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An NYRB Classics Original Simon Leys is a Renaissance man for the era of globalization. A distinguished scholar of classical Chinese art and literature and one of the first Westerners to recognize the appalling toll of Mao’s Cultural Revolution, Leys also writes with unfailing intelligence, seriousness, and bite about European art, literature, history, and politics and is an unflinching observer of the way we live now. The Hall of Uselessness is the most extensive collection of Leys’s essays to be published to date. In it, he addresses subjects ranging from the Chinese attitude to the past to the mysteries of Belgium and Belgitude; offers portraits of André Gide and Zhou Enlai; takes on Roland Barthes and Christopher Hitchens; broods on the Cambodian genocide; reflects on the spell of the sea; and writes with keen appreciation about writers as different as Victor Hugo, Evelyn Waugh, and Georges Simenon. Throughout, The Hall of Uselessness is marked with the deep knowledge, skeptical intelligence, and passionate conviction that have made Simon Leys one of the most powerful essayists of our time.
A woman is viciously attacked by an intruder in this thrilling crime novel from international bestselling author Clare Francis Catherine Galitza is assaulted in her own home, thrown down the stairwell, and left with serious injuries. As she recovers, she works to solve the mystery of her attacker’s identity, focusing on the barrage of nuisance phone calls she has been receiving for months. Catherine begins to consider the idea of a stalker, a watcher who has become obsessed, playing a silent role in her life. Two men are curiously intent on helping her discover the truth—Simon Jardine, her husband’s business partner; and Terry Devlin, a self-made Irish hotelier whom she has known since youth—but can they be trusted? Finally, the police arrest a suspect, yet Catherine still feels the eyes of a watcher: Will she discover the true culprit before it’s too late?
As time changes, so do the religions of the world, regardless of people’s convictions of what is absolute and what is condemned. However, as faiths, beliefs, and religion change, those convictions of superiority and condemnation remain constant. Why is it however that as technology advances and we get more intelligent, we still practice the same depraved and inhumane acts of the days of no electricity? What would happen if someone were able to bring evidence of spirituality, and not religion? What would happen if we were to replace Faith with fact and religion with reason? What if Faith and beliefs of the unknown were not subjugated to fear and ideas, but someone actually went to the other side and came back with more than just the story of seeing a light? What if there was a detailed account or accounts of the other side, or the interaction of actual spirits on our plane was written down for all to read? What would happen? Well, read the words, turn the pages, and let us all find out. See what is truly between the lines of the physical world and the spirit world in The Hall of Pillars: Between the Lines with The Mother and The Morningstar.
On the anniversary of her daughter Emily's death, Sarabess, the matriarch of the Windsor family, enlists the help of lawyer Jake Forrest to find Trinity, the daughter she had given up for adoption, a desperate search that exposes dark secrets and has unexpected and lasting consequences. 150,000 first printing.
"The evil that men do" has been chronicled for thousands of years on the European stage, and perhaps nowhere else is human fear of our own evil more detailed than in its personifications in theater. Early writers used theater to communicate human experiences and to display reverence for the gods governing daily life. Playwrights from Euripides onward sought inspiration from this interplay between the worldly and the occult, using human belief in the divine to govern characters' actions within a dramatic arena. The constant adherence to the supernatural, despite changing religious ideologies over the centuries, testifies to a deep and continuing belief in the ability of a higher power to interfere in human life. Stages of Evil is the first book to examine the representation and relationship of evil and the occult from the prehistoric origins of drama through to the present day. Drawing on examples of magic, astronomy, demonology, possession, exorcism, fairies, vampires, witchcraft, hauntings, and voodoo, author Robert Lima explores how theater shaped American and European perceptions of the occult and how the dramatic works studied here reflect society back upon itself at different points in history. From representations of Dionysian rites in ancient Greece, to the Mouth of Hell in the Middle Ages, to the mystical cabalistic life of the Hasidic Jews, to the witchcraft and magic of the Elizabethan and Jacobean stage, Lima traces the recurrence of supernatural motifs in pivotal plays and performance works of the Western tradition. Considering numerous myths and cultural artifacts, such as the "wild man," he describes the evolution and continual representation of supernatural archetypes on the modern stage. He also discusses the sociohistorical implications of Christian and pagan representations of evil and the theatrical creativity that occultism has engendered. Delving into his own theatrical, literary, folkloric, and travel experiences to enhance his observations, Lima assays the complex world of occultism and examines diverse works of Western theater and drama. A unique and comprehensive bibliography of European and American plays concludes the study and facilitates further research into the realm of the social and literary impact of the occult.
Sylvia O’Mara has spent the last four years trying to get over her high school sweetheart, who, after breaking off their relationship, left town without any reasons. With the help of her friends she has moved on and started dating a mysterious bad boy. She isn't happy, but she's content; until she meets the new neighbor. Quinn Lobato has recently moved to Minneapolis to finish college close to his parents. His mother found the perfect apartment for him close to campus and assured him it has everything he needs. Quinn has had his own hurtful past and is looking forward to starting medical school and a new life. Little do they know that what they each need is waiting just across the hall.
Hailed as "the best business book of 2010" (Huffington Post), this New York Times bestseller about the 2008 financial crisis brings the devastation of the Great Recession to life. As soon as the financial crisis erupted, the finger-pointing began. Should the blame fall on Wall Street, Main Street, or Pennsylvania Avenue? On greedy traders, misguided regulators, sleazy subprime companies, cowardly legislators, or clueless home buyers? According to Bethany McLean and Joe Nocera, two of America's most acclaimed business journalists, many devils helped bring hell to the economy. All the Devils Are Here goes back several decades to weave the hidden history of the financial crisis in a way no previous book has done. It explores the motivations of everyone from famous CEOs, cabinet secretaries, and politicians to anonymous lenders, borrowers, analysts, and Wall Street traders. It delves into the powerful American mythology of homeownership. And it proves that the crisis ultimately wasn't about finance at all; it was about human nature. Just as McLean's The Smartest Guys in the Room was hailed as the best Enron book on a crowded shelf, so will All the Devils Are Here be remembered for finally making sense of the financial meltdown and its consequences.
To the spiritual world, it is an empty lot with a For Sale sign. For those destined to Hell, the empty lot transforms into a luxuriant hotel catering to all their evil pleasures until time for departure. Adam and Estelle, teenage siblings, fearful of having killed their father, run into the night. A wino tells them to avoid the empty lot because it is haunted. Undaunted, they sit in front of the lot eating sandwiches. Suddenly out of the night, gang members skid to a halt at the hotel. Fearing police, they capture the kids and run into the hotel. Adam and Estelle are dumbfounded when they find a plush carpet replacing dirt. During the confusion at finding the lobby filled with a drinking party, the kids race down the hall to escape. The hotel senses their presence and decides to keep them. The hotel alters everything the kids see and do: room numbers change, halls go randomly, basements don't exist, floors have changing numbers, rooms beckon and attempt to trap them, narrow escapes and people to haunt your dreams. Exhausted, unable to find an exit, Adam and Estelle know the hotel has won...THERE IS NO WAY OUT!