958, Sanathana Sarathi is a monthly magazine devoted to Sathya (Truth), Dharma (Righteousness), Shanti (Peace) and Prema (Love) - the four cardinal principles of Bhagawan Baba's philosophy. It is published from Prasanthi Nilayam (the Abode of Highest Peace) and acts as a mouthpiece of Baba's Ashram as it speaks of the important events that take place in His sacred Abode, besides carrying Divine Messages conveyed through Divine Discourses of Bhagawan Sri Sathya Sai Baba. The word meaning of Sanathana Sarathi is the 'Eternal Charioteer'. It signifies the presence of the Lord in every being as the atma guiding their lives like a charioteer. It implies that he who places his life, the body being likened to a chariot, in an attitude of surrender in the hands of the Lord, will be taken care of by the Lord even as a charioteer would take the occupant of his chariot safely to its destination. The magazine is an instrument to disseminate spiritual knowledge for the moral, physical and mental uplift of humanity without any discrimination as the subject matter discussed therein is always of common interest and of universal appeal. The fifteen Vahinis - streams of sacredness - known as the Vahini Series comprising annotation and interpretation of the Upanishads and other scriptures, Itihasas like the Ramayana, the Bhagavatha and the Mahabharata, and authentic explanations on Dhyana, Dharma, Prema, etc., have been serially published in this magazine as and when they emanated from the Divine pen of Bhagawan Baba. This magazine is published in almost all Indian languages, English and Telugu from Prasanthi Nilayam and others from respective regions. Every year Sanathana Sarathi comes out with a special issue in November commemorating the Divine Birthday. The English and Telugu magazines are posted on the 10th and 23rd respectively, of every month, from Prasanthi Nilayam. This magazine has wide, ever increasing circulation in India as well as abroad, as the study of it brings the reader closer to the philosophy of the Avatar in simple understandable language THUS SPAKE SAI... Discoursing during the launch of Sanathana Sarathi... From this day, our Sanathana Sarathi will lead to victory the cohorts of truth - the Vedas, the Sastras and similar scriptures of all faiths, against the forces of the ego such as injustice, falsehood, immorality and cruelty. This is the reason why it has emerged. This Sarathi will fight in order to establish world prosperity. It is bound to sound the paean of triumph when universal Ananda is achieved.
The concept of raising the spiritual light quotient is similar to the intelligence quotient used in modern psychology, the IQ test. However the spiritual light quotient is not the same as intelligence. Rather, the SLQ reflects one¿s ability to understand spiritual concepts, to meditate and to connect with other dimensions. It also is a measurement of one¿s ability to understand the relationship between Earth and the environment of the Earth, and Earth¿s relationship to the galaxy. Finally, it is a measurement of one¿s ability to understand the existence of other dimensions as well as the relationship between the ascended masters and guides and our journey to higher realms for soul evolution. Thus it appears necessary to look at the SLQ of a person, the SLQ of an area and the SLQ of a planet. All of the channeling I bring forth is based on the concept of the Sacred Triangle, which is a new paradigm for spirituality. This paradigm states that in order to heal Earth and bring everything into balance, one must unite the concepts of galactic spirituality with ancient mystical thought and with the energies of native peoples, including Native Americans.
Women, Rites, and Ritual Objects in Premodern Japan, edited by Karen M. Gerhart, is a multidisciplinary examination of rituals featuring women, in which significant attention is paid to objects produced for and utilized in these rites as a lens through which larger cultural concerns, such as gender politics, the female body, and the materiality of the ritual objects, are explored. The ten chapters encounter women, rites, and ritual objects in many new and interactive ways and constitute a pioneering attempt to combine ritual and gendered analysis with the study of objects. Contributors include: Anna Andreeva, Monica Bethe, Patricia Fister, Sherry Fowler, Karen M. Gerhart, Hank Glassman, Naoko Gunji, Elizabeth Morrissey, Chari Pradel, Barbara Ruch, Elizabeth Self.
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Li Xuan, who was forcefully reincarnated, obtained the Primordial Purple Light, the ancestor of all things in the universe when it was born. After reincarnating, he had a physique that had five attributes of metal, wood, water, fire, and earth at the same time. The physique of the five elements gave him limitless strength, but also made him shoulder the heavy responsibility of the Heavenly Dao. The chaos of the Heavenly Dao was only waiting for his arrival. Some people conformed to the dao of the heavens, but there were also people who defied the will of the heavens, seeking out a chaotic situation. When everything was about to become clear, instead ...
An unknown sword with an unknown cultivation technique had achieved a breakthrough to the next realm. It was a useless weapon that could not be cultivated. He had unraveled the secrets of each continent and walked towards the Endless Planes. What kind of innate mission did he have? And how was he going to walk to the pinnacle step by step?