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Rheinhardt, a disk jockey and failed musician, rolls into New Orleans looking for work and another chance in life. What he finds is a woman physically and psychically damaged by the men in her past and a job that entangles him in a right-wing political movement. Peopled with civil rights activists, fanatical Christians, corrupt politicians, and demented Hollywood stars, A Hall of Mirrors vividly depicts the dark side of America that erupted in the sixties. To quote Wallace Stegner, "Stone writes like a bird, like an angel, like a circus barker, like a con man, like someone so high on pot that he is scraping his shoes on the stars."
This impressive tome offers more than 700 illustrations to document the comprehensive restoration campaign, (the first of its kind) of this magnificant interior.
In World War II France, she went by the name of Marie. Or Brigitte. Or any of a half dozen other names. Some saw her as a middle-aged newspaper reporter. To others, she was a doddering old woman. To the Nazis, she was an elusive enemy, "The Lady Who Limps." Her real name was Virginia Hall. She had a wooden leg. And she was a spy. As the Allies' first agent to live behind the lines in Vichy France, she organized resistance groups, helped conduct sabotage operations, and reported secret intelligence back to the Allies. She was one of the first women agents in the CIA and was the only civilian woman of the war to receive the Distinguished Service Cross. This is the story of Virginia Hall and her immense personal courage and determination, and how she broke through the barriers of physical limitation and gender discrimination to become America's greatest spy of World War II.
Look at the Birdie is a collection of fourteen previously unpublished short stories from one of the most original writers in all of American fiction. In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and often funny portrait of life in post–World War II America—a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. In this disquieting tale, the investigation into a string of mysterious disappearances turns surreal for two detectives, when they pay a visit to the home of a celebrated hypnotist. But who will turn the tables on whom when the final spell is cast? Hall of Mirrors and the thirteen other never-before-published pieces that comprise Look at the Birdie serve as an unexpected gift for devoted readers who thought that Kurt Vonnegut's unique voice had been stilled forever—and provide a terrific introduction to his short fiction for anyone who has yet to experience his genius.
Through an examination of caste in sixteenth- and seventeenth-century Mexico, Hall of Mirrors explores the construction of hierarchy and difference in a Spanish colonial setting. Laura A. Lewis describes how the meanings attached to the categories of Spanish, Indian, black, mulatto, and mestizo were generated within that setting, as she shows how the cultural politics of caste produced a system of fluid and relational designations that simultaneously facilitated and undermined Spanish governance. Using judicial records from a variety of colonial courts, Lewis highlights the ethnographic details of legal proceedings as she demonstrates how Indians, in particular, came to be the masters of witchcraft, a domain of power that drew on gendered and hegemonic caste distinctions to complicate the colonial hierarchy. She also reveals the ways in which blacks, mulattoes, and mestizos mediated between Spaniards and Indians, alternatively reinforcing Spanish authority and challenging it through alliances with Indians. Bringing to life colonial subjects as they testified about their experiences, Hall of Mirrors discloses a series of contradictions that complicate easy distinctions between subalterns and elites, resistance and power.
The arts: general issues.
"A brilliantly conceived dual-track account of the two greatest economic crises of the last century and their consequences"--
Famous professor Joseph Wieder was brutally murdered, and the crime was never solved. Years later when literary agent Peter Katz receives an incomplete memoir written by a student of the murdered professor, he becomes obsessed with solving the crime.
The military scholar and author of The Human Face of War analyses the nature of 20th-century war and warfare in this wide-ranging study. The 20th Century was possibly the most violent and turbulent century in history. The wars waged in those ten decades reshaped the globe and wreaked an incalculable toll on human life. In The Hall of Mirrors, military analyst and historian Jim Storr explores what can we learn from war, and warfare, in the 20th century. Rather than presenting a narrative history, The Hall of Mirrors takes a deep look at the nature of 20th Century war and warfare. Storr looks at the strategy, operational art, and tactics employed. He analyzes how technology developed, and how those technologies affected military events. He also considers the effect of individual human beings and organizations. By 1919 the First World War was already over. Millions had died, empires had crumbled, new nations had been born. And yet the so-called Great War was merely setting the stage for another eighty years of crisis, conflict, and change; of alliances forged and broken; of apparent chaos that can appear futile, and yet has enormous consequence.
“A riveting epic, keenly observed and shining with lush historical detail. You’ll never forget this journey.”--Cara Black, New York Times bestselling author of Three Hours in Paris “A sweeping tale of tumult and tragedy— intricate, absorbing, and impeccably depicted, The School of Mirrors will linger in your imagination long after you turn the last page.”--Ann Mah, bestselling author of Jacqueline in Paris A scintillating, gorgeously written historical novel about a mother and a daughter in eighteenth-century France, beginning with decadence and palace intrigue at Versailles and ending in an explosive new era of revolution. During the reign of Louis XV, impoverished but lovely teenage girls from all over France are sent to a discreet villa in the town of Versailles. Overseen by the King’s favorite mistress, Madame de Pompadour, they will be trained as potential courtesans for the King. When the time is right, each girl is smuggled into the palace of Versailles, with its legendary Hall of Mirrors. There they meet a mysterious but splendidly dressed man who they’re told is merely a Polish count, a cousin of the Queen. Living an indulgent life of silk gowns, delicious meals, and soft beds, the students at this “school of mirrors” rarely ask questions, and when Louis tires of them, they are married off to minor aristocrats or allowed to retire to one of the more luxurious nunneries. Beautiful and canny Veronique arrives at the school of mirrors and quickly becomes a favorite of the King. But when she discovers her lover’s true identity, she is whisked away, sent to give birth to a daughter in secret, and then to marry a wealthy Breton merchant. There is no return to the School of Mirrors. This is also the story of the King’s daughter by Veronique—Marie-Louise. Well-provided for in a comfortable home, Marie-Louise has never known her mother, let alone her father. Capable and intelligent, she discovers a passion for healing and science, and becomes an accredited midwife, one of the few reputable careers for women like her. But eventually Veronique comes back into her daughter’s life, bringing with her the secret of Marie-Louise’s birth. But the new King—Louis XVI—is teetering on his throne and it’s a volatile time in France…and those with royal relatives must mind their step very carefully.