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“It had been a Second Coming sky all day, which meant they might be in heaven by this evening.” So begins the uproarious and tender tale of Roxanne Fish, daughter of Sister Zelda Fish and Pastor Winston Fish of the First Assembly of God Church of Ames, Iowa, who believe fervently in the imminent return of Jesus to take the Christians up to heaven. The Fishes’ older daughter, Colleen, wants no part of their exuberant faith (“Where are you going, young lady?” “To find my real family!”), but Roxy longs to be saved even as she fears her sinful desires, such as marrying Elvis Presley when she grows up. If she grows up. Roxy lives in a world populated by angels with blue noses and demons who follow her around whispering “God doesn’t like you.” And sinners, sinners everywhere, easily identifiable by their makeup and capri pants and knowledge of television programs. Her soul’s journey through this wicked world to her own particular salvation—with an assist from the Queen of Soul herself, Aretha Franklin—is unforgettable. Rhoda Huffey’s affection for her characters shines in every line. She handles large themes with a sure hand, perfect comic timing, and an utter originality that make The Hallelujah Side a joy.
“A masterful debut” that follows four generations of Cherokee women across four decades—from the Plimpton Prize–winning author (Sarah Jessica Parker). It’s 1974 in the Cherokee Nation of Oklahoma and fifteen-year-old Justine grows up in a family of tough, complicated, and loyal women, presided over by her mother, Lula, and Granny. After Justine’s father abandoned the family, Lula became a devout member of the Holiness Church—a community that Justine at times finds stifling and terrifying. But Justine does her best as a devoted daughter, until an act of violence sends her on a different path forever. Crooked Hallelujah tells the stories of Justine—a mixed-blood Cherokee woman—and her daughter, Reney, as they move from Eastern Oklahoma’s Indian Country in the hopes of starting a new, more stable life in Texas amid the oil bust of the 1980s. However, life in Texas isn’t easy, and Reney feels unmoored from her family in Indian Country. Against the vivid backdrop of the Red River, we see their struggle to survive in a world—of unreliable men and near-Biblical natural forces, like wildfires and tornados—intent on stripping away their connections to one another and their very ideas of home. In lush and empathic prose, Kelli Jo Ford depicts what this family of proud, stubborn, Cherokee women sacrifices for those they love, amid larger forces of history, religion, class, and culture. This is a big-hearted and ambitious novel of the powerful bonds between mothers and daughters by an exquisite and rare new talent. “A compelling journey through the evolving terrain of multiple generations of women.” —The Washington Post
This book studies the working efficacy of Leonard Cohen's song Hallelujah in the context of today's network culture. Especially as recorded on YouTube, k.d. lang's interpretation(s) of Cohen's Hallelujah, embody acoustically and visually/viscerally, what Nietzsche named the 'spirit of music'. Today, the working of music is magnified and transformed by recording dynamics and mediated via Facebook exchanges, blog postings and video sites. Given the sexual/religious core of Cohen's Hallelujah, this study poses a phenomenological reading of the objectification of both men and women, raising the question of desire, including gender issues and both homosexual and heterosexual desire. A review of critical thinking about musical performance as 'currency' and consumed commodity takes up Adorno's reading of Benjamin's analysis of the work of art in the age of mechanical reproduction as applied to music/radio/sound and the persistent role of 'recording consciousness'. Ultimately, the question of what Nietzsche called the becoming-human-of-dissonance is explored in terms of both ancient tragedy and Beethoven's striking deployment of dissonance as Nietzsche analyses both as playing with suffering, discontent, and pain itself, a playing for the sake not of language or sense but musically, as joy.
Betty Jewel Hughes was once the hottest black jazz singer in Memphis. But when she finds herself pregnant and alone, she gives up her dream of being a star to raise her beautiful daughter, Billie, in Shakerag, Mississippi.
Praised as "brilliantly revelatory...a masterful work of critical journalism" (Kirkus Reviews, starred review), The Holy or the Broken is the fascinating account of one of the most-performed rock songs in history--Leonard Cohen's heartrending "Hallelujah." How did one obscure song become an international anthem for human triumph and tragedy, a song each successive generation seems to feel they have discovered and claimed as uniquely their own? Celebrated music journalist Alan Light follows the improbable journey of "Hallelujah" straight to the heart of popular culture.
When Francine Ephesians Didwell loses the love of her life, she is forced to reconnect with her estranged family. She's led two lives up until now, one with her evangelical charismatic family, and another of emancipated rebellion with her lover. Bereaved, Francine relocates to 1990s Venice Beach to start life over. She struggles to make a living doing massages and managing her new real estate of bread-and-butter units in hell. The novel moves between Francine's new home and her family estate just fifty miles inland where, hoping to reconnect, Francine discovers she must confront the truth about dark family secrets or lose herself in the suicidal world of drugs. To her great good luck, throughout her journey, she is assisted and supported by her other family: the yodeler, the sex worker, the local burglar who has taken up residence outside her window, and all the imperfect characters from the mean streets of Venice Beach. Hilarious and painful, Francine's life force and her thirst for freedom illuminate every page.
Inspired by a real-life incident, this riveting novel explores the dangerous impact discrimination and antisemitism have on one community when a school assignment goes terribly wrong. Would you defend the indefensible? That's what seniors Logan March and Cade Crawford are asked to do when a favorite teacher instructs a group of students to argue for the Final Solution--the Nazi plan for the genocide of the Jewish people. Logan and Cade decide they must take a stand, and soon their actions draw the attention of the student body, the administration, and the community at large. But not everyone feels as Logan and Cade do--after all, isn't a school debate just a school debate? It's not long before the situation explodes, and acrimony and anger result. Based on true events, The Assignment asks: What does it take for tolerance, justice, and love to prevail? "An important look at a critical moment in history through a modern lens showcasing the power of student activism." --SLJ
Now in paperback, a delightful collection of essays on the transformative power of reading In The Book That Changed My Life, our most admired writers, doctors, professors, religious leaders, politicians, chefs, and CEO s share the books that mean the most to them. For Doris Kearns Goodwin it was Barbara Tuchman's The Guns of August, which inspired her to enter a field, history writing, traditionally reserved for men. For Jacques Pépin it was The Myth of Sisyphus, which taught him the importance of personal responsibility, dignity, and goodness in the midst of existentialist France. A testament to the life-altering importance of literature, this book inspires us to return to old favorites and seek out new treasures. All proceeds go to The Read to Grow Foundation, which partners with urban hospitals to provide books and literacy information to newborns and their families.
"Arlo Dilly is young, handsome and eager to meet the right girl. He also happens to be DeafBlind, a Jehovah's Witness, and under the strict guardianship of his controlling uncle. His chances of finding someone to love seem slim to none. And yet, it happened once before: many years ago, at a boarding school for the Deaf, Arlo met the love of his life-a mysterious girl with onyx eyes and beautifully expressive hands which told him the most amazing stories. But tragedy struck, and their love was lost forever. Or so Arlo thought. After years trying to heal his broken heart, Arlo is assigned a college writing assignment which unlocks buried memories of his past. Soon he wonders if the hearing people he was supposed to trust have been lying to him all along, and if his lost love might be found again. No longer willing to accept what others tell him, Arlo convinces a small band of misfit friends to set off on a journey to learn the truth. After all, who better to bring on this quest than his gay interpreter and wildly inappropriate Belgian best friend? Despite the many forces working against him, Arlo will stop at nothing to find the girl who got away and experience all of life's joyful possibilities"--
Hope Landon has been rewriting other people’s greeting cards since she was six years old. There’s always a funnier caption in there somewhere. She’s ready to chase her creative dreams in New York City with her fiancé—until he leaves Hope at the altar. That may give her something to write about . . . Hope disappears for the time that would have been the couple’s month-long honeymoon, and upon returning learns of her own funeral. Everyone concluded Hope must have killed herself after being jilted. Needing a fresh start more than ever, she heads for the Big Apple only to discover it isn’t easy to rent a place when you’ve been declared dead. Taking shelter at the YMCA, Hope lands a job at an inspirational greeting card company assisting Jake, the guy who shut down his organization’s humor department. She has lost her faith in love; he needs to find something or someone that will make him laugh again. Fun and faithful, Greetings from the Flipside will keep turning over in your mind.