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The Hall of Fame for Great Americans provides a window into the cultural changes taking place in the United States from the turn of the twentieth century into the twenty-first. This book is the first examination of the institutional and social history of America’s first hall of fame, from its dynamic opening in 1901 through its protracted decline in the late twentieth century and its brief return to relevancy in the early twenty-first century. It also examines in depth what is arguably the least studied project of Stanford White, one of the most distinguished architects of the Gilded Age. Originally designed for New York University’s new campus in the Bronx, the Hall of Fame once housed ninety-eight bronze busts of men and women deemed “great Americans” within its elegant colonnade, including the likes of George Washington, Nathaniel Hawthorne, Booker T. Washington, Susan B. Anthony, and Robert E. Lee. The Hall was conceived when the Great Man theory dominated American thought. However, as times changed, challenges to ideas concerning greatness and heroism grew, and heroes once celebrated were scrutinized for their flaws. The monument is now a shell of its former glory and largely forgotten, and the NYU campus that once housed the colonnade was eventually sold to Bronx Community College. In 2017, following the violent demonstrations in Charlottesville, Virginia, by white supremacists attempting to prevent the removal of a monument to General Lee, Andrew Cuomo, then governor of New York, thrust the Hall of Fame back into the limelight by ordering the busts of Lee and Stonewall Jackson to be removed. This action joined a national trend to remove monuments deemed offensive. Gerami argues that the rise and fall of this institution mirrors the nation’s changing conception of what comprises a hero. This biography of a public art memorial answers questions about the importance of art history and the cultural evolution of what it means to be great in America.
A hundred years ago, any soapbox orator who called for women's suffrage, laws protecting the environment, an end to lynching, or a federal minimum wage was considered a utopian dreamer or a dangerous socialist. Now we take these ideas for granted -- because the radical ideas of one generation are often the common sense of the next. We all stand on the shoulders of earlier generations of radicals and reformers who challenged the status quo of their day. Unfortunately, most Americans know little of this progressive history. It isn't taught in most high schools. You can't find it on the major television networks. In popular media, the most persistent interpreter of America's radical past is Glenn Beck, who teaches viewers a wildly inaccurate history of unions, civil rights, and the American Left. The 100 Greatest Americans of the 20th Century, a colorful and witty history of the most influential progressive leaders of the twentieth century and beyond, is the perfect antidote.
A sweeping exploration of why and how we look at ourselves through art
The built and landscaped spaces of colleges and universities radiate and absorb the values of the cultures in which they were created. As economic and political forces exert pressure on administrators and as our understanding of higher education shifts, these spaces can transform dramatically. Focusing on the utopian visions and the dystopian realities of American campus life, this collection of new essays examines campus spaces from the perspective of those who live and work there. Topics include disability, sustainability, first-year writing, underrepresented groups on campus, online education, adjunct labor, and the way profit-driven agendas have shaped colleges and universities.
Women and Museums is a comprehensive directory of museums for, by, and about women, providing information about interpretive themes, historical significance of collections, and cultural and social relevance to women, along with programming events and facility information. Useful cross-reference guides and accessible format provide quick and easy ways of finding information on America's women-related museums. Visit our website for sample chapters!
During the rise of New York from the capital of an upstart nation to a global metropolis, the visual language of Greek and Roman antiquity played a formative role in the development of the city’s art and architecture. This compilation of essays offers a survey of diverse reinterpretations of classical forms in some of New York’s most iconic buildings, public monuments, and civic spaces. Classical New York examines the influence of Greco-Roman thought and design from the Greek Revival of the late eighteenth and early nineteenth centuries through the late-nineteenth-century American Renaissance and Beaux Arts period and into the twentieth century’s Art Deco. At every juncture, New Yorkers looked to the classical past for knowledge and inspiration in seeking out new ways to cultivate a civic identity, to design their buildings and monuments, and to structure their public and private spaces. Specialists from a range of disciplines—archaeology, architectural history, art history, classics, and history— focus on how classical art and architecture are repurposed to help shape many of New York City’s most evocative buildings and works of art. Federal Hall evoked the Parthenon as an architectural and democratic model; the Pantheon served as a model for the creation of Libraries at New York University and Columbia University; Pennsylvania Station derived its form from the Baths of Caracalla; and Atlas and Prometheus of Rockefeller Center recast ancient myths in a new light during the Great Depression. Designed to add breadth and depth to the exchange of ideas about the place and meaning of ancient Greece and Rome in our experience of New York City today, this examination of post-Revolutionary art, politics, and philosophy enriches the conversation about how we shape space—be it civic, religious, academic, theatrical, or domestic—and how we make use of that space and the objects in it.
Impress your friends with knowledge of all things American—geography, history, entertainment, people, culture, and quirky miscellany. More than 3,000 questions will fill countless hours of fun as you learn fascinating facts about our country. Now with facts and trivia related to the American flag and “The Star-Spangled Banner,” The Big Book of American Trivia has hours of fun packed within its pages. Perfect for party games, family gatherings, and vacations.